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IMDbPro

Der Duft der Frauen

Originaltitel: Profumo di donna
  • 1974
  • 16
  • 1 Std. 43 Min.
IMDb-BEWERTUNG
7,5/10
5509
IHRE BEWERTUNG
Vittorio Gassman, Agostina Belli, and Alessandro Momo in Der Duft der Frauen (1974)
Dark ComedyComedyDrama

Füge eine Handlung in deiner Sprache hinzuA young private is assigned to accompany a blind captain. It soon becomes clear that they are both complex personalities.A young private is assigned to accompany a blind captain. It soon becomes clear that they are both complex personalities.A young private is assigned to accompany a blind captain. It soon becomes clear that they are both complex personalities.

  • Regie
    • Dino Risi
  • Drehbuch
    • Giovanni Arpino
    • Ruggero Maccari
    • Dino Risi
  • Hauptbesetzung
    • Vittorio Gassman
    • Alessandro Momo
    • Agostina Belli
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,5/10
    5509
    IHRE BEWERTUNG
    • Regie
      • Dino Risi
    • Drehbuch
      • Giovanni Arpino
      • Ruggero Maccari
      • Dino Risi
    • Hauptbesetzung
      • Vittorio Gassman
      • Alessandro Momo
      • Agostina Belli
    • 27Benutzerrezensionen
    • 20Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 2 Oscars nominiert
      • 9 Gewinne & 6 Nominierungen insgesamt

    Fotos26

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    + 19
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    Topbesetzung18

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    Vittorio Gassman
    Vittorio Gassman
    • Il capitano Fausto Consolo
    Alessandro Momo
    Alessandro Momo
    • Giovanni Bertazzi, aka Ciccio
    Agostina Belli
    Agostina Belli
    • Sara
    Moira Orfei
    Moira Orfei
    • Mirka
    Franco Ricci
    • Tenente Giacomino
    Elena Veronese
    Elena Veronese
    • Michelina
    Lorenzo Piani
    Stefania Spugnini
    • Candida
    Torindo Bernardi
    • Vincenzo
    Marisa Volonnino
    • Ines
    Carla Mancini
    Carla Mancini
    • Nun
    Alvaro Vitali
    Alvaro Vitali
    • Vittorio
    Sergio Di Pinto
    • Raffaele
    Inna Alexeieff
    • Aunt of Fausto
    • (Nicht genannt)
    Vernon Dobtcheff
    Vernon Dobtcheff
    • Don Carlo
    • (Nicht genannt)
    Gennaro Ombra
    • Reporter
    • (Nicht genannt)
    Gennarino Pappagalli
    • Man at the Disco
    • (Nicht genannt)
    Franca Scagnetti
    • Nun-nurse
    • (Nicht genannt)
    • Regie
      • Dino Risi
    • Drehbuch
      • Giovanni Arpino
      • Ruggero Maccari
      • Dino Risi
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen27

    7,55.5K
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    Empfohlene Bewertungen

    7bl00m

    Comedy, tragedy, and a great little film...

    Honestly, I'm only writing this to counteract absurd comments by other users. One comment and I'll say no more about it:

    -----Start rant----- I HATE substandard, big star, corporate, homogenized movies. I hated the Bird Cage, I hated Point of No Return, I hated City of Angels, I hated Shall We Dance?(US) and every other movie that simply took a decent foreign film and photocopied it with familiar names in starring roles with dumbed-down dialogue because nobody thought that YOU were smart enough to understand the original. The whole world enjoys movies from other countries, enjoys visions of life in other places represented through film except the good 'ol USA that simply puts a veneer of saccharin over anything internationally successful to create unnecessary and boring hybrids. You don't have to be an intellectual to enjoy foreign movies, you simply have to have a brain in your head. -----End rant-----

    The film is delicate, and presents a wonderful array of issues related to Italian culture at the time: inadequacy in the face of a changing world, individual impotence when fronted with social and personal injustice, and of course, that strange version of love only the Italians can put on screen.

    The film has had a remake, and I found it inferior in just about every way. The original is simply good film-making, not an obvious ripoff that's been pasteurized to cater to a fast-food audience. Gassman is subtle, his manners and style give the film a slow pace, sometimes too slow for my tastes, but it's forgivable if you focus on other facets of the film, like the camera work and the faithful representations of culture through the dialogue. I've never liked Pacino, he's always seemed incredibly boring and stale to me, and his idea of subtlety is whether he should speak a bit more loudly or a lot more loudly. Except for maybe the first Godfather where he was fresh and not yet ruined by the studio life.

    If you don't speak Italian, you'll have to read along, but the translation I saw on the DVD was pretty good.

    See this film when you've had a bad day at work and you want to see how life could be worse AND better in one fell swoop...
    9bobbygmt

    Original Hard to Beat

    It is some time since I have seen both versions of the film, but Dino Risi's original left an indelible mark, unlike the lightweight Hollywood incarnation. The dark, atmospheric "Profumo di Donna" showcases a powerful performance by Vitorrio Gassman - "non sono un leone" reverberates with the tragic realisation of a strong man defeated. Hollywood is so adept at picking a good story well told and churning it out in the familiar mould - big budget, big name lead - but, hey - horses for courses! Most English speaking viewers can't be discomfited to read subtitles and, unless a film is dubbed, would gladly deny its virtue.
    8michelelazzerini

    Vittorio Gassman was not properly an almost anonymous actor.

    I just wanted to outline that Vittorio Gassman has been one of the most famous and skilled and talented Italian actor ever. Dino Risi has made a great direction, but I guess it has been easy with Gassman. Al Pacino is a great actor, but in this case, if we should make comparisons between the two, Gassman in the original and Pacino in the remake...Gassman is much more powerful. All characters in this original version seem to be much more real and strong, and seem to be much more appropriate to fit where this story comes from, the novel of Arpino. The soundtrack then is something no one should miss to notice: Trovaioli has been almost forgotten indeed.
    Philippe-le-Bel

    Gassman at his best: this film is the pride of Europe culture.

    "Profumo di dona"is not only an italian film with exuberant delight of life, it's the pride of Europe and european 7th Art. Why? Because of good playing, good production and of course good scenario. I don't know why American had to do a remake? Or perhaps european sensibility doesn't mean anything in USA? That film give us the opportunity to be happy as human being, to be happy to live. That's why cinema is so magic!
    10Rex, Regis

    A great Masterpiece

    Only 2 User comments available at the time I decided to write this one and both of them negative. Both of them Typical American reaction to a European movie. A big misunderstanding. Yes, the Remake with Pacino is a good movie and nothing else. The original one, "Profumo di Donna" is a great masterpiece, and it makes a big difference. My piece of advice : do not try to watch "Profumo di Donna" with a Hollywood eye.

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      Alessandro Momo (Giovanni Bertazzi, aka Ciccio) died on 20 November 1974 (shortly after the shooting of the movie was completed) in Rome, Italy (motorcycle accident) not far from the filming locations.
    • Patzer
      While sitting outside of the Rome restaurant with Ciccio (44 mins in), the one-armed Fausto is seen impatiently drumming the fingers of his artificial hand on the table.
    • Zitate

      Il capitano Fausto Consolo: [sniffs] Do you smell that?

      Giovanni Bertazzi, aka Ciccio: What, sir?

      Il capitano Fausto Consolo: [sniffs] I smell females. How were they? Tell me. Tall, short? I know they were young. I know the smell of young armpits. Kiddo, what did they look like? Describe them, damn it!

      Giovanni Bertazzi, aka Ciccio: I don't know. I didn't get a good look. There were two of them.

      Il capitano Fausto Consolo: What good are your eyes? Do you like women? Yes or no? And if you do, can't you tell if a breast is shaped like a pear or an apple? If an ass is high or low? Do you think I suffer because I can't see the sunset or the dome of St. Peter's? Sex! Thighs, two nice ass cheeks. That's the only religion. The only political ideal. Man's true country.

    • Verbindungen
      Features Rififi (1955)
    • Soundtracks
      Il canotto
      Written by Gianni Davoli (as Davoli), Fucolari

      Performed by Gianni Davoli

      Edizioni CAM

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 31. Oktober 1975 (Westdeutschland)
    • Herkunftsland
      • Italien
    • Offizieller Standort
      • Tamasa Distribution (France)
    • Sprache
      • Italienisch
    • Auch bekannt als
      • Scent of a Woman
    • Drehorte
      • Vico delle Camelie, Genua, Ligurien, Italien(Mirka's apartment)
    • Produktionsfirma
      • Dean Film
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Weltweiter Bruttoertrag
      • 41.998 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      1 Stunde 43 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.85 : 1

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    Vittorio Gassman, Agostina Belli, and Alessandro Momo in Der Duft der Frauen (1974)
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