Invasion aus der Tiefe

Apparently, after a worldwide search for the perfect script writer, director Bill Rebane happened upon a little known writer named Barbara J. Rebane to pen his vision. Where he discovered her is unknown to me, but the two of them created magic together.

She took two bold steps in this film, one original and one copied later with a much higher budget.

First, she broke the survivor-typecast protocol that most writers would dare not violate. Rather than give longevity to the handsome brooding Native American or the outdoorsy Canadian, she gives the nod to the chunky, bearded, bespectacled cretin in the Sherlock Holmes hat. Under normal circumstances, this type of character would be lighting his own gas in the corner of the room while the others formulate a plan and then meet with an untimely, yet slightly humorous death. Rebane, on the other hand, even gives this guy the girl.

The other place where she unwittingly deserves credit is for utilizing the aliens-under-the-ground scenario for a lot less money than Tom Cruise probably paid for his "War of the Worlds" travesty. I'd be curious to know whether she got a "based on an idea by" or an "inspired by" credit in Cruise's film.

PS - despite the fact that I consider these two areas worthy of compliment, I am in no way recommending anyone actually watch this movie.

How can one write a script and produce a movie without one entertaining moment. Film is supposed to be visual in nature and this has people sitting around talking the whole time. And it's no "My Dinner with Andre." Something is killing the people of earth. It's spreading. Some people, trapped in some pretty cold environs (Canada?) are left to try to figure it out. That's all they ever do. Try to figure it out. They have no plan. They have no vitality. The aliens never confront them, to speak of, and so we don't even know what's going on. The outdoorsy scientist has a theory, but it could just be a bunch of hooey. The conclusion is about as stupid as anything I've seen in years. How could someone get the money to put together such a snoozer. If you can't compete with the big boys, at least tell a decent story. As with so many of these, there are long treks through the snow and a snowmobile trip that goes for about ten minutes with nothing happening.

I saw this movie under the title "They" as part of the Nightmare Worlds 50 DVD collection released by Mill Creek. Easily one of the best sci-fi flicks filmed in Wisconsin circa 1970's I've seen this year, mostly because of the mention of Rhinelander, Wisconsin. I admit I was a little let down by the fact there wasn't a single Hodag (Do a Google search if need be) to be found.

Still, killer smoke bombs are without a doubt the most original villains ever. The film is only mostly terribly acted or over acted if you're a bearded cast member in this film and the snow mobile scenes are gratuitous if not plentiful. The scenery is white, the bad guys are red, and everyone owns a checkered flannel shirt.

OK, This is a painfully bad film, the soundtrack is off the wall, the actors are only actors in the sense that they are in the act of doing things in the snow that are (maybe accidentally)captured on film, and the special effects consist of smoke bombs and flashlights with red cellophane covering the lens. For me to sum this movie up in one word, it would be, AWESOME

Lovers of these types of films (Le Bad Cinema), like myself, will find this flick both charming and indispensable. If you got enjoyment out of such fine films as They Saved Hitlers Brain, Mano's or Curse of the Headless Horseman. You will love this...errr "They".

The premise for this movie was interesting enough, and there are some very developed characters in it like the TV talk show host, and his two guests. Unfortunately they only have about five minutes of footage. The main characters are believable and the acting competent. So what went wrong? It's almost as if they started making this movie on an interesting idea, but quickly realized that they had no idea where it was going, because by the time the movie concludes, you feel like you were played for a fool, and wished you never wasted your time. It seems like they made up the plot as they were making the movie. I know it requires a certain amount of cognitive dissonance to watch a movie like this, but this one is so awful you can't even enjoy how lousy it is. Here are a group of people in a winter wilderness with nothing but a ham radio to communicate with the outside world, but they start having a debate about what is going on by reading newspaper articles? What the....? Where are they getting this information about a situation that just started?, and in such an isolated place? By the end, if you don't get disgusted enough to just shut it off before then, it has to be one of the most idiotic movie endings you will ever see. It's like it is for some other totally different movie. I won't disclose it, but believe me, you will want to throw the DVD in the trash.

I saw this film on TV about 20 years ago, and while the film was pretty bad, I could not help but notice that in its basic premise was potentially a very powerful idea. There is something about the idea that some huge conflagration is consuming the rest of the human race, but the people in the film are isolated from it, and watch as it happens from far away. Every now and then they make contact with the force that is destroying the rest of the world over their radio, but they are not important enough either to be singled out or to be meaningfully communicated with.

I remember thinking, that's a pretty cool idea. Someone could actually make a good movie out of it. And finally, someone has, the movie SIGNS.