Borsalino & Co.

In Marseille, after the funeral of his best friend and partner François Capella, Roch Siffredi (Alain Delon) and his gangsters capture an Italian gangster that tells that the hit was ordered by the mobster Giovanni Volpone (Riccardo Cucciolla). They also learn that his brother is coming to Marseille by train. Siffredi and his men intercept the train and throw Volpone's brother on the rails. Soon Volpone kills Siffredi's men, destroys his businesses, throws his right-hand Fernand (Lionel Vitrant) with a big stone into the sea and captures Siffredi that goes missing. He also uses his influence to replace Inspector Fanti (Daniel Ivernel) by the corrupt Inspector Cazenave (André Falcon). Fernand survives and looks for Siffredi, who is interned in a hospice. Siffredi flees from the asylum with the support of Fernand and they escape to Italy by boat. Years go by until a truck of Borsalino and Co. Travels to Marseille with Siffredi, Fernand and their new gang. Retribution is coming.

"Borsalino and Co." is the sequel of the 1970 "Borsaline", also directed by Jacques Deray with a story full of action of war of gangsters. The revenges of Roch Siffredi and Giovanni Volpone are impressive, especially the one to force the enemy to drink bottles of booze. The conclusion promises a sequel that never happened. My vote is seven.

Title (Brazil): "Borsalino e Cia." ("Borsalino and Co.")

'Borsalino and Co.' (the English title is 'Blood on the Streets') is a good case study of the risks of 'sequel' films. Film director Jacques Deray and producer Alain Delon tried in 1974 to repeat the success of 'Borsalino' released on screen in 1970, which featured Delon and Jean-Paul Belmondo, in an elegant and well choreographed production, in which the two mega-stars almost mathematically divided their time and space on the screen, being extremely careful not to shadow each other. Francois Capella, the hero played by Belmondo, dies in a spray of bullets at the end of the first film, and 'Borsalino and Co.' begins with his funeral. Roch Siffredi (Alain Delon) will spend the sequel looking for the assassins of his friend, taking revenge upon them in a cruel and spectacular way and fighting with his rivals for the control of Marseilles in the mid-1930s. The task will not be easy.

Although it is happening at the same period and in the same locations, the story of 'Borsalino and Co.' has a tone different from the one of the original movie. If there is a moral motivation in 'Borsalino' that balances the character and deeds of the heroes this was friendship. Friendship remains in the second film only a pretext mentioned in the first scenes, revenge takes its place as a feeling that guides the actions of Roch Siffredi. 'Borsalino' was more like a mobsters movie inspired by successful similar American films. 'Borsalino and Co.' slips much further into the 'film noir' genre. Less successful are the political or historical nuances, the introduction of the fascist association of Roch's enemies seems forced. From the light atmosphere, the local color, the humor and the fun of the original film, there is nothing left, even Claude Bolling's music is less inspired this time.

'Borsalino and Co.'o and Co.' it's not a bad movie. It is a cursive action film, and the story has something from 'Count de Monte Cristo', if we are already in Marseilles. Delivered by the need to be careful about the pharmaceutical partition of the screen with Belmondo, Delon dominates the film and creates a role closer to that he had other gangster films in which he played the role of the bad guy with an angelic face. However, the rest of the casting is much less inspired than the first movie in the series, and none of the supporting roles provide the opportunity for an acting creation to remember more than five minutes after the screening ends. 'Borsalino' was a special film, a piece of entertainment with the chance to be remembered long after watching it. 'Borsalino and Co.' it's just a reasonable vintage action movie. It ends with a 'to be followed' sign that never happened, and I believe that the producer and the director were inspired not to continue the series.

For those who enjoy 'the Godfather' and the Sicilian landscapes, Borsalino & Co. is a different view of French gangsterism in the South of France around the 1930's. Alain Delon plays the lead character of Roch Siffredi, a gangster who must fend his empire against the Italian mob who tries to muscle its way through Roch Siffredi's territory and enterprises. How Roch is able to fight back and make an unprecedented comeback while exacting his vengeance on the Italian mob is most original and Machiavellian.

Bottom line, revenge is sweet, and the movie makes great effort in recreating a 1930's decor. The background music and the theme song are particularly enjoying.

I have been a fan of Alain Delon for many years, since first seeing his stunning performance as Tom Ripley in Rene Clement's superb Plein Soleil. He's one of the great icons of French cinema.

Borsalino was a film that I remembered very fondly; although I hadn't seen it since its first release it has always remained vividly in my memory, and when I saw that Kino had released it on disc I ordered it on line. What I received was this sequel, which I wasn't even aware had been made, however I watched it and was hugely disappointed. If like me you remember the original fondly, then avoid the sequel.

According to the distributors the original Borsalino is not available. Ever the optimist, I'll continue to try to track down a copy.

I rented this DVD today and was very disappointed. I had been seeking "Borsalino" and the clerk said, "Borsalino and Co." is in the foreign section. I wasn't yet aware there even was a sequel. I haven't seen "Borsalino" since its original '72 theatrical run. At that time I went to see it three times. I remember seeing the first run of "The Sting" and thinking it was good but not as good as "Borsalino". I loved the original, the music by Claude Bolling was unforgettable. The original had masterful dynamic interplay and tension between Belmondo and Delon. I began watching "Borsalino and Co." and soon realized it was trying yet failing to recapture its predecessor's magic. I loved Delon in "The Sicilian Clan" and other films. He is a cool screen presence, but was so effective contrasted with Belmondo's volatility.