Füge eine Handlung in deiner Sprache hinzuIn 1840s Missouri, young Huckleberry Finn, wanting to escape his violent drunkard father, joins Black runaway slave Jim on a quest for freedom down the Mississippi River on a raft.In 1840s Missouri, young Huckleberry Finn, wanting to escape his violent drunkard father, joins Black runaway slave Jim on a quest for freedom down the Mississippi River on a raft.In 1840s Missouri, young Huckleberry Finn, wanting to escape his violent drunkard father, joins Black runaway slave Jim on a quest for freedom down the Mississippi River on a raft.
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Unnecessary and unsatisfying musical rendering of Mark Twain's classic "Adventures of Huckleberry Finn". At least, it captures the genuine friendship between Jeff East (as Huckleberry Finn) and Paul Winfield (as Jim). However, these two performers are much more likable in other projects. Interestingly, Mr. East portrayed "Huck" in 1973's similarly presented re-make of "Tom Sawyer", which was considered the better film. In my opinion, East would have been a better "Tom" than "Huck". Some of the photography is rather nice, especially during the more moody ending. The Sherman-Sherman musical numbers are well below standard. The movie doesn't seem much like the book. Roberta Flack sings "Freedom" to end it all, at last.
*** Huckleberry Finn (1974) J. Lee Thompson ~ Jeff East, Paul Winfield, Harvey Korman
*** Huckleberry Finn (1974) J. Lee Thompson ~ Jeff East, Paul Winfield, Harvey Korman
This adaptation of the famous tale by Mark Twain starts with a song performed by Roberta Flack. My recommendation is to listen to the song, then not bother watching the rest of the film.
It does not take long to realize that the familiar story has been changed odiously and unforgivingly to fit another vision that is nowhere near as quaint and clever as Twain's. The writers have hijacked the famous title, changed the story, sanitized it in a way that recalls the censorship cases of the past, removed the authentic dialect, extracted the charm, and added music. We might ask why.
Apparently, to serve their own agenda. Then why not create this other story under another title, rather than usurping Twain's reputation? The result they have achieved with this modified piece is as inauthentic as a Bach fugue with its notes changed. Those who celebrate Twain's writing skills, his peerless wit, and his hard work preserving the native dialects of his time and location will find this to be a shallow (and dishonest) tweaking of Twain's timeless classic.
It does not take long to realize that the familiar story has been changed odiously and unforgivingly to fit another vision that is nowhere near as quaint and clever as Twain's. The writers have hijacked the famous title, changed the story, sanitized it in a way that recalls the censorship cases of the past, removed the authentic dialect, extracted the charm, and added music. We might ask why.
Apparently, to serve their own agenda. Then why not create this other story under another title, rather than usurping Twain's reputation? The result they have achieved with this modified piece is as inauthentic as a Bach fugue with its notes changed. Those who celebrate Twain's writing skills, his peerless wit, and his hard work preserving the native dialects of his time and location will find this to be a shallow (and dishonest) tweaking of Twain's timeless classic.
I'm back to deliver another commentary after reading the book. Like the book, I couldn't wait for the movie to be done. I thought the ending got smoothed out a little bit, but it was a "musical adaptation" of the story, so if you wanted the mess that was the ending of the book, this isn't the place to look for it.
Speaking of which, I'd love to see a musical movie of Big River, which is the 80s musical version of the book. It has fabulous music, and while it also smooths out the ending, the music more than makes up for it.
The most enjoyable part of the movie was seeing Harvey Korman's The King. I was secretly hoping that Tim Conway would end up being The Duke, and that would have been awesome. But he was great, as he always was on Carol Burnett and other roles.
Speaking of which, I'd love to see a musical movie of Big River, which is the 80s musical version of the book. It has fabulous music, and while it also smooths out the ending, the music more than makes up for it.
The most enjoyable part of the movie was seeing Harvey Korman's The King. I was secretly hoping that Tim Conway would end up being The Duke, and that would have been awesome. But he was great, as he always was on Carol Burnett and other roles.
Actually, not a bad film that follows the Twain book pretty well (probably because it's a Readers Digest production), but is about as dated as the book actually is and a product of the era in which the story takes place. This doesn't mean that the overall film doesn't hold a place in either American literature or film history. It's a musical without being an overpowering musical (which is good for me since I'm not a musical fan). Unfortunately, I see modern audiences avoiding this film without appreciating its innocence and morals and original intentions. If you've seen this film, what did you think of it?
Mark Twain purists might take issue with the changes made in the story of the
classic Huckleberry Finn. But I rather like the approach that was taken here and also the performance of Jeff East in the title role.
This was East's second film, he debuted the previous year in Tom Sawyer also playing Huck Finn. Later on he would be young Clark Kent in the blockbuster Superman film.
Harvey Korman and David Wayne are nothing short of brilliant as those two rogues the 'king' and the 'duke'. Both look like they are having a great old time. Gary Merrill is superb as Huck Finn's white trash Pap.
In this post civil rights era film particular emphasis is placed on Huck's relationship with runaway slave Jim with whom he shares that raft on the Mississppi. The optimism of Twain's work stems from the white trash background that Huck has, but that how he thinks and reasons and generally tries to rise above it. Some very good scenes are shared with East and with Paul Winfield as Jim.
The Sherman Brothers musical score is serviceable for the film, but nothing outstanding. The sets and cinematography really do convey life in the ante bellum souh and border states.
You can't go wrong with this adaption of Huckleberry Finn.
This was East's second film, he debuted the previous year in Tom Sawyer also playing Huck Finn. Later on he would be young Clark Kent in the blockbuster Superman film.
Harvey Korman and David Wayne are nothing short of brilliant as those two rogues the 'king' and the 'duke'. Both look like they are having a great old time. Gary Merrill is superb as Huck Finn's white trash Pap.
In this post civil rights era film particular emphasis is placed on Huck's relationship with runaway slave Jim with whom he shares that raft on the Mississppi. The optimism of Twain's work stems from the white trash background that Huck has, but that how he thinks and reasons and generally tries to rise above it. Some very good scenes are shared with East and with Paul Winfield as Jim.
The Sherman Brothers musical score is serviceable for the film, but nothing outstanding. The sets and cinematography really do convey life in the ante bellum souh and border states.
You can't go wrong with this adaption of Huckleberry Finn.
Wusstest du schon
- WissenswertesThis was the first musicalization of Huckleberry Finn. The next one happened 10 years later in 1985, on Broadway; it was "Big River." a hit show which ran for several years and won seven Tonys, including Best Musical.
- Zitate
Huckleberry Finn: I don't give a damn what the whole world says, 'cause if I'm doin' wrong--well--well, I hope I roast in hell forever.
- VerbindungenFollows Tom Sawyers Abenteuer (1973)
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- Erscheinungsdatum
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- Auch bekannt als
- Mark Twain's Huckleberry Finn: A Musical Adaptation
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- Budget
- 3.000.000 $ (geschätzt)
- Laufzeit1 Stunde 58 Minuten
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- Seitenverhältnis
- 2.35 : 1
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By what name was Huckleberry Finn (1974) officially released in India in English?
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