IMDb-BEWERTUNG
5,1/10
1440
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA college journalist infiltrates the campus' cheerleading squad to write an piece on female exploitation, but instead makes unlikely friendships and uncovers a conspiracy involving the footb... Alles lesenA college journalist infiltrates the campus' cheerleading squad to write an piece on female exploitation, but instead makes unlikely friendships and uncovers a conspiracy involving the football team's coach.A college journalist infiltrates the campus' cheerleading squad to write an piece on female exploitation, but instead makes unlikely friendships and uncovers a conspiracy involving the football team's coach.
Cheryl Smith
- Andrea
- (as Rainbeaux Smith)
George D. Wallace
- Mr. Putnam
- (as George Wallace)
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Perhaps Tarantino has started the trend of justifying the legitimate place for trash-films in serious movie history. Jack Hill is definitely a one-of-a-kind filmmaker, an obvious maverick who managed to squeeze as many entertaining moments as he could out of his tight budgets (the fact that Roger Corman fired him more than once shows that Hill was a handful, but never seemed to let up). SWITCHBLADE SISTERS is a hoot, as is FOXY BROWN and THE BIG BIRD CAGE. This film, THE SWINGING CHEERLEADERS, while not as good as other Hill films, has some of the touches that made his previous films successful.
The cast is great. Hill was good at finding attractive women to embody his screen characters, and the knockouts here include Colleen Camp and Cheryl (Rainbeaux) Smith. The plot is some silliness about a female reporter infiltrating the cheerleadering squad at Mesa University to get the scoop. Her boyfriend turns out to be a real jerk, and the eventual outcome is a confrontation with the snooty Camp and some pretty ridiculous bad guys.
The film copies some of Corman's nurses movies (political conscious, making sure the token African-American character is there.)Yet, the film also seems to be parodying these more serious-minded New World pictures. SWINGING CHEERLEADERS is fun, and a reminder of what drive-in films were like (most exploitation films nowadays are not this fun).
Jack Hill---the man, the movies...
The cast is great. Hill was good at finding attractive women to embody his screen characters, and the knockouts here include Colleen Camp and Cheryl (Rainbeaux) Smith. The plot is some silliness about a female reporter infiltrating the cheerleadering squad at Mesa University to get the scoop. Her boyfriend turns out to be a real jerk, and the eventual outcome is a confrontation with the snooty Camp and some pretty ridiculous bad guys.
The film copies some of Corman's nurses movies (political conscious, making sure the token African-American character is there.)Yet, the film also seems to be parodying these more serious-minded New World pictures. SWINGING CHEERLEADERS is fun, and a reminder of what drive-in films were like (most exploitation films nowadays are not this fun).
Jack Hill---the man, the movies...
Needing another member for the cheerleading squad at Mesa State College the cheerleaders open tryouts for anyone who might be interested. As it so happens a student by the name of "Kate Corie" (Jo Johnston) auditions and is accepted even though the head cheerleader "Mary Ann Putnam" (Colleen Camp) is jealous of her for flirting with her boyfriend "Buck Larsen" (Ron Hajak) who happens to be the star quarterback. What nobody knows however is that Kate only wants to join the squad to dig up some dirt for her journalism term paper. And in the course of her work she discovers a lot more than people fully realize. Anyway, rather than divulge any more of the plot and risk spoiling the movie for those who haven't seen it I will just say that this particular film had a reputation for being somewhat sleazy when it first came out. However, while it certainly had some nudity and scenes of a sexual nature, it wasn't nearly as graphic as I had initially thought back then. Likewise, although it was definitely a low-budget drive-in type of movie that one would find back in the mid-70's, it had a fairly interesting plot which managed to keep my attention for the most part. At any rate, while it certainly wasn't a blockbuster film by any means it wasn't that terribly bad either. Accordingly, I give it an average rating.
"The Swinging Cheerleaders" may not be one of cult filmmaker Jack Hills' best, but it's still a solidly engaging film of its type. It probably won't be nearly trashy enough for some people, but for others it should prove to be an agreeable way to spend just over an hour and a half.
Hill and David Kidd wrote the story (using female pseudonyms), about the cheerleading squad for a college football team. Their newest recruit is an uptight gal named Kate (Jo Johnston), who initially is only becoming a cheerleader so she can get inside information for an expose that she wants to write. Among other story threads, the coach (Jack Denton), an alumnus (George Wallace), and a stats professor (Jason Sommers) are lured by the prospect of big winnings and begin to bet on the outcomes of the games.
Once again, Hill does understand that there are requirements for this sort of entertainment, and some of the lovely young ladies do take off their tops. The yarn that he and Kidd spin here is actually pretty straightforward and enjoyable, and things never, ever get overly serious. Not that characters come out unscathed, however, as the virginal Andrea (ever adorable Cheryl "Rainbeaux" Smith) is taken advantage of by lowlife guys, to use one example.
The performances are uniformly solid from the whole cast. Of the main cheerleader performers, sexy blonde Colleen Camp (playing the catty Mary Ann) went on to what is easily the most notable mainstream career of any of them. Future Playboy Playmate Rosanne Katon rounds out this foursome. Ron Hajak and Ric Carrott are fine as personable jocks Buck and Ross, Ian Sander is perfectly odious as creepy and arrogant campus radical Ron, John Quade and stunt coordinator Bob Minor are good as nasty security guards Belski and Ryan, and Mae Mercer is memorable as Professor Thorpes' scary wife.
An amiable if somewhat mild example of 70s sleaze.
Seven out of 10.
Hill and David Kidd wrote the story (using female pseudonyms), about the cheerleading squad for a college football team. Their newest recruit is an uptight gal named Kate (Jo Johnston), who initially is only becoming a cheerleader so she can get inside information for an expose that she wants to write. Among other story threads, the coach (Jack Denton), an alumnus (George Wallace), and a stats professor (Jason Sommers) are lured by the prospect of big winnings and begin to bet on the outcomes of the games.
Once again, Hill does understand that there are requirements for this sort of entertainment, and some of the lovely young ladies do take off their tops. The yarn that he and Kidd spin here is actually pretty straightforward and enjoyable, and things never, ever get overly serious. Not that characters come out unscathed, however, as the virginal Andrea (ever adorable Cheryl "Rainbeaux" Smith) is taken advantage of by lowlife guys, to use one example.
The performances are uniformly solid from the whole cast. Of the main cheerleader performers, sexy blonde Colleen Camp (playing the catty Mary Ann) went on to what is easily the most notable mainstream career of any of them. Future Playboy Playmate Rosanne Katon rounds out this foursome. Ron Hajak and Ric Carrott are fine as personable jocks Buck and Ross, Ian Sander is perfectly odious as creepy and arrogant campus radical Ron, John Quade and stunt coordinator Bob Minor are good as nasty security guards Belski and Ryan, and Mae Mercer is memorable as Professor Thorpes' scary wife.
An amiable if somewhat mild example of 70s sleaze.
Seven out of 10.
In order to write an expose on how cheer-leading demeans women, a reporter for a college newspaper (Jo Johnston in her only role) infiltrates the cheer-leading squad.
By 1974, Jack Hill was looking to escape being typecast as a "blaxploitation director" after making "Coffy" and "Foxy Brown" for AIP. They were pleased by the success and gave him a script called "Rape Squad", which he turned down. This film was given to him with financing attached, although he was only given a title and had to develop the script from scratch (with help from David Kidd, who ironically also re-wrote "Rape Squad").
According to co-writer / director Hill, the film had a 12-day shoot, which meant every inch of film shot ended up in the final product. They started work on the script at the end of January 1974 and the movie was in theaters by May (at other times he says February and June, but the idea remains the same). The original title of the script was "Stand Up and Holler" so actresses would not think the film was about cheerleaders.
I do love Jack Hill, and the fact he is called an "exploitation auteur" really sums him up. But this has to be one of his few misfires. The primary plot of the undercover cheerleader is not very interesting, though the booking subplot makes up for it to a point. You might expect this to be nothing more than an excuse for cheerleaders to get naked, but even in that department it is arguably tame compared to many 80s comedies. This more or less amounts to a cheesy made-for-TV movie that probably was never shown on TV.
Arrow Video offers up a deluxe 2k restored blu-ray of the film. While the movie itself is not great (sorry), the Arrow Video version is worth picking up simply for all the extras, because it's always good when we have Jack Hill doing new interviews and providing new commentary. If he hasn't already, he really ought to write a memoir, because he is full of stories about Roger Corman, Francis Ford Coppola and many others. (The disc also has a 2006 archive interview with DP Alfred Taylor, archive interview with Johnny Legend, and a Q&A with Hill, Colleen Camp and Rosanne Katon recorded at the New Beverly Cinema in 2012.)
By 1974, Jack Hill was looking to escape being typecast as a "blaxploitation director" after making "Coffy" and "Foxy Brown" for AIP. They were pleased by the success and gave him a script called "Rape Squad", which he turned down. This film was given to him with financing attached, although he was only given a title and had to develop the script from scratch (with help from David Kidd, who ironically also re-wrote "Rape Squad").
According to co-writer / director Hill, the film had a 12-day shoot, which meant every inch of film shot ended up in the final product. They started work on the script at the end of January 1974 and the movie was in theaters by May (at other times he says February and June, but the idea remains the same). The original title of the script was "Stand Up and Holler" so actresses would not think the film was about cheerleaders.
I do love Jack Hill, and the fact he is called an "exploitation auteur" really sums him up. But this has to be one of his few misfires. The primary plot of the undercover cheerleader is not very interesting, though the booking subplot makes up for it to a point. You might expect this to be nothing more than an excuse for cheerleaders to get naked, but even in that department it is arguably tame compared to many 80s comedies. This more or less amounts to a cheesy made-for-TV movie that probably was never shown on TV.
Arrow Video offers up a deluxe 2k restored blu-ray of the film. While the movie itself is not great (sorry), the Arrow Video version is worth picking up simply for all the extras, because it's always good when we have Jack Hill doing new interviews and providing new commentary. If he hasn't already, he really ought to write a memoir, because he is full of stories about Roger Corman, Francis Ford Coppola and many others. (The disc also has a 2006 archive interview with DP Alfred Taylor, archive interview with Johnny Legend, and a Q&A with Hill, Colleen Camp and Rosanne Katon recorded at the New Beverly Cinema in 2012.)
7jfm3
The last time I saw this movie was in 1991 on USA "Up All Night" and I haven't seen it since. I first saw it in 1983 on cable when I was 12 years old,I had to sneak downstairs in the middle of the night to watch it,because it was a "dirty movie". Those were the days. It may be cheesy as hell,but I like it. I noticed that Colleen Camp is in this,and no, there are no nude shots of her. One thing I've wondered about this is what type of movie this is: Comedy? Drama? Action? I think it's all three. I miss this movie and I wish it was available on VHS. I see SWITCHBLADE SISTERS is! Why isn't this one?! SWINGING CHEERLEADERS is way better than SWITCHBLADE SISTERS!
Wusstest du schon
- WissenswertesRandall Adams and David Harris saw this movie at a Dallas drive-in on November 28, 1976--it was the second of a double header preceded by The Student Body (1976). Both mentioned their attendance in alibis while being investigated for the murder of Dallas police officer Robert W. Wood. Adams also said that he had to leave this movie before it was finished, as he didn't feel comfortable with its content. Adams' eventual conviction was the subject of the movie Der Fall Randall Adams (1988).
- Patzer(at around 1h 30 mins) The scoreboard shows the score as 13 to 0. At1:30:13, Mary Ann says that "We're 21 points behind!"
- VerbindungenFeatured in Der Fall Randall Adams (1988)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- The Swinging Cheerleaders
- Drehorte
- Esplanade Street & Argonaut Street, Playa del Rey, Los Angeles, Kalifornien, USA(campus police spot Buck and pull him over on Esplanade)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 150.000 $ (geschätzt)
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