Der Tod trägt schwarzes Leder

While the original Italian title – THE POLICE ASKS FOR HELP – clearly pigeonholes this one in the then-popular (and incredibly prolific) poliziottesco genre, the English title under which it is better known around the world – WHAT HAVE THEY DONE TO YOUR DAUGHTERS? – implies a giallo in the same vein as Dallamano’s best-known film, WHAT HAVE THEY DONE TO SOLANGE? (1972). In any case, while both elements are effectively present – a hatchet-wielding murderer is the subject of the climactic manhunt – the police procedural themes are more prevalent.

The film deals with a teenage suicide which eventually uncovers a child prostitution ring which, as usual, includes not just the petty sleazy oddballs (here personified by Franco Fabrizi) but also high-profile professionals (a celebrated doctor) and high-ranking government officials (a Minister). The cast is surprisingly good for this type of genre effort: Claudio Cassinelli (as the investigating Police Chief), Giovanna Ralli (unusually cast as a female D.A.), Mario Adorf as the policeman who finds the first body and also discovers that his own teenage daughter was once a “victim” of these perverts, the afore-mentioned Fabrizi and Hollywood veteran Farley Granger in a smallish role as the first victim’s father.

As usual for Italian genre movies, the music score is an asset and here it is provided by Stelvio Cipriani whose motif, while simple and repetitive, is extremely effective given that it involves children singing gibberish (and thus commenting on the main theme of the movie itself even through its performers). Alarmingly, the end titles claim that every year in Italy, 8000 teenagers run away from home but only a small percentage returns to the fold – the majority are never found!

A school-girl is found hung naked in a loft. Initially thought suicide, it soon becomes clear it was a murder. The discovery leads to a sordid case involving an underage prostitute ring and bloody mutilation.

What Have They Done to Your Daughters? is pretty much a companion piece to director Massimo Dallamano's other similarly themed film What Have You Done to Solange? Both movies share stories about murder and abuse of school-girls. As a result they both are a little more downbeat than is usual in this category of film, they aren't as graphically violent as other similar movies either, as the bleak story lines are unpleasant enough as they are. Where Solange was a giallo, this film is a hybrid of the giallo and poliziotteschi; for while there is a murder-mystery plot, the emphasis is squarely on the police procedural side of things. To be fair though this is an excellent show-case for both Italian sub-genres. From the poliziotteschi side of things we have a brilliantly shot and pulse-pounding motorcycle chase scene where a leather clad killer is pursued through the streets by police in a high speed chase; alternatively from the giallo side of the coin there is an intensely suspenseful scene set in an underground car-park where the killer stalks the heroine. In other words what makes Dallamano's film so good is that he is so adept at delivering the goods in both sub-genres.

The two leads are very good. Giovanni Ralli (Cold Eyes of Fear) and Claudio Cassinelli (Flavia the Heretic) as both believable and strong in their respective roles as the police in pursuit of the killer. To accompany things nicely is a very good score from Stelvio Cipriani; it accentuates the suspense moments to a significant degree and surely must be one of his best soundtracks. As you may also expect, it's photographed very well too. So stylistically this is a strong feature but what elevates it more is the unexpectedly serious-minded tone and story which also comments on political corruption. Its cynicism and downbeat nature are mediated, however, with more typical gruesome touches such as a man having his hand hacked off and an autopsy scene involving a torso cut into many pieces.

I've got to recommend this one to my fellow Italian genre enthusiasts. It's the best combination of the giallo and poliziotteschi I am aware of. Its mystery is consistently compelling and it's directed with considerable skill. Well worth tracking down.

Second in Dallamano's schoolgirls-getting-killed trilogy, it's not as good as Who's Next? (Solange) but not bad in its own right. The killer is someone who rides a motorino (hey, it is Italy!) and never takes off his/her riding helmet, ala Magnum Force, the 2nd Dirty Harry film. This one's more exciting than scary, as the police hunt down this maniac. He's one of the cooler villains in film history though, because unlike the traditional drag-ass killer, this guy never speaks and just RUNS at you with a machete. He really SPRINTS at top speed, which is actually very scary, especially to a jaded horror buff used to the Michael Myers/Jason/zombie method of ambling on over to their victims, who usually have to trip in order to be caught. And there's one scene involving a light switch that will make you jump out of your undies. Stelvio Cipriani's score is again top-notch (he later reused part of it for Tentacles), the dubbing tolerable.

The police ask for help: Giallo classic with Giovanna Ralli and Mario Adorf

That's not nice! The very young Silvia Polesi (SherryBuchanan) hanged herself in an attic where she always met her boyfriend for rendezvous. Since it is apparently a suicide, Inspector Valentini (really good: EUROPEAN FILM AWARD nominee Mario Adorf, who received a nomination for ROSSINI by Helmut DIETL in 1997) and the second public prosecutor Vittoria Stori (Giovanna Ralli) are responsible for the case. By chance, however, it turns out that a shady neighbor (Franco Fabrizi) has repeatedly taken photos of the girl with various male acquaintances. Suddenly everything points to murder. Commissario Silvestri (Claudio Cassinelli) is now in charge. At some point, Silvia's overly carefree parents (Marina Berti and Hitchcock star Farley Granger) return to Rome. The inspector finds out that Silvia was probably part of a prostitution ring for very young girls. What does her psychotherapist Professor Beltrame (Steffen Zacharias) have to do with it? And suddenly the murder really starts: a motorcyclist equipped with a cleaver is on the way. The whole thing comes to a head even more when it becomes clear that Valentini's underage daughter is also involved in the prostitution ring...

Things are quite tough here, with hands sometimes being abused with a cleaver. On the other hand, the issue of youth prostitution is dealt with surprisingly sensitively. As a result, this film by Massimo Dallamano (1917-1976) was able to set a style for future Gialli and Poliziotteschi, who then worked on the subject in a more sensational way. And then there is a really good female role for Giovanna Ralli (Era notte a Roma), which wasn't necessarily the norm in Italian genre films of the 1970s.

This skilful mix of Giallo and Poliziottesco is a must-see for any fan of Italian genre cinema!

A young naked schoolgirl is found hanged in a room locked from the inside, the police suspect suicide, until that is the clues seem to point in the direction of murder. So when the police led by Inspector Silvestri(Claudio Cassinelli) with the assistance of the asst district attorney Vittoria Stori (Giovanna Ralli) realise that they are investigating a teen prostitute ring with some highly influential people involved, they know they are going to have a tough time convicting anyone and sure enough their investigation is dogged with interference and dead ends. Dallamano director of What have they done to Solange? again returns to his schoolgirl in peril themed story and like its predecessor it's a highly controversial topic that is handled professionally and intelligently. Despite its topic, there's very little in the way of visual sleaziness here, the offences against the girls are confined to tape recordings the police have and its from these that they build their case. The film is in fact only half Giallo and plays more like a Poliziotteschi (Italian police procedure film), we only get brief glimpses of the leather clad killer as he tries to cover up his identity by killing those who might be able to give him away. Stelvio Cipriani again provides an excellent score, the film looks good visually, no more than you'd expect from a director who used to ply his trade as a cinematographer, there's also a very memorable chase scene that livens up the film immensely. Claudio Cassinelli and Cortese provide some fine acting in their respective roles, if there is such thing as a high brow Giallo this must surely be it.