The Black Godfather - Der Schwarze Pate

With the help of Kingpin, Nate Williams (Jimmy Witherspoon), a smalltime crook named J. J. (Rod Perry) works his way up to the big time. Unfortunately, as is often the case in these films, mob types are trying to move in on Williams' turf. Their boss, Tony Burton (Don Chastain) has been pushing his dope on the local youngsters, and that will not stand.

THE BLACK GODFATHER is a solid entry in the urban action / crime subgenre. Mr. Perry's character seems to get tougher and wiser as the film progresses. There are several interesting characters, like the bada$$ Diablo (Damu King). He's definitely the sort of guy you'd want on your side.

The final confrontation contains a surprise for old Tony!...

This movie pretty much follows the same path of many others of it's ilk. A socially conscious hero (Rod Perry) tries to uproot evil in the neighborhood (i.e. drugs) through violent tactics and (of course) runs up against corrupt cops and the mob who (of course) are far more nasty than they are competent. The film has little to distinguish it. Most of the action is at the early 1970s TV show level. On the plus side, Rod Perry does occasionally manage to rise above the material and the opening theme song is pretty cool.

"The Black Godfather" begins with a young guy, J.J. (Rod Perry), nearly getting himself killed but being ultimately rescued and taken under the wing of a guy who is in charge of the numbers rackets in the inner city. Despite nearly getting killed, J.J. is insistent that he has plans---plans on taking down the established white mob that has set up shop in the ghetto. However, and this is odd, it's never really certain what his plans are once he's destroyed this mob. Does he want peace for his community or does he want to be the next mob boss.

This is an unusual blaxsploitation film in that I have seen similar types of movies but never one that is so muted and low-key. The normal bouncy 70s R&B music is gone and so are the loud stereotypical sorts of characters. Some, I am sure, will dislike this--they WANT the crazy over-the-top characters you see in many blaxsploitation films. Some might appreciate that the folks AREN'T so stereotypical. The problem I had is that although I appreciated these sorts of characters, the script itself just lacked energy and life--definitely making this a lesser film of the genre.

By the way, look for the rather visible mic at 20:00 at the top of the screen--much like you'll see deliberately included in the recent blaxsploitation parody "Black Dynamite" (a definite must-see).

After a burglary in Harlem goes bad and his best friend is killed a wounded "J.J." (Rod Perry) is rescued by a man named "Nate Williams" (Jimmy Witherspoon) who is also known as "the Black Godfather" due to the fact that he owns the numbers racket there. After treating his wounds Nate decides to mentor J.J. because he recognizes something special in him. Sometime later J.J. becomes quite influential in both gambling and prostitution--but not in drugs which is controlled by an Italian mobster named "Tony Burton" (Don Chastain). Having seen the devastation within the black community caused by heroin J.J. decides to team up with some black militants led by a man named "Diablo" (Damu King) to make it more difficult for Tony to do business in this part of the city. Unfortunately, Tony has no intention of abandoning such a lucrative market and war soon breaks out. At any rate, rather than reveal any more of this movie and risk spoiling it for those who haven't seen it I will just say that this was a fairly decent "blaxploitation" picture. Admittedly, some of the scenes were rather slow and it could have used a bit more action here and there but otherwise it turned out okay. Accordingly, I rate it as about average.

Despite my skepticism about the whole "cash-in" business, I can't deny that the Blaxploitation genre has yielded some remarkable achievements, most notably Larry Cohen's BONE (1972) and Bill Gunn's GANJA AND HESS (1973); unfortunately, THE BLACK GODFATHER would definitely come somewhere near the bottom if such a list was compiled…! Having already updated private detectives, vampires, monsters and what have you to the funkier generation, it was only a matter of time before we also had a colored Don to lord it over the underworld; it's a pity, though, that the mobster here is nothing like his Italian namesake (unless having his bodyguard named Sonny is enough to earn him the title of "Godfather"!).

Anyway, I've already spent far more time writing about this film than it deserves; suffice it to say that the hip dialogue (brimful of catchphrases like "dig", "nigger", "brother", "right on", "the man", "that where it's at", etc.) is risible, the hairstyles outrageously dated, the action sequences amateurish, the compulsory song score mediocre and the acting woeful. Despite all this, I guess I was in a "bad movie watching" mode tonight because I was reasonably entertained by this junk and I can't wait to get my hands on that other Blaxploitation double-feature disc – THE BLACK SIX (1974)/THE BLACK GESTAPO (1975) – which is available for rent from the local DVD store…!