Der rosarote Panther kehrt zurück

The good: dead pan humor. Over the top silly and childish, but the good kind of silly and childish.

When we were kids in the seventies these were THE comedies we used to watch and we laughed our heads of. Watching it now as a grown up, I must confess there are several scenes that are kinda lame, but overall this movie still stands strong some 50 years later.

More good: Peter Sellers Peter Sellers Peter Sellers. He has perfected the dead pan humor, saying ridiculous things, with a straight and serious face.

There is a lot of slapstick as well, some work, some dont, but overall still a fun watch.

I consider this to be the best of all The Pink Panther series...

Recommended for family viewing, young and old.

Peter Sellers is such a unique and choreographed actor that always seems to have moments of brilliance, and this film is no exception. Often times when I watch Sellers films there are moments that bring the legendary Charlie Chaplin to the forefront of my mind because while I am watching a genius in Chaplin perform, I often catch myself with my jaw dropped because I feel I am watching a masterful ballet. Sellers is one of the few artists that can bring Chaplin's genius to the forefront of my mind from time to time, which is saying a ton.

But as good as Sellers is, the film wouldn't be extremely good with him alone, and Blake Edwards, Christopher Plummer and Herbert Lom are there to make the film extremely good overall while keeping pace with Sellers.

Sellers stars opposite Christopher Plummer and Plummer performs good in this role. An actor with less skill could have easily overreached or left far too much on the table in the role that Plummer performs, but Plummer does neither and turns in a good needle threading performance. Herbert Lom is extremely good in his part for sure, and he plays the part just over the top enough so it braises my forehead, which is just what the character calls for, and he delivers.

And somehow Blake Edwards is able to balance these 3 good performances that all come from quite different angles into an extremely good film, and Edwards has his vision shine through while allowing performers to perform.

We have all seen comedies like this that simply do not work because the Directing & Acting is not of a high enough caliber, but it is refreshing to see in a film such as this when the Directing & Acting do indeed work, and we end up with an extremely good film.

Return Of The Pink Panther marked Peter Sellers first appearence as Inspector Closeau since A Shot In The Dark (1964) and kicked off a celebrated Pink Panther sequel trilogy. To follow was The Pink Panther Strikes Again and Revenge Of The Pink Panther. I say trilogy because of course 'Revenge' saw Sellers' last outing before his premature death.

This film is a refreshing return to the roots of the original with Closeau on the trail of the PP diamond after it is once again stolen by the infamous Phantom. The Phantom's alter-ego, Sir Charles Webb (Christopher Plummer taking over from David Niven), is naturally assusmed to be the culprit but he is in fact innocent and so joins in the search.

Steve, from the first page, is spot on with his review of the film. It is slow and quite dismal when Sellers is not on screen and the sub-plot involving Sir Charles is weak and uninteresting, which was not the case with Niven in the original but nevertheless Plummer is an inspired choice for the role. Actually, the whole story isn't really clear or upfront, just Sellers at his best. And when he is on the screen, its gleaming with hilarity with a genius at play.

The result is a comedy which has its obvious flaws but also one which has many, many memorable and rip-roaring laughs. Return Of The Pink Panther is an irrestible treat and a must-see. I'm just having trouble figuring out which is better - this or Strikes Again. They're both great!

I very much enjoy this installment of the series. Not very fond of any of the others. The Return of the Pink Panther just has it all in my opinion. You get a crime story, funny/stupid humor, Clouseau who still has no idea of what's going on(this just makes the movie what it is).

The fight between Clouseau and Kato in the apartment is hilarious. One has to wonder how long Kato was waiting in the refrigerator. The fight is just very slapstick and clumsy that it makes me and my girlfriend laugh every time we see it.

Another great point of the film is the numerous cars that Clouseau goes through. Loosing a few into a pool.

The mental breakdown of Herbert Lom's character is also one of the film's fine points.

This is -- my opinion -- the funniest of the series. I have always enjoyed it, and most likely will always enjoy it.

The famous and invaluable diamond known as the Pink Panther is stolen once again from the museum in Lugash, and the authorities decide immediately that to effect the return of this National Treasure they must seek the help of the one man they know will bring the needed expertise to the case: Clouseau. And so it is that `The Return Of The Pink Panther' is entrusted to none other than the inimitable Inspector (Peter Sellers) from France, much to the chagrin of Chief Inspector Dreyfus (Herbert Lom), who, knowing what unbridled mayhem Clouseau is really capable of, would like nothing more than to be rid of him once and for all. But such a request from the sovereign authorities of a friendly nation cannot be denied, and Clouseau is therefore dispatched with all haste to Lugash, with orders to bring the criminals to justice, and insure that the case is indeed-- to quote Clouseau-- `solv-ed.' Some ten years had passed since director Blake Edwards and Sellers had teamed up for the brilliant film `A Shot In The Dark,' before coming together once again for this third installment chronicling the misadventures of the `belov-ed' Inspector Clouseau. But the wait was certainly worth it. Cleverly written and delivered, it affords Sellers ample opportunities to do what he does best: Make you laugh. Whether affecting an alias in disguise or forthrightly confronting the usual suspects, Clouseau deftly uncovers every `ploy' attempted by the unscrupulous thieves he seeks. There are moments so hilarious that even co-star Catherine Schell (Claudine) has trouble keeping a straight face at times; but rather than being a distraction (as you'd think it would be), it somehow makes it even funnier. And it's a great example of why this movie is so good, and why it works so well. Simply put, it's fun. Edwards has a formula for success that begins with having a good story at the core, an excellent supporting cast to flesh it all out, then mixing it all together with the main ingredient which is, of course, Sellers. It's one that works, and of which directors of some of the more recent fare being proffered as `comedy' could benefit. Christopher Plummer is well cast as debonair master thief Sir Charles Litton, bringing an air of sophistication to the film that contrasts so well with the antics of Sellers. Characters returning after debuting in `A Shot In The Dark' include the terrific Lom, whose Chief Inspector Dreyfus is the perfect foil for Clouseau; Andre Maranne (Francois); and of course Burt Kwouk as Clouseau's ever-attacking manservant, Cato. The scenes between Sellers and Kwouk, in which they spar at Clouseau's house, are a riot, as is the way Sellers and Lom play off of one another throughout the film (or the series, for that matter); Lom's `reactions' alone to what Sellers is doing are classic bits of comedy. Rounding out the supporting cast are Peter Arne (Colonel Sharky), Peter Jeffrey (General Wadafi), Gregoire Aslan (Chief of Lugash Police), Victor Spinetti (Hotel Concierge) and John Bluthal (Blind Beggar). A number of elements go into making a comedy work, and `The Return Of The Pink Panther' has them all, but most especially, Peter Sellers, who without a doubt is one of the funniest actors ever to grace the silver screen. His comedy works because he always plays it straight and allows the humor to flow naturally from the situation at hand; there's never a laugh that is forced or false. Consider one of the opening scenes in which Clouseau, walking a beat, questions a blind beggar with a monkey about having the proper permits to beg, all while the bank in front of which they are standing is being robbed. There's a purity about it that makes it a joy to watch; the kind of film you can see over and over again and never get tired of. One of the great things about video and DVD is that it affords us the opportunity of cuing up this film-- as well as the other `Panther' movies-- at will. For a lot of laughs, take advantage of the technology at hand and check out Peter Sellers and discover what `classic' comedy is all about. It never gets old, and somehow just keeps getting better with age. I rate this one 9/10.