IMDb-BEWERTUNG
5,9/10
18.804
IHRE BEWERTUNG
Verschiedene miteinander verbundene Menschen kämpfen ums Überleben, als ein Erdbeben unvorstellbaren Ausmaßes Los Angeles, Kalifornien, trifft.Verschiedene miteinander verbundene Menschen kämpfen ums Überleben, als ein Erdbeben unvorstellbaren Ausmaßes Los Angeles, Kalifornien, trifft.Verschiedene miteinander verbundene Menschen kämpfen ums Überleben, als ein Erdbeben unvorstellbaren Ausmaßes Los Angeles, Kalifornien, trifft.
- 1 Oscar gewonnen
- 3 Gewinne & 7 Nominierungen insgesamt
Geneviève Bujold
- Denise
- (as Genevieve Bujold)
Walter Matthau
- Drunk
- (as Walter Matuschanskayasky)
Pedro Armendáriz Jr.
- Chavez
- (as Pedro Armendariz Jr.)
Empfohlene Bewertungen
I saw this movie on the big-screen when it was released and I actually found the Sensurround (R) to be annoying, but the film isn't as bad as critics made it out to be. I agree, the casting could have been better (the Ava Gardner/Loorne Green argument is a good one), but this is a special effects movie, and the special effects were pretty good by 1974 standards. Besides, how can a movie about the destruction of LA be so bad?
I really enjoyed the practical effects before CGI took over the film industry. This is the time when making disaster films was a huge challenge. This is decent film making at its best. The visual effects are incredible and is still good by today's standard. This must have been amazing at the time of release. Charlton Heston is a likable hero as usual. I enjoyed how the characters interacted with one another and how their characters developed during and after the disaster. The film did end rather abruptly, but it was an enjoyable action drama.
Remy (Ava Gardner) and Stuart Graff (Charlton Heston)'s marriage is falling apart. She ODs once again after another fight. During a small earthquake, she jumps up and reveals that she's faking. He's a construction engineer working for his father-in-law Sam Royce (Lorne Greene). He starts an affair with the widow of his friend and single mom Denise Marshall (Geneviève Bujold). There is a mysterious drowning at a local dam and other disturbing signs. LAPD cop Lou Slade (George Kennedy) gets suspended for punching a clueless county cop. Miles (Richard Roundtree) is a motorcycle rider perfecting a new stunt. Grad student Russell predicts the big one in 48 hours.
Walter Matthau's getup is hilarious. That bar is a weird place and that T-shirt is super fine. I like that group of characters. They're a little off-beat and slightly fun. I care a lot less about the affair and the jealousy within the Graff marriage. They could drop into the earth for all I care. The earthquake action is as much as can be expected with shaking cameras, miniatures, falling styrofoam and other stuntwork. This is good special effects for its times and satisfies the need for destruction. It's nowhere near as visually compelling as CGI but it feeds the same animal instincts. There is a good 15 minutes of continuous destruction. The aftermath is a mix of good rescue scenarios and bad melodrama.
Walter Matthau's getup is hilarious. That bar is a weird place and that T-shirt is super fine. I like that group of characters. They're a little off-beat and slightly fun. I care a lot less about the affair and the jealousy within the Graff marriage. They could drop into the earth for all I care. The earthquake action is as much as can be expected with shaking cameras, miniatures, falling styrofoam and other stuntwork. This is good special effects for its times and satisfies the need for destruction. It's nowhere near as visually compelling as CGI but it feeds the same animal instincts. There is a good 15 minutes of continuous destruction. The aftermath is a mix of good rescue scenarios and bad melodrama.
Middle of the road disaster movie attempt has all the elements, but just misses the right tone needed to assure the momentum for a two-hour shakedown. Heston (hot on the heels of "Skyjacked" and moments away from "Airport 1975") and Gardner are beyond their prime in roles perhaps better suited to younger performers, nevertheless, there is ample youth displayed in Marjoe Gortner playing an unhinged national guardsman taking his duty far too seriously, Richard Roundtree riding the "Shaft" wave as a self-styled Evel Kneivel, and beauties Genevieve Bujold and Victoria Principal in shallow, supporting roles.
The story revolves around the destruction of Los Angeles following a series of tremors, claiming the lives of many of the cast and sparing some who probably should have perished. Lorne Greene plays Ava Gardner's dad (apparently he was 4 or 5 when she was conceived), Barry Sullivan is a seismologist, and for some unknown reason Walter Matthau plays a barfly who's too sozzled to know what's happening when the big one razes the bar (so to speak). There's the usual solar system worth of stars and character actors in varying roles ranging from George Kennedy as an LAPD cop with plenty on his plate, to HB Haggerty and Lonny Chapman in an uncredited role.
Made at a time when these type of films were in vogue, you didn't need to think too hard about the back stories and soap opera melodrama, just recline and enjoy the ensuing pandemonium, here, focused mainly on the post-earthquake looting and usual stories of heroism, survival and sometimes, tragedy. Nothing heavy nor sentimental with which to contend, it's just plain old meat and drink, take it or leave it, disaster movie 101.
The story revolves around the destruction of Los Angeles following a series of tremors, claiming the lives of many of the cast and sparing some who probably should have perished. Lorne Greene plays Ava Gardner's dad (apparently he was 4 or 5 when she was conceived), Barry Sullivan is a seismologist, and for some unknown reason Walter Matthau plays a barfly who's too sozzled to know what's happening when the big one razes the bar (so to speak). There's the usual solar system worth of stars and character actors in varying roles ranging from George Kennedy as an LAPD cop with plenty on his plate, to HB Haggerty and Lonny Chapman in an uncredited role.
Made at a time when these type of films were in vogue, you didn't need to think too hard about the back stories and soap opera melodrama, just recline and enjoy the ensuing pandemonium, here, focused mainly on the post-earthquake looting and usual stories of heroism, survival and sometimes, tragedy. Nothing heavy nor sentimental with which to contend, it's just plain old meat and drink, take it or leave it, disaster movie 101.
Earthquake almost realistically shows us the devastating effects of such "an event" on a large modern day city. Since movie studios didn't have the resources in 1974 to add expensive computerized effects, miniatures, camera trickery and a few large-scale destructions were used to simulate the quake. However even by today's standards, most (but not all) effects work pretty well. Many of the buildings we see crumbling to the ground are actual locals in Los Angeles and anyone who ever lived is this area (myself included) would still find watching this film chilling to say the least. The sets are very impressive - they made one helluva mess of Universal Studios making this film. The acting is so-so and the ending is disappointing and leaves us with a lot of unanswered questions: what ever happened to Miles and Rosa's brother anyway? And the scenes with Jody the weirdo are just plain uncomfortable. But as far as pure "end of the world" disaster entertainment goes, this film has it all.
Wusstest du schon
- WissenswertesThe producer, Jennings Lang, offered a cameo role to his friend Walter Matthau. Matthau accepted, without compensation, on the condition that he be billed under the name "Walter Matuschanskayasky," the last name being a long-standing "inside joke" that he had used for decades. The role was originally scripted as "a drunk sits at the end of the bar", which was expanded by writer George Fox, giving the character lines of dialogue (involving toasts to celebrities). When the film was completed - as agreed to by Lang and Matthau - "The Drunk" was credited as "Walter Matuschanskayasky." This led to a long-standing (and false) rumor that "Matuschanskayasky" was Matthau's real last name.
- PatzerWhen Miles (Richard Roundtree) drives in and out of the loop on his motorcycle, the stuntman is a White stuntman wearing dark makeup.
- Alternative VersionenFor the initial network television showing broadcast on NBC in September 1976, additional footage was shot to lengthen the film in order to show it over two nights. The most extensive segment of new footage is a subplot of a newlywed couple (Debralee Scott and Sam Chew Jr.) on a flight to Los Angleles so the husband can interview for a job with Stewart Graff (Charlton Heston). The plane tries to land as the earthquake hits, but the pilots are able to regain control and fly away before the runway breaks up. Other significant segments are new scenes with Jody (Marjoe Gortner) and Rosa (Victoria Principal), which establish Jody's obsession with Rosa, as well as one short scene in a pawn shop with Buck (Jesse Vint) and Hank (Michael Richardson), who play Marjoe's roommates in the theatrical version. Contrary to popular belief, these additional scenes were *not* "leftover" footage from the original 1974 theatrical release. Rather, the footage was filmed almost two years later by NBC to expand the film. These additional scenes were shot without the original director Mark Robson, who opted out, (in fact, he loathed the additional scenes), but they were shot with Universal's approval. In addition, two deleted scenes originally shot for the theatrical release were re-inserted into the television version, including a narrative opening about the San Andreas Fault, as well as a scene of Rosa brushing off a guy (Reb Brown) trying to give her a ride on his motorcycle.
- VerbindungenEdited from Der zerrissene Vorhang (1966)
Top-Auswahl
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Details
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Box Office
- Budget
- 7.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 79.666.653 $
- Weltweiter Bruttoertrag
- 79.666.653 $
- Laufzeit2 Stunden 2 Minuten
- Farbe
- Seitenverhältnis
- 2.39 : 1
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