Füge eine Handlung in deiner Sprache hinzuA werewolf married to Dracula's daughter try to survive in late 19th century Staten Island.A werewolf married to Dracula's daughter try to survive in late 19th century Staten Island.A werewolf married to Dracula's daughter try to survive in late 19th century Staten Island.
Patricia Gaul
- Carrie
- (as Patti Gaul)
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Andy Milligan, a maker of extreme low budget horror flicks. Most of them are boring but even stranger most of them aren't available. To find an movie by Milligan you really have to search hard, the only two you will find easy are The Ghastly Ones (Blood Rites) and The Rats Are Coming.... All his other features are in the public domain. So it's for the real geeks out there to find them. if you have seen the two ones mentioned earlier then you will know what to get from Milligan. A low budget movie with almost no acting whatsoever. The effects are not really effects, no transformation into a wolfman, the teeth from Dracula's wife are there from one shot to another. But still, it is watchable because it only clocks in into 1 hour. Now IMDb stated it as 74 minutes but so far I haven't found someone who had that version, so for me there's only this version. Most of he actors only played in this flick or in other Milligan movies, just one has made it, Patricia Gaul. Her biggest acting was in Silverado. This was her second feature. again, if you are collecting grindhouse flicks then you should add it into your collection.
Blood - 1972
( This Films Rates a D+ )
The year is 1883. Strange characters travel from Europe to America and are engaged in human experimentation. A werewolf doctor is married to a vampire who have assistants growing flesh eating plants. These plants are growing stronger and can devour a whole human body. Eventually everything is in chaos. Poor scripting with even worse acting. It is as if I am watching a high school play. Some of the camera angles and sequences are out of focus with poor sound transitions between scenes. At 57:44 and for about 1+ minute, the whole sequence is nothing but a black screen. The film is intentionally funny, from the make up to the costumes to lines like this "Not so fast my pretty, I aint finished yet", But often times its not intentional. Minimal gore though not absent of it. There is not enough action going on for me to love this film (and I love cheese). It has fun moments but overall it falters in to many places.
Well, here's my first Andy Milligan film, and I'm feeling fairly indifferent about it, even though I fully knew what to expect. A strange family move into a new home. The husband is some sort of doctor working on various serums from carnivorous plants. His wife has an aversion to sunlight and needs constant injections. One of their servants is used as a blood bank to feed the plants and is all messed up due to this, and of the other two servants, one has no legs and the other is well on the way to having no legs due to some horrible disease.
The doctor meets his solicitor who's up to something dodgy with his dead father's estate, and also he falls in love with the solicitor's secretary. All this leads to, mainly, is people standing around in period costumes, talking endlessly. This film was under an hour long and I still had to watch it over two nights just to keep my attention.
There's werewolves, vampires, man-eating plants, people getting axed through the head, but everything to me seemed a bit flat and boring. Also, it looked like someone killed a mouse for real at one point – that's no good, is it? I'm not writing Milligan off yet – I've got Guru the Mad Monk to watch too – I'll give that a chance soon.
The doctor meets his solicitor who's up to something dodgy with his dead father's estate, and also he falls in love with the solicitor's secretary. All this leads to, mainly, is people standing around in period costumes, talking endlessly. This film was under an hour long and I still had to watch it over two nights just to keep my attention.
There's werewolves, vampires, man-eating plants, people getting axed through the head, but everything to me seemed a bit flat and boring. Also, it looked like someone killed a mouse for real at one point – that's no good, is it? I'm not writing Milligan off yet – I've got Guru the Mad Monk to watch too – I'll give that a chance soon.
This is one of Milligan's better Gothic style horror dramas. It's a lot in the style of THE RATS ARE COMING!THE WEREWOLVES ARE HERE! But not as dull. The acting is much better than in most of his films and the camera work is not bad.
The film does have two strikes against it. 1)When the wolf man turns into a werewolf he is wearing a silly looking werewolf mask and 2)The action scenes seem to being missing something as if something was cut out. This is how most of Milligan's films seem to be edited though so I can't tell if I was watching a censored print or if it was edited that way.
The film does have two strikes against it. 1)When the wolf man turns into a werewolf he is wearing a silly looking werewolf mask and 2)The action scenes seem to being missing something as if something was cut out. This is how most of Milligan's films seem to be edited though so I can't tell if I was watching a censored print or if it was edited that way.
Blood is another one of Andy Milligan's coma-inducing home-made horrors that tests the patience with its leaden pacing, awful direction, overly verbose script and wooden acting.
Stephen Thrower, author of Nightmare USA, praises Milligan for being a true auteur, with a style that distinguishes his work from other directors. This I cannot deny - Milligan's method of film-making is certainly unique - but everything that Thrower enjoys about his films, I find insufferable. Made on an extremely low budget, Milligan's movies are on a par with amateur dramatics productions, and as much as I appreciate trashy films, they're just too badly made and incredibly dull for me to enjoy.
Milligan certainly gives it his best shot, with a schlocky plot that sees the wolfman's son, Lawrence (Allan Berendt), and his vampire wife Regina (Hope Stansbury), the daughter of Dracula, cultivating carnivorous plants in order to try and cure Regina's malady. Along the way, we also get a bit of incest and some cheesy gore, all of which should add up to a good time, but Milligan's lifeless direction and the dialogue heavy script prevent this from being the entertaining cheeze-fest that it could have been (in the hands of a better film-maker).
2.5/10, rounded down to 2 for the mouse/meat cleaver scene, which I suspect wasn't a special effect.
Stephen Thrower, author of Nightmare USA, praises Milligan for being a true auteur, with a style that distinguishes his work from other directors. This I cannot deny - Milligan's method of film-making is certainly unique - but everything that Thrower enjoys about his films, I find insufferable. Made on an extremely low budget, Milligan's movies are on a par with amateur dramatics productions, and as much as I appreciate trashy films, they're just too badly made and incredibly dull for me to enjoy.
Milligan certainly gives it his best shot, with a schlocky plot that sees the wolfman's son, Lawrence (Allan Berendt), and his vampire wife Regina (Hope Stansbury), the daughter of Dracula, cultivating carnivorous plants in order to try and cure Regina's malady. Along the way, we also get a bit of incest and some cheesy gore, all of which should add up to a good time, but Milligan's lifeless direction and the dialogue heavy script prevent this from being the entertaining cheeze-fest that it could have been (in the hands of a better film-maker).
2.5/10, rounded down to 2 for the mouse/meat cleaver scene, which I suspect wasn't a special effect.
Wusstest du schon
- WissenswertesThe house where the movie was set in and filmed was owned and lived in by Andy Milligan located in northern Staten Island.
- Zitate
Dr. Lawrence Talbot, alias Orlovsky: Regina, just go to sleep.
Regina Dracula Talbot, alias Orlovsky: I hate you!
Dr. Lawrence Talbot, alias Orlovsky: No, you don't.
Regina Dracula Talbot, alias Orlovsky: Oh, go to hell!
Dr. Lawrence Talbot, alias Orlovsky: We're there already.
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Details
Box Office
- Budget
- 25.000 $ (geschätzt)
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