Ein Mann sieht rot

I guess by now you could call this movie a "classic." It would meet most definitions. It was so popular that it spawned a number of sequels, but they just got dumb and dumber. This is one of the most famous "revenge" movies ever made and still stands up today.

This was a very, very simple story and it panders to our base instincts which is probably why it was so successful. Most people want justice, and they want it now....which is what this movie preaches. At the time, the movie was shocking. If it came out today, it wouldn't have nearly the impact. However, the early scene of the mother and daughter raped and killed is still horrifying. That will never change.

The story then slows down as we see the transformation of the husband, from conscientious objector to vigilante. When Charles Bronson hits the streets, the film picks up big-time. The movie also ends on a very satisfying note.

Here is a film whose quality and appeal, much like Sylvester Stallone's Rocky, may be overshadowed by a seemingly endless line of inferior sequels. But Death Wish is a real crowd-pleaser filled with emotion, drama, action and suspense. It's the story of Paul Kersey, a family man (and former Conscientus Objector in Korea) whose wife and daughter fall victim to a brutal attack at the hands of unknown thugs. Yet Kersey doesn't get mad, he gets even as a one-man judge, jury and executioner against those who prey on the innocent. Bronson delivers an underrated performance in a movie that constantly asks the viewer, "What would you do?"

A New York City architect (Charles Bronson) becomes a one-man vigilante squad after his wife (Hope Lange) is murdered by street punks in which he randomly goes out and kills would-be muggers on the mean streets after dark.

Not only is this the film debut of both Jeff Goldblum and Denzel Washington, it is possibly the greatest revenge film of all time. A mild-mannered veteran -- now working as an architect of all things -- going ballistic? Awesome! I have no idea why I waited so long to see this movie... it kicks all kinds of butt, and presents a very interesting amoral picture. Not immoral, but amoral. Do you cheer him on or hope he gets caught? It is a timeless dilemma.

Charley Bronson portrays Paul Kersay, a mild mannered soul who's life is turned upside down when some punks ruin his happy life. After some deep soul searching, Charley comes to the conclusion that all those punks out there walking the streets need a lesson. So, after donning a beannie cap and a heavy jacket, Charley decides to give them all a taste of their own medicine. The night time is the wrong time for muggers when Charley's around. This is the first film in what would later turn out to be a franchise of action/revenge flicks and it made Charley Bronson a household name and a part of Americana.

Highly recommended.

A.

"What do you call people who when they're faced with a condition of fear do nothing about it they just run and hide?" Paul Kersey.

This is one of my favorite films made from one of my favorite books. I lived in New York during the 1970's and can attest that crime was out of control then, the subways, parks and many streets were no man's land at night where you only went if you really had to or else you wanted to score dope, get a cheap hooker (or be one), or just for the thrill and danger. Police corruption had been so rampantly widespread for so long that there was no law and order and the thugs had taken over the night. If you question this just see Serprico and read that book which details how one honest cop almost died and was nearly buried by the massive tide of corrupt cops he was trying to expose, which was practically all the other cops. The majority of the people lived in fear of being in the streets at night and even many places during the day. Even if you packed heat that was no guarantee of anything, it wasn't uncommon to come across a gang of muggers all carrying guns, knives, baseball bats, etc. Most people in New York then were as Paul Kersey described only worse, not only did they run and hide from fear and danger but they ignored the suffering of others. New Yorkers had developed a reputation as cold and indifferent, which was fairly accurate. I remember a concert in Central Park where a girl was gang banged by a group of guys and hundreds of people just watched it, too afraid, too apathetic, or too vicariously sadistic to get involved. Someone even stole her clothes and she staggered around naked and bleeding in the rain. Things were not good and just about everybody in New York felt angry, alienated and helpless. People were sick of it all, the terrible Vietnam war, corrupt Richard Nixon, corrupt cops, corrupt everything, but they mostly were sick of being afraid and tired of living in fear.

Then the movie "Death Wish" came out. The theater was packed when I went, which surprised me, as I had already read the book and knew what it was about but how did these other people know, besides it was a matinée. I discovered why everyone was there when Paul Kersey shot his first mugger: the whole place exploded in screaming cheers and the cheers got more powerful and louder with each subsequent vigilante act. I had been to Yankees games and concerts where you hear screaming and cheers but nothing had the power of the cheers on that day. There was something wonderfully cathartic taking place, everyone in that audience who had ever been mugged or had been afraid of being mugged, which was virtually everyone, was delighting in having the tables turned. We felt safe, and were happy to see a somewhat soft spoken, average kind of a guy being played by Charles Bronson kick a*s for us, take out the bad guys. This was a new, radical concept back then, an open revenge film where an ordinary appearing guy beats the muggers at their own game. It was a great experience and we all felt like we too could be as tough as Charles Bronson, at least during that safe little reprieve within the theater.

Say what you will about the film, its technical shortcomings, you'd be hard pressed or less than honest to say that Charles Bronson didn't display his international appeal in this movie, the one that made him the world's biggest box office draw. He appears in this movie just like he was in real life, a quiet, unassuming kind of guy who really was tough, not the usual Hollywood tough guy who is so unconvincing because he can't fully hide his physical and character based qualities that are everything but a real, quiet, cool tough guy. Bronson was the real deal, just read about his earlier life if you want to know.

This film got a lot of negative reaction as being a crass and brutal revenge film, and other typical cavalier comments. The New Yorkers who lived it, all the ones I knew and the ones in the theater that day, loved it for what it was, a piece of cinematic magic to make us feel like we weren't afraid and would perhaps very soon never have to feel afraid again. If you've never been mugged or been afraid of being mugged it's very easy to tell others how they're suppose to react, what they're suppose to like, think, do, etc. But until you've lived in a real urban jungle, you'll never know the great release that a movie like "Death Wish" can bring you. It's strictly vicarious entertainment but what marvelous entertainment it is!