Der Dialog

The Conversation is a stark look into the modern art of surveillance and its affect on one of its practitioners. Harry Caul (Hackman) is at the top of his business, but he's disturbed. Highly paranoiac, he is troubled by bad things that happened to some innocent people as a result of a prior surveillance job. Now he's afraid it's happening again....

The Conversation could not be more antithetical of the current movie making style. Stark, claustrophobic, unsexy, slow-paced, and with almost no soundtrack, it slowly builds to its dramatic noirish denouement.

A real treat, and as an added attraction the actors include a young Cindy Williams, Terri Garr, John Cazale, and Harrison Ford. Worth the rental unless anything outside of the MTV mould causes agitation.

Perhaps more aptly titled 'The Conscience' as Gene Hackman suffers intense psychological trauma at the prospect the product of his professional life could result in consequences he's previously struggled to accept. As good a performance as any reflecting mental torment and anguish.

However, if he had any awareness of the future world that awaits and the actions governments would take to surveil its citizens with impunity - he really would have something to worry about.

"The Conversation" is a really great movie. I was quite surprised when I saw it. Not at how good it was, but how few people have seen it or heard of it. This is a classic suspense thriller, and a terrifying psychological horror film! From the opening credits, I, like the characters, was unsure of where I was going, or what the opening conversation (which is what the entire film is built around) might lead to. It seemed so unusually powerful, despite its masterfully simplistic execution. There is no overkill or excess in this film, nor is it under written or underplayed. It's just perfect! And I was even more surprised at how little was shown, and how much it could engross or frighten the hell out of me! My heart was racing, even though there was little action! This is the kind of film Alfred Hitchcock would have been proud to direct. The direction went to another master instead, Francis Ford Coppola. I felt ahead of the movie at its opening credits. But then, it blasted me and got miles ahead of me. It is an attack on our psyche and our fear, and it's amazing how, like the film itself, the conversation in the film that seemed so small and irrational could lead to something as big as it did!

This is one of those films I'm glad I gave a second chance because it got much better, and has continued getting better with each viewing (I've now seen it four times).

I know a few other people who watch this and ask, "What's the big deal?" Well, do what I did and give it another chance. Here's a tip: put on the English subtitles. It helps understand what is going on, as the taped conversations are often difficult to discern. Then, you might discover what I did: a fascinating character study, one that did not bore me as it had on the first viewing.

It's the study of a paranoid loner who is suffering a guilty conscience over the work he has done over the years, and what tragic consequences could happen with the latest project he's involved with. Without giving anything away, the loner's fears are realized in a shocking ending, but not in the way he imagined.

Gene Hackman, as always, does a super job of acting. He dominates the film as the main character, "Harry Caul." The topic matter - high-tech surveillance - was intriguing, too. After watching this film, I wondered what kind of surveillance tools are available now, 30 years after this film was made.

Enigmatic, frustrating, confusing, intelligent and overall extremely brilliant work by writer/director Francis Ford Coppola (Oscar-nominated for his screenplay) has surveillance expert Gene Hackman recording a conversation between Cindy Williams and Frederic Forrest. It immediately appears that the duo are having an affair behind Williams' very wealthy husband's (a cameo by Robert Duvall) back. However nothing is quite as cut and dry as it seems. Hackman, a devout Catholic, has a bout of conscience as he worries that Duvall might have deviant plans for his wife and her apparent lover. Apparently Hackman's work had meant the lives of some he had spied on many years earlier in New York and he is shown as a quiet man who has some loud personal demons within his soul. The suspense builds when Hackman is followed by Duvall's shady employee (Harrison Ford) and eventually the heat rises to a boil as all the very loose ends are tied together in a wickedly twisted final act. "The Conversation" was Coppola's other film from 1974 (remember Best Picture Oscar winner "The Godfather, Part II"?). With this movie, Coppola created arguably the two best films of that dominant cinematic campaign (of course Roman Polanski's "Chinatown" would have something to say about that). Hackman delivers a deceptively difficult and dark performance as a man who seems to be self-destructing slowly on the inside out. By the end "The Conversation" is a thought-provoking product that will chill you to the bone with its cold elements. 5 stars out of 5.