Sintflut

Never ever watched a movie to march this wave of involvement of both the makers and a viewer. It leaves one exhausted, transported, elated, weeping and hopeful all at once as well as re-discovering the polish character as a mere tour wont do. All inherent aspects like camerawork, artistry and production surely measure up. Academy awards ain't doing enough credit, to my taste. Me i can think of only 2 other movies of late to shake me thoroughly. But this one shows an altogether different country against what they project these days, a deeper, resolved, committed and mightier one. Not least, they establish a woman the driving force of entire human history. Glory.

A grand epic based on the writings of Henryk Sienkiewicz, The Deluge presents to its audience a gritty world saturated with betrayal and ruin, heroism and patriotism. Outstanding costume design paired with a brilliant cast led to a greatly rich depiction of Slavic aristocracy. Daniel Olbrychski's larger-than-life portrayal of Andrzej Kmicic aptly accomplishes the solemn bearing of a nobleman combined with hints of mania and barbarity.

The story engrosses with its beautiful cinematography, excellent character development, and cultural and historical insights into the Polish nation. The Deluge falls nothing short of monumental.

Potop( the Deluge, in English) is also a story of betrayal by some of the Nobles of Poland who side with Sweden. It is also one part of Henryk Sienkiewicz's Trilogy; the others, also filmed by Hoffman: Pan Wolodyjowski (Colonel Wolodyjowski) and, Ogniem i Mieczem (With Fire and Sword) were released in 1969, and 1999, respectively.

I have been able to find these movies for sale in the US, although they're in Polish, with English subtitles, at Polish import shops, however, I've been unable to find DVDs.

This movie, as well as the other two mentioned, have some violent scenes, but the violence depicted is not unusual for the time period, and such violence was no stranger to Western European counties such as France, Spain and England.

Potop is a very good action flick based on historical events, see it if you can.

"Potop" ("The Deluge") is the film that every Pole knows almost by heart. It is shown on TV every year, either at Christmas time or at Easter - and yet we watch it over and over again and we are never bored with it. There are many reasons for it, like superb acting by some of the greatest Polish actors, especially by Olbrychski as Kmicic (although I personally don't like him very much in his other roles, he just WAS Kmicic - passionate, quick-tempered, desperately in love with Olenka and not too politically wise) and the gripping story covering a tragic period in the history of my nation (that is the Swedish "deluge" as we call it - the 17th century war between Poland and Sweden, when Swedish armies invaded our land and some noble families betrayed the Polish king and accepted Gustavus Karolus).

One of the strongest elements of the film is the care with which the director and the whole crew depicted the 17th century Poland, with the costumes, traditions and food. As an anecdote I can tell you, that at the time the average family saw ham only at Christmas, and never in such amounts as you can see in the film - and yet what you see on the table in the picture is real hams, game and poultry...

The devotion and passion of all the crew members show in the film - and that is why it involves us, the viewers even after so many years. But the most important thing is that whether you know Polish history or not, you will find in the movie some general truths about war, about how it influences peoples' lives, and how the sacrifice of one man can change the course of history. It will also tell you something about the Poles - yes, we are rebellious, we are quarrelsome, and yet we are ready to die for things that are sacred to us - like the abbey in Czestochowa, the "home" of the national treasure: the painting of Madonna, the Queen of Poland.

So watch it and enjoy - it's on my personal list of top 10 films of all times, all nations.

What sets Potop ('The Deluge') apart from the majority of international films is that it manages to escape the art-house ghetto that so many are resigned to, and stand on its own as an engaging piece of storytelling with memorably-drawn characters.

Director Jerzy Hoffman had nearly all of this handed to him on a silver platter. Based on the massive second volume of Henryk Sienkiewicz's Polish Trilogy, Potop follows the crimes, tribulations, and redemption of the nobleman Andrei Kmicic, set against the backdrop of the Swedish Invasion of the Polish-Lithuanian Commonwealth. As a historical epic it is unparalleled, akin more to the works of Tolkien than Dumas, and this all comes down to the strength of the narrative, setting, events, and characterizations, all of which are suitably larger-than-life. Sienkiewicz himself would never really top his work here, and it's no surprise that Hoffman's adaption of the third book in the Trilogy (Pan Wolodyjowski, filmed first though it was the third book) did and does not register much. (It's the weakest book of the three by far).

Though its four-hour runtime will probably repel most American viewers, Potop does contain at least one showstopper sequence that earns its place in film history and cult-movie fandom: this is the sword-fight between the desperate Kmicic and the knight Pan Wolodyjowski. The scene only lasts around 5 minutes, but is such a carefully choreographed, Kurosawan wonder (the actors are visibly using real swords) that it is rightfully considered one of film's all-time greatest sword fights. Throughout the film Hoffman shows a keen aptitude for shooting carnage, but possibly at the expense of everything else; he seems to have little interest in cinematic blocking, and the most effective scene from the book (Radziwill's abrupt betrayal) is rendered strangely flat and unaffecting. With a production this massive, however, perhaps expectations should be a bit tempered.

Potop is a curious contrast to another immensely popular Polish blockbuster, 'Krzyzacy' (Knights of the Teutonic Order, also based on a book by Sienkiewicz), and filmed 14 years earlier in 1960. Krzyzacy was a gorgeously made film with cinematography about on par with Hollywood, but was populated by shallow stock characters and driven by (as per the depiction in a the film) a somewhat vapid youthful romance. The romantic angle in Potop is far superior, with the central relationship between Kmicic and Olenka far more developed and emotionally-wrought than that of Krzyzacy. That being said, the cinematography is uglier and the set-pieces simpler in Potop; maybe because of the extended runtime the budget seems somewhat reduced, the filmmaking less professional. The two films are an interesting microcosm of classic filmmaking versus 70s filmmaking; despite the latter's immovable grasp on the hearts of movie fans, it marked a decided decline in the technical professionalism seen during previous decades. Ultimately, however, Potop remains the better film due to its thematic breadth and narrative complexity.