IMDb-BEWERTUNG
6,6/10
3831
IHRE BEWERTUNG
Die Polizeidetektive Freebie und Bean aus San Francisco sind entschlossen, den örtlichen Verbrecherboss Red Meyers um jeden Preis zu sprengen.Die Polizeidetektive Freebie und Bean aus San Francisco sind entschlossen, den örtlichen Verbrecherboss Red Meyers um jeden Preis zu sprengen.Die Polizeidetektive Freebie und Bean aus San Francisco sind entschlossen, den örtlichen Verbrecherboss Red Meyers um jeden Preis zu sprengen.
- Auszeichnungen
- 1 Gewinn & 2 Nominierungen insgesamt
Charles Bail
- Cadillac Salesman
- (as Chuck Bail)
Eddy Donno
- Bag Man
- (as Eddie Donno)
Empfohlene Bewertungen
This movie is both odd and quite funny. I saw Freebie And The Bean at the theater and laughed so hard I was actually asked to leave.
It's always a pleasure to watch Alan Arkin work, and he works so well playing off James Caan, who's fantastic in this film, too. Be forewarned, though, if you're bothered by things politically incorrect, you may be offended by Freebie And The Bean.
The story is unimportant because it's the comic skits that make this movie work. Freebie (James Caan) is part of a detective team who thinks the major part of his benefit package is whatever he can walk away with, while Bean (Alan Arkin) plods along worrying that his wife is having an affair with the landscaper. Freebie and the Bean crashing their car off an overpass and into the upper floor of an apartment building, Freebie giving Bean a fashion lesson about why buttons don't fall off of expensive shirts, or Bean grilling his wife, played by Valerie Harper, attempting to catch her in a lie about the suspected affair....these are worth watching the film for and are some of the funniest scenes I've ever seen. Keep in mind, though, this movie is quite violent and there's this fantastic trans-gendered character who seems to offend alot of folks as well.
I'll own this movie as soon as it comes out on DVD and I totally recommend it.
It's always a pleasure to watch Alan Arkin work, and he works so well playing off James Caan, who's fantastic in this film, too. Be forewarned, though, if you're bothered by things politically incorrect, you may be offended by Freebie And The Bean.
The story is unimportant because it's the comic skits that make this movie work. Freebie (James Caan) is part of a detective team who thinks the major part of his benefit package is whatever he can walk away with, while Bean (Alan Arkin) plods along worrying that his wife is having an affair with the landscaper. Freebie and the Bean crashing their car off an overpass and into the upper floor of an apartment building, Freebie giving Bean a fashion lesson about why buttons don't fall off of expensive shirts, or Bean grilling his wife, played by Valerie Harper, attempting to catch her in a lie about the suspected affair....these are worth watching the film for and are some of the funniest scenes I've ever seen. Keep in mind, though, this movie is quite violent and there's this fantastic trans-gendered character who seems to offend alot of folks as well.
I'll own this movie as soon as it comes out on DVD and I totally recommend it.
The Daddy of 'em all. The original & still the best. Arkin & Caan are on top form as (you saw it here first) mis-matched, loose-cannon cops, who leave a trail of destruction (oh, beautiful destruction!) in their wake. With it being the 70's, the language is somewhat 'colourful', which just adds to Caan's character. Foul-mouthed 70's cops, don't you just love 'em? The stunts are top-notch and spectacular, not to mention highly original and almost comic book (The car pile-up scene & 'that' scene where they crash the car)
Rush's direction is excellent as well. He only made this because he couldn't get 'The Stunt Man' off the ground! (which is another corker) Altogether an very, VERY enjoyable romp (COP-romp, that is) The film was virtually remade as Lethal weapon 4 (not to mention 1, 2 & 3!)
My favourite scene is the ludicrous fight in the restaurant kitchen, where Rush must've just said 'try to destroy everything you can in this scene, boys'. Which they did. Brilliant.
Rush's direction is excellent as well. He only made this because he couldn't get 'The Stunt Man' off the ground! (which is another corker) Altogether an very, VERY enjoyable romp (COP-romp, that is) The film was virtually remade as Lethal weapon 4 (not to mention 1, 2 & 3!)
My favourite scene is the ludicrous fight in the restaurant kitchen, where Rush must've just said 'try to destroy everything you can in this scene, boys'. Which they did. Brilliant.
Most buddy cop films are just that, a pair of mismatched boys in blue in pursuit of an evil bad guy. "Freebie and the Bean" has a bad guy, however he is neither important or particularly bad. What is important about this movie is not the story itself, it is all about James Caan and Alan Arkin's deadpan humor while crashing police cars . There certainly have been longer police chases. There certainly have been more crashed vehicles. There never has and never will be a more hilarious chase than in "Freebie and the Bean". The chemistry between Caan and Arkin seems so natural, that it can't all have ben scripted. So forget plot inconsistencies and take a ride with the best buddy cop film ever. Highly recommended. - MERK
One of the best of the cop-buddy-movie genre. Although there is just enough realism to keep the story's premise afloat, Director Richard Rush makes sure that this film doesn't take itself too seriously. Alan Arkin turns in a first-rate performance as the "Bean", the straight guy (with a couple of kinks of his own) against James Cann's maverick "Freebie" character.
There are a few surprising twists, even though a flick this funny doesn't really need much of a plot.
With a strong supporting cast including Valerie Harper and Loretta Swit, I found this feature outrageously funny when I saw it in the theater in 1975, and it's still just as good today. There is a scene with Alex Rocco as the "D.A.", at which my dad, a real-life D.A. at the time, nearly fell out of his seat laughing.
If you can find this classic, by all means watch it. As long as you remember that it's just a spoof, no more a serious look at policing than "Police Academy" was, you'll enjoy yourself. If we're lucky, maybe a DVD release is in the cards.
There are a few surprising twists, even though a flick this funny doesn't really need much of a plot.
With a strong supporting cast including Valerie Harper and Loretta Swit, I found this feature outrageously funny when I saw it in the theater in 1975, and it's still just as good today. There is a scene with Alex Rocco as the "D.A.", at which my dad, a real-life D.A. at the time, nearly fell out of his seat laughing.
If you can find this classic, by all means watch it. As long as you remember that it's just a spoof, no more a serious look at policing than "Police Academy" was, you'll enjoy yourself. If we're lucky, maybe a DVD release is in the cards.
A mainstay on cable in the 70's, Freebie and the Bean is by no means "great" but it certainly is thoroughly entertaining to anyone who doesn't let political correctness stand in their way.
This is no doubt a film that can offend; the two cops (especially Caan) use muscle whenever they can; a crossdresser is treated horribly and insulted; there's some racial humor. But hey, this was made in 1974 when people simply weren't as uptight as they are now.
It's a goofy movie, it has goofy music, goofy comedy and a goofy script. The goofiness, violence and non-political correctness of this flick make for an odd mix, but it's an entertaining mix. Cann and Arkin are great in their roles, and show geniune affection and friendship for each other as they try to keep a criminal alive to break a case.
Car chase fans especially like this movie, and there are some classic chases here! The highlight chase shows the duo chasing after a blue car with some truly amazing stuntwork.
All in all if you aren't the easily offended type, and like some goofy comedy mixed with action, it's worth a spin, if only to see how movies were made when not under a watchdog's microscope.
This is no doubt a film that can offend; the two cops (especially Caan) use muscle whenever they can; a crossdresser is treated horribly and insulted; there's some racial humor. But hey, this was made in 1974 when people simply weren't as uptight as they are now.
It's a goofy movie, it has goofy music, goofy comedy and a goofy script. The goofiness, violence and non-political correctness of this flick make for an odd mix, but it's an entertaining mix. Cann and Arkin are great in their roles, and show geniune affection and friendship for each other as they try to keep a criminal alive to break a case.
Car chase fans especially like this movie, and there are some classic chases here! The highlight chase shows the duo chasing after a blue car with some truly amazing stuntwork.
All in all if you aren't the easily offended type, and like some goofy comedy mixed with action, it's worth a spin, if only to see how movies were made when not under a watchdog's microscope.
Wusstest du schon
- WissenswertesThe film became an action-comedy after Alan Arkin and James Caan met for improvisational sessions in which they explored a more comedic approach to the characters' relationship.
- PatzerDuring the first car chase (with the white van), Bean straps on a police helmet for his safety. In the very next shot of the car, Bean isn't wearing the helmet.
- Crazy CreditsDuring opening credits, as people walk in front of the camera their names appear.
- Alternative VersionenUK cinema and video versions were cut by 29 seconds by the BBFC to remove a face kick and to reduce the number of shots fired into the transvestite from 5 to 2. The version shown on Film Four is uncut and intact.
- SoundtracksTitle Theme: You and Me
Vocals by Bobby Hart
Music and lyrics by Dominic Frontiere, Bobby Hart, Danny Janssen
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Details
Box Office
- Budget
- 3.000.000 $ (geschätzt)
- Laufzeit
- 1 Std. 53 Min.(113 min)
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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