Nachdem sie aus ihrem Dorf verbannt wurde, schließt eine Bäuerin einen Pakt mit dem Teufel, um magische Fähigkeiten zu erlangen.Nachdem sie aus ihrem Dorf verbannt wurde, schließt eine Bäuerin einen Pakt mit dem Teufel, um magische Fähigkeiten zu erlangen.Nachdem sie aus ihrem Dorf verbannt wurde, schließt eine Bäuerin einen Pakt mit dem Teufel, um magische Fähigkeiten zu erlangen.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Nominierungen insgesamt
- Jeanne
- (Synchronisation)
- …
- Narrator
- (Synchronisation)
- The Lord
- (Synchronisation)
- The Priest
- (Synchronisation)
- Jean
- (Synchronisation)
- (as Katsutaka Ito)
- The Lord's Mistress
- (Synchronisation)
- Walla
- (Synchronisation)
- Walla
- (Synchronisation)
- Walla
- (Synchronisation)
- Walla
- (Synchronisation)
- Walla
- (Synchronisation)
- Walla
- (Synchronisation)
- Walla
- (Synchronisation)
- Walla
- (Synchronisation)
- Walla
- (Synchronisation)
- Walla
- (Synchronisation)
- Walla
- (Synchronisation)
- Devil
- (Synchronisation)
Empfohlene Bewertungen
The first thing to note about this film is that it is exquisitely animated. Anime pioneer Eiichi Yamamoto, who had a hand in "Astroboy" and "Kimba the White Lion", forgoes any semblance of contemporary anime style and forges a psychedelic and deeply transgressive style based in modernist European watercolors. A lot of the animation is just still watercolor paintings that the camera pans across, but there's also a fair amount of animation. It's an absolutely gorgeous film.
This provides even more power to the film's very sexual, hallucinatory and transgressive images. It's very easy to label a film this explicit as "pornography", but none of the imagery in this film is used with any intention to arouse the viewer. It's very much apiece with the story that quite deliberately does not equate the embrace of "Satan" ... in this story, the embrace of personal, anti-authoritarian power partly via sexuality ... with evil. It's a deeply disturbing film with some of the most bizarre sexual imagery I have ever seen, but I also think it's a quiet masterpiece.
I really appreciated the art like for a 1970's anime, it did a decent job in making your brain go all over the place. The storyline was quite on point to make you go "omg" or "WTF" the whole time.
Yeah this anime is pretty underrated and probably not to everyone's taste due to it being heavily disturbing so take note before watching!
Simply put, this is one of the most psychedelic, out-there, impressive animated films I have ever seen. Due to the themes and the content it is extremely heavy & dark, so it's not for everyone, but it takes things that are fully depraved and atrocious and portrays them with beauty through visual surrealism. If you can understand the point of portraying evil in a gorgeous way, then you will likely find this film completely magical. At some point, the movie takes a much more familiar theme which has been covered in many, many films and digs into the psychological aspect of it in a way that I have never seen done before - it really kind of hit me hard when I realized what I was witnessing. This film is not for the weak hearted or overly moral.
Do not let the the first 20-30 minutes turn you off. The animation holds a very slow-burning, disciplined style for the first act, which asks for your patience. But once you finish the first act, you will cannoned into a kaleidoscope of unpredictability and stimulation to the fullest order. There is nothing like this wonder - see it.
Kanashimi no Belladonna, literally translated as 'Belladonna of Sadness' or figuratively as 'The Tragedy of Belladonna' is an avant- garde feature film produced by Mushi Production and directed/co- written by Eiichi Yamamoto in 1973. It was loosely inspired by the 1862 book La Sorcière (Satanism and Witchcraft) by French historian Jules Michelet. It's also the third and final installment in the Animerama trilogy conceived by manga god Osamu Tezuka, but is the only one that was neither written nor directed by him.
This isn't your typical anime by any stretch of the imagination. The rating is listed as Rx, but rest assured it isn't intended to induce erotic pleasure in any way, shape or form. It's a dark and twisted experimental sequence of art and storytelling that should be treated no less.
Story:
Belladonna of Sadness tells the tragedy of the beautiful peasant woman Jeanne who was raped by the land baron of her village on her wedding night after the couple failed to meet marriage taxes. Spurned by her husband, she decided to make a pact with the devil to gain wealth and power, but not without facing certain consequences. Jeanne becomes a suspect of witchcraft, and is subsequently banished from her village by the baron.
However, with the village quickly becoming swallowed by the cusp of the bubonic plague the baron is forced to change his heart. He summons Jeanne back and offers her the rank of highest noble in return for her to rescue them from despair with the mysterious flower she possessed. Regardless, Jeanne's motives were altered by her painful experiences, and she refused to accept such an offer.. which ultimately leads to her fate and the pinnacle of the film.
The final scene ends with an image of Eugène Delacroix's 'La Liberté guidant le people.' The painting features a female personification of liberty itself, leading a mixture of social classes during the French Revolution. In the film Jeanne finds herself in a similar position, and her impact on society can be compared with that of Joan of Arc, Salem witch trials, and several prominent women in history.
This story is depicted rather well throughout the duration of the film and is often told metaphorically with symbolism rather than figuratively with speech. The nature of it is widely subjective, but certainly compelling nonetheless. I believe it's most rewarding with an open mind.
Characters:
The characters aren't a strong aspect of the film. The only truly memorable character is Jeanne, but like the others she lacks any real development. This doesn't hinder the experience in the end, because the characters were never really intended to be a centerfold. They merely exist as a route of administration for the lessons and morals lurking in the shadows of the film.
Jeanne's character in particular appears to represent feminism, and relates to a myriad of prominent women throughout history. Especially when considering her comparison with Jeanne d'Arc (Joan of Arc).
Michelet's book La Sorcier which inspired Belladonna of Sadness arguably depicts the story of Joan of Arc, and portrays her resistance against feudalism and the Catholic Church. The similarities with Jeanne can be seen most in the final scenes of the film.
Art:
The visuals are reminiscent of watercolor paintings and heavily influenced by western art. It often hangs in limbo between realism and surrealism, and surely isn't considered typical. The quality is fair considering it was produced in the 70s. It's also pending the release of a 4k restoration that will greatly enhance the clarity and colors.
Animation:
The animation suffers greatly where the art shines. Many of the scenes are depicted by panning across still paintings rather than being animated. This could be seen as a matter of style or budget, but it definitely could've benefited from consistency. Regardless, I think the animation can be forgiven considering the era it was produced.
Sound:
The music is as funky as the era it came from and varies greatly from the Rock Opera to Psychedelic genre and beyond. It's almost always fitting, and creates indescribable emotions that go hand in hand with the images on screen.
Overall:
A belladonna is a highly toxic flower, which also stands for 'beautiful woman.' In the past, witches were believed to use a mixture of belladonna and other plants in flying ointment, which they applied to help them fly to gatherings with other witches. A theory for the inclusion of belladonna in flying ointments concerns the dream-like waking state it produces.
Much of the scenes in the film are depicted as if the viewer was under the influence of the belladonna flower. Similar to the flower, the film itself can also be interpreted from many different perspectives.
In my eyes Belladonna of Sadness holds significant implications regarding sexuality, feminism, religion, and history. It presents a thought provoking succession of metaphorical imagery far ahead of its time, and I won't ever forget the impact it had on me.
Wusstest du schon
- WissenswertesThe last film produced by Mushi Production. They went bankrupt shortly after its release.
- PatzerThe end of the film references the French Revolution of 1789, but then an image is shown of Eugène Delacroix's famous painting "Liberty Leading the People." That painting - "Liberty Leading the People" - depicts the July Revolution of 1830, not the French Revolution of 1789.
- Zitate
Jeanne: What ails you little one? Do you want me?
Page: Jeanne, Don't you recognize me? I'm the Lady's page. She hates you, so I hated you too. I'm the one who slashed your green cloak.
Jeanne: Your point, little page?
Page: I did it because... I love her.
Jeanne: Are you here to kill me?
Page: I need your help, Jeanne. Hear my plea. I want to make love to her. But... I'm only a lowly page. She'd never consider me.
Jeanne: Who cares about status?
Page: God granted us our status. Ignoring that is against God! The Work of the Devil! Hower... I'm willing to sell myself to the devil for my love.
Jeanne: Enough.
[Jeanne hug the Page]
Page: [Page gets scared] Filthy witch! How dare you!
Jeanne: [Jeanne lauging] Very well, I'll help you.
- Crazy CreditsThere are no ending credits or a 'THE END' title; all the credits are at the beginning. The opening theme is reprized over a blank screen after the final scene. The 2015 restoration adds a copyright byline and credits for the restoration.
- Alternative VersionenAccording to the liner notes booklet contained with the Japanese DVD of the film, there are six known versions of the film.
- The first was a draft version that was hastily created to meet a deadline that the film had to be shown to the distributor, Nippon Herald, for their perusal by August 1972. This version, which contains temporary placeholder shots made by a team separate from the main crew, has never been shown to the public.
- The second version was completed by the end of 1972, and premiered at the 1973 Berlin International Film Festival. Aside from the placeholder shots of the first version being replaced with material created by the main team, the scene in which Jeanne makes her pact with the Devil was immediately followed by a 5-minute live-action montage shot by Daido Moriyama depicting sexual acts performed in parks and red light establishments. This version also ends with the Devil laughing in the crowd after Jeanne's execution. Because this ending was poorly-received at the Festival, Eiichi Yamamoto decided to alter it in later versions.
- The third version was used early on during the film's Japanese theatrical release. It omitted Moriyama's live-action montage, but still retained the Devil's laughter at Jeanne's death.
- The fourth version, created partway through the Japanese theatrical run, removed the Devil's laughter, and featured an instrumental version of the film's theme song over the ending. An edited presentation of this version was used for some TV broadcasts.
- The fifth version was edited for an attempted 1979 re-release. In an effort to appeal to female college students, Yamamoto cut 8 minutes' worth of material from the original camera negative, removing most of the film's scenes of sexual violence. This version also made alterations to the film's ending: a newly-animated shot of female bystanders at Jeanne's execution, whose faces morph into Jeanne's visage, was added, as well as a final montage of title cards describing the role of women in the 1789 French Revolution, with the film's final shot being of Eugène Delacroix's painting "Liberty Leading the People". Some revisions were also made to the film's opening credits roll. This version was released on VHS by Pony Canyon in the early 1980s.
- The sixth version was created in 1986 for the film's VHS re-release and first release on LaserDisc. Although otherwise based on the 1979 re-release, it reinstates all of the sexual content omitted from that version. This is the version that has remained in circulation since, and was restored in 4K for its 2016 re-release.
- VerbindungenFeatured in MsMojo: Top 10 Animated Movies That Were Ahead of Their Time (2024)
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Belladonna of Sadness
- Drehorte
- Tokio, Japan(Mushi Production)
- Produktionsfirmen
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Box Office
- Budget
- 80.000.000 ¥ (geschätzt)
- Weltweiter Bruttoertrag
- 378 $