IMDb-BEWERTUNG
5,3/10
3341
IHRE BEWERTUNG
In einem Frauengefängnis schließt sich eine Gruppe von Insassinnen zusammen, um gegen die repressive und missbräuchliche Politik der Direktorin und des korrupten Gefängnisarztes vorzugehen.In einem Frauengefängnis schließt sich eine Gruppe von Insassinnen zusammen, um gegen die repressive und missbräuchliche Politik der Direktorin und des korrupten Gefängnisarztes vorzugehen.In einem Frauengefängnis schließt sich eine Gruppe von Insassinnen zusammen, um gegen die repressive und missbräuchliche Politik der Direktorin und des korrupten Gefängnisarztes vorzugehen.
- Auszeichnungen
- 1 Nominierung insgesamt
Cheryl Smith
- Lavelle
- (as Rainbeaux Smith)
Crystin Sinclaire
- Crazy Alice
- (as Lynda Gold)
Mickey Fox
- Bernice
- (as Mikki Fox)
Cynthia Songé
- Rosemary
- (as Cynthia Songey)
Layla Bias Galloway
- Shower Guard
- (as Layla Gallaway)
Empfohlene Bewertungen
There's lots of naked showering in this movie about women in prison. It's all young woman, ranging in age from 19 to 30, except for elderly, wheelchair-bound Barbara Steele (who's 37) as the warden, who wears glasses. There's also Warren Miller as the doctor who likes to experiment with his unconscious subjects and take pictures.
It's Jonathan Demme's first movie as director, and it's exploitation all the way, baby. It's never clear for most of the movie why they're in prison; it's thirty minutes in before one of the inmates talks about how she wound up in the joint, and like every convict, it's a bad rap. Yet when they get a chance to escape, they all seem competent with stealing cars, handling weapons and so forth.
It may be hard to reconcile the director of films like SWIMMING TO CAMBODIA and PHILADELPHIA with trash like this. Yet that was the entree to directing in that period. Earlier, fledgling directors might come out of the vast landscape of B westerns or short comedies. In the 1950s, directors started out in television and moved to the big screen. In the 1960s and 1970s, they worked for AIP and Roger Corman. Yet despite some prestige pictures in the 1990s, Demme returned to trash, with remakes of THE MANCHURIAN CANDIDATE and weird stuff like RICKI AND THE FLASH, like John Ford returning to westerns. Some people never forget where they come from.
It's Jonathan Demme's first movie as director, and it's exploitation all the way, baby. It's never clear for most of the movie why they're in prison; it's thirty minutes in before one of the inmates talks about how she wound up in the joint, and like every convict, it's a bad rap. Yet when they get a chance to escape, they all seem competent with stealing cars, handling weapons and so forth.
It may be hard to reconcile the director of films like SWIMMING TO CAMBODIA and PHILADELPHIA with trash like this. Yet that was the entree to directing in that period. Earlier, fledgling directors might come out of the vast landscape of B westerns or short comedies. In the 1950s, directors started out in television and moved to the big screen. In the 1960s and 1970s, they worked for AIP and Roger Corman. Yet despite some prestige pictures in the 1990s, Demme returned to trash, with remakes of THE MANCHURIAN CANDIDATE and weird stuff like RICKI AND THE FLASH, like John Ford returning to westerns. Some people never forget where they come from.
Unbelievable that a director like Jonathan Demme, responsible for clean and sober Hollywood stuff à la "Silence of the Lambs" or "Philadelphia", started his career in the sleazy world of the B-movies..! But next to his colleagues Brian de Palma and Martin Scorcese producer legend Roger Corman gave him the right kickstart! The film itself has all ingredients a good B-movie´s got to have, because "Caged Heat" is dirty, suspense-packed and happily far beyond the political correctness of Demme´s later films! Nudity, soft sex, violence... there´s nothing left out a decent exploitation movie should contain! Two appearances are absolutely shiny: the one comes from Erica Gavin, the unforgotten boob queen in Russ Meyer´s hilarious sleaze classic "Supervixen"! However, the even greater performance is given by the grand dame of horrors, Barbara Steele! Her part as a paralysed and prudish prison director is the main attraction in this rough WIP-flick! Director Jonathan Demme should have made more films like "Caged Heat"! Unfortunately Oscars became more important to him than honest movies...
We have a bunch of chicks that looks pretty good and they have balls too. They are not some amazing actresses but they are OK: Juanita Brown, from "Foxy Brown"(1974), directed by Jack Hill, Erica Gavin, from "Vixen!"(1968) and "Beyond the Valley of the Dolls"(1970), both directed by Russ Meyer, Roberta Collins, from "The Big Doll House"(1971), directed by Jack Hill, "Women in Cages"(1971), "Death Race 2000"(1975), Ella Reid and Cheryl Smith are "the good girls". Barbara Steele is the "bad girl", the crazy Supt. McQueen, the prison boss. And Warren Miller is the "bad boy", the crazy Dr. Randolph, the prison doctor. They are all doing their best in this debut of Mr. Jonathan Demme, it's not so bad like somebody wrote right here, watch it, without high hopes, and judge for yourself! At least, you'll see some naked women...
As the director of such films as The Silence of the Lambs, Philadelphia, and Rachel Getting Married, director Jonathan Demme has garnered a basket-load of nominations, and a few awards including an Oscar. Everyone has to start somewhere, and this is his directorial debut.
The film features Barbara Steele, the star of the Italian horror masterpiece, Black Sunday, as the prison superintendent. The rest of the cast were either novices, or veterans of B movie films like Vixen or Beyond the Valley of the Dolls.
Not the most exciting dialog, but plenty of boobage, and one really crazy doctor.
The film features Barbara Steele, the star of the Italian horror masterpiece, Black Sunday, as the prison superintendent. The rest of the cast were either novices, or veterans of B movie films like Vixen or Beyond the Valley of the Dolls.
Not the most exciting dialog, but plenty of boobage, and one really crazy doctor.
I'm not quite sure what to think of Caged Heat. Don't get me wrong I think Demme is a magnificent director but this
Ugh, I'm not sure what to say. I read that Caged Heat was praised by critics, I could probably see what they saw in comparison to other girls in prison flicks. It didn't have that aspect of a campy movie. It had some style to it which is good. It shows that Demme had some sense of artistic view from the very beginning of his career. You can tell that he took time in planing out shots. The best example of this is when the camera is passing by the prison cells and you can see each inmate doing something different. Those are also signs of good directing. The characters are memorable and well developed. The movie doesn't aim for showing a lot of skin. Sure some of the girls are very attractive (especially the two blond ones), still the movie doesn't rely on sex at all.
I guess you can say this is a decent first attempt. Considering the budget he had to work with, I'd say its pretty good. Its good to see directors work their way up but never forget where they came from. Demme was grateful to be working with Roger Corman and it shows. He gave him a role in Silence of the Lambs. Nevertheless Caged Heat is nice to check out. It's great entertainment that's for sure. And isn't that what films are all about?
I guess you can say this is a decent first attempt. Considering the budget he had to work with, I'd say its pretty good. Its good to see directors work their way up but never forget where they came from. Demme was grateful to be working with Roger Corman and it shows. He gave him a role in Silence of the Lambs. Nevertheless Caged Heat is nice to check out. It's great entertainment that's for sure. And isn't that what films are all about?
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- WissenswertesBarbara Steele kept herself separate from the rest of the film's cast in order to stay in character.
- PatzerThe prison inmates are seen wearing street clothes both inside the prison and outside of the prison while they are on a work detail.
- VerbindungenEdited into In Hollywood ist der Teufel los (1976)
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- 180.000 $ (geschätzt)
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