Der rosarote Panther wird gejagt

Trying to piece together a movie with a limited number of outtakes is asking for trouble. Actually, they (barely) manage to make a plot of some kind for about the first half of the movie. But when they run out of footage of the late star (even desperately at one point using a longer version of a scene that actually made the final cut in a previous Panther movie), the movie collapses with the ridiculous device of trying to finish the movie by having people relating their memories of the detective.

However, during this second half, there is one bright spot: Richard Mulligan, who plays the famous detective's father. He is *hilarious* in his scenes! And the scenes showing the past of the detective (played by different actors) were pretty amusing. You have to wonder why the movie didn't just focus on Mulligan or the idea of showing the detective in the past.

Cut 45 minutes of filler material and this would make a nice little hour-long network retrospective and a decent tribute to Peter Sellers. It mostly plays that way anyway, with a "plot" which is simply dropped halfway through, serving only as one of the framing devices to introduce the Sellers clips. The other framing device, a reporter's series of interviews with Clouseau's associates, is so inanely written and obviously "tribute-y" that it's shocking to remember that this was a theatrical feature film.

And that was Blake Edwards' major mistake. Some of the unused footage is amusing, but if it had been up to Sellers' usual hilarious standard, it wouldn't have gone unused. And the flashback sequences are made up of, well, flashbacks--scenes which we already saw in the previous movies. On a TV special, that would have been fine. Here, it just makes you wonder what Edwards could have been thinking.

I've been watching Pink Panther films since I was very young. Peter Sellers is probably one of the early names I got to fix with a face on the screen, he and Roger Moore. I really like Sellers and this series is one of my favorites. However this isn't really a new film. It's Blake Edwards' tribute to Peter Sellers. It could have worked out great if it was a television program because it's a mere collection from old Panther films shown as the characters who knew Clouseau from the old films narrate about their relationships with him. It was fun to watch though. But makes you sad as it makes you nostalgic to Sellers and the old films and the "baameb".

Peter Sellers died in late 1980, just as he was on the verge of getting another Clouseau flick off the ground. The film was to be titled Romance of the Pink Panther, and this time Sellers was writing the film, with Blake Edwards nowhere in sight. Upon Sellers' death, UA offered the film (which was originally to be helmed by Sidney Poitier, then later Clive Donner) back to Edwards. Rumor has it that the studio wanted Dudley Moore to replace Sellers. Moore and Edwards passed on the same grounds: that no actor could possibly replace could Sellers. A sensible move. Unfortunately, Edwards had other ideas....

This is the result.

There's seldom been a film that's felt as simply, utterly wrong as Trail of the Pink Panther. With this film, Edwards attempted to make an "all new" Panther escapade using deleted footage of Sellers from the previous three Panthers, with brand new scenes filmed around him to make it appear as if Sellers was really involved. For a little while, it almost works (the joins are at times seamless) despite itself. But then you see a sequence lifted wholesale from "Strikes Again" (Clouseau's mishap with a bag of groceries) and things go rapidly downhill. The Sellers footage is of course very amusing, but it's painfully obvious which Panther films the scenes were cut from (especially the "Strikes Again" footage, where a number of that film's supporting characters suddenly appear for no good plot reason) and the flimsy plot does all manner of convulsions to fit the scenes in.

Then, 40 minutes in, Clouseau vanishes, his plane having "disappeared". Suddenly, what plot there was (which was nothing hot anyway) evaporates and the film wanders into would-be Citizen Kane territory. From here on Joanna Lumley (quite lovely with a French accent) wanders in as a TV reporter determined to track down Clouseau. With her arrival, the pace grinds to a halt and so do the laughs. It's certainly nice to see some of the early Panther notables again (David Niven, Graham Stark, Capucine) along with an amusing contribution from Richard Mulligan as Clouseau's even battier father, but even this doesn't really work, outside of padding the film to a releasable running time.

Even worse is that Niven, who was gravely ill at the time, is dubbed by C-Grade impressionist Rich Little. Little can be hilarious impersonating celebrities (his Howard Cosell on Futurama is a blast) but his attempt to seriously imitate Niven is just painful, with his own accent frequently creeping in. It only gives Niven's scenes a bizarre, otherworldly quality, in a film that already feels mighty creepy. Little is also roped in to imitate the voice of Harvey Korman (more successfully) and Sellers (excruciating), which only makes things stranger.

This second half of the film mixes Lumley's interviews with Clouseau's contemporaries with heavy doses of flashback footage (from earlier Panthers), all of it so much better that the new stuff. Even when it attempts to be funny on its own, Edwards resorts to stealing these gags (as opposed to the footage) from earlier triumphs. Witness Dreyfus's barely concealed laughter during his attempt to eulogise his former nemesis...And then remember that he did the exact same thing in "Revenge"...

If there is one shining light in this misbegotten dud, its the peerless Herbert Lom. He's a truly underrated comic presence who manages to rise above the material with all his facial ticks, pratfalls and explosions of rage.

The final shot of the film, with Clouseau standing on a cliff face, looking out to sea (only to get pooped on by a seagull) manages to sum up the whole enterprise. It's a blatant stand-in (how could it be anything but?) and when he does speak (cursing the "swine seagull") it's clearly Little's voice doing a bad Sellers impression. Having passed on "Romance" because he believed no one could replace Peter Sellers, Blake Edwards only went on to prove his point.... In an even less dignified way!

Maybe the final comment should go to Edwards and his dedication at the beginning of this misguided, shambolic but possibly well-intentioned fiasco..."To Peter. The One and Only Inspector Clouseau"

Trail Of the Pink Panther is one of the strangest motion pictures ever made. Few movies (Game Of Death II and Plan 9 From Outer Space are perhaps the only other examples) have the dubious honour of featuring a star who died before shooting even BEGAN. As a tribute to the late great Peter Sellers, Trail is something of a failure...as an

exercise in creative editing, it is however a masterwork. Trail is a game of two halves...the Sellers half and the awful half. As is well-known, deleted scenes from the three previous Pink Panther movies (Return, Strikes Back, Revenge) were cobbled together to fake a new appearance by Sellers in this flick. To be honest, this snow job is executed with considerable skill...one could almost believe that Sellers had died midway through production. [In fact, this was almost the case; Sellers died mere weeks before shooting was due to begin on Romance Of The Pink Panther. To be made without the involvement of Blake Edwards in any manner, Romance would almost certainly have turned out to be an even bigger disaster than Trail eventually became.] I said you could almost believe it; because when the outtakes run dry, the movie loses any point or direction and wanders aimlessly for 40-odd minutes. Joanna Lumley, sporting a French accent even more hideous than Sellers', travels from place to place interviewing those who knew Clouseau. All pretence at the ostensible plot (the latest theft of the Pink Panther Diamond) goes out the window, in place of flashback clips and extremely dull comedy sequences. While Herbert Lom gives it his usual best (his attempts to conceal his joy at Clouseau's demise are as always sublimely hilarious) and the odd new scene raises a slight smile at best, the words SELLERS IS GONE, YOU MAY AS WELL SWITCH THE DVD OFF seem to flash before our eyes and cannot be ignored. Richard Mulligan's cameo as Clouseau's father is either amusing or painful, depending on your tolerance level for blatant and witless Sellers aping. But, while Peter IS there, there's plenty to enjoy. Highlights include a disastrous series of errors at an English hotel, Clouseau's fiery car lighter blunder, a painful visit to an aircraft toilet (all excised from Strikes Back) and an alternate take of the famous August Balls Costume Shop scene. Harvey Korman, who was replaced by Graham Stark as Balls in the take used, reprises his role here in new footage. David Niven, who played 'The Phantom' in the very first Panther movie, appears again alongside screen wife Capucine. Niven was dying at the time his scenes were shot, and over the violent protests of his family his lines were dubbed by impressionist Rich Little. Niven has very little to do here; he has a slightly larger part (his very last) in the follow-up, Curse Of The Pink Panther. Trail and Curse were filmed back-to-back, and in the main feature the same cast. Curse, while having a complete plot, lacks even Seller's posthumous presence to elevate the tired sight gags and double entendres Blake Edwards puts Sellers replacement Ted Wass

through. If United Artists hoped that this 'new' Sellers Panther movie would recoup some of the gigantic losses suffered as a result of Heaven's Gate, they were to be sorely disappointed. Both Trail and Curse bombed, and only Trail's curiosity value has saved it from complete oblivion. As it is, this is a weird and curiously compelling last bow from a true master of comedy. Goodbye, Peter, you crazy diamond.