Labyrinth des Schreckens

A group of American tourists is visiting Spain. A red-cloaked killer is with them (or following them). The killings are nasty and the victims always have one of their eye balls removed. Right in the beginning of the film there's a very sudden and brutal murder. The fateful knife flashes out, the unlucky victim screams and screams again and the knife goes down and down. From this moment on I was hooked to the film.

Slasher film fans should like "Gatti rossi in un labirinto di vetro" (Eyeball). The action never lets down and the film is incredibly light and humorous. There are of course pretty girls and the mandatory lesbian couple (with rights to jealousy, fight and reconciliation scenes). The viewer is given a lot of red herrings and this enhances the fun still more. The Spanish locations are delightful (Barcelona and Sitges) and Umberto Lenzi displays his usual cinematic ability with swift and precise camera movements and editing. There are good killing scenes, particularly one in a funhouse.

I guess you won't be able to find out who the killer is. Anyway the story does make sense but is of secondary importance for those who want to enjoy the film.

"Gatti Rossi in un labirinto di vetro" (Eyeball) could be defined as a summer movie for grown-ups. It has it all – it's violent, sexy, funny, colourful and it has a cool soundtrack. So just let your critical brain at the door and enter this giallo funhouse. You may enjoy the ride.

"Eyeball" or "Gatti rossi in un labirinto di vetro" is mediocre giallo which has serviceable story and characters. It isn't badly made and it even has some decent acting and music. Sadly, it's predictable, nudity present isn't anything special and characters aren't that much interesting and therefore movie isn't anything more than a forgettable afternoon watch for a genre fan. 6/10! Only for the genre fans!

Eyeball (AKA Red Cats in a Glass Maze)

Italian/Spanish co-produced giallo/slasher, written and directed by Umberto Lenzi, and starring John Richardson, Martine Brochard, and Andrés Mejuto. A group of American tourists are on a bus/coach tour of Barcelona. However, before long female members of the coach party are being picked off by a mysterious figure dressed all in red when the party stops for sightseeing attractions or overnight stayovers. But the women aren't just being killed; the left eyeball of each victim is gouged out - sometimes prior to death. The lead detective retires in one week, and is keen to solve the killings before he leaves, whilst the rest of the party just try to survive.

The plot of this is actually bonkers, the number of red herrings is ridiculous, and the murderer's motive is one of the most utterly stupid ever - none of which stops it from being a load of fun! The cast are good (plenty of faces from other Italian genre films), there's a lot of blood plus severed eyeballs, all the nudity you'd expect from a 1975 Italian exploitation film, and a good helping of so-bad-it's-good dialogue. Having said all that, unlike with a lot of these films, the plot - whilst insane - is at least followable (often with these you end up abandoning any hope of coherence, and just watch for the crazy spectacle). Real OTT fun. Oh, Bruno Nicolai's funky score - bizarrely at odds with some of the carnage - deserves special mention! 7/10.

Highly ridiculous and campy, cheesy dialogue and low production values but fun as hell. This is one of the giallo that falls more on the same side stylistically as the American slashers despite proceeding that whole movement by half a decade. Less flair and more gore but it's still a lot of fun. Still, this is one you'll probably enjoy more as a fan of giallo than of 80s slashers or anything like that. Watch at your own risk.

I had low expectations going into this one-which often helps. However, I thought that this movie was kind of fun; the 30 or so flagrantly dropped red herrings, the lesbian couple thrown in "just for kicks", the ridiculous premise, very over the top. I have a low "boredom" threshold and I didn' find this tedious, and you're definitely guessing up until the very end "who the mysterious killer is". Yes, this isn't in the same class as say a few of the Bava or Argento giallo's, but if you're a die hard giallo fan, then this is a must see (at least once!). There's some nice editing and a few surprises and nice shots here and there. I loved the whole "red raincoat" thing, yes, hackeyed and done as nauseum in the past, but it was nice regardless. Some good touches, I'm giving this a sold 5 star!