Füge eine Handlung in deiner Sprache hinzuIn the last days of WW2, women are volunteering from all over Germany to serve in the front lines by having sex with Nazi soldiers.In the last days of WW2, women are volunteering from all over Germany to serve in the front lines by having sex with Nazi soldiers.In the last days of WW2, women are volunteering from all over Germany to serve in the front lines by having sex with Nazi soldiers.
- Regie
- Drehbuch
- Hauptbesetzung
Renate Kasché
- Ulrike von Menzinger
- (as Renate Kasche)
Hasso Preiß
- Major
- (as Hasso Preiss)
Klaus Knuth
- Gestapo Officer
- (as Claus Knuth)
Michel Jacot
- G.I. Lieutenant
- (as Michael Jachel)
Frank Krönes
- German Officer
- (as Frank Krones)
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I recently watched She Devil of the SS (1973) on the Full Moon app on Prime. The storyline follows the German soldiers towards the end of World War II. Desperate to inspire the troops who know they're about to lose the war, women form free brothels on the front line to inspire the troops to fight harder and overcome impossible odds.
This picture is directed by Erwin C. Dietrich (Caged Women) and stars Karin Heske (Secrets of Naked Girls), Renate Kasché (Lady of Frankenstein), Carl Möhner (Carmen, Baby), Helmut Förnbacher (Manipulation) and Birgit Bergen (Sex Clinic '74).
This is a Swiss exploitation featured plenty of beautiful women, with the expected focus on nudity, including the obligatory shower and sex scenes. However, that's about where the film's appeal ends. The sex scenes are uninspiring, mostly showing soldiers in uniform laying on top of the women, and the humor feels forced, with more misses than hits. That said, the ending sequence does add a bit of fun to the otherwise lackluster film.
In conclusion, She Devils of the SS is a below average addition to the exploitation genre. While it delivers what you might expect in terms of visuals, there's little substance beyond that. I would score this a 4/10 and only recommend it with the appropriate expectations.
This picture is directed by Erwin C. Dietrich (Caged Women) and stars Karin Heske (Secrets of Naked Girls), Renate Kasché (Lady of Frankenstein), Carl Möhner (Carmen, Baby), Helmut Förnbacher (Manipulation) and Birgit Bergen (Sex Clinic '74).
This is a Swiss exploitation featured plenty of beautiful women, with the expected focus on nudity, including the obligatory shower and sex scenes. However, that's about where the film's appeal ends. The sex scenes are uninspiring, mostly showing soldiers in uniform laying on top of the women, and the humor feels forced, with more misses than hits. That said, the ending sequence does add a bit of fun to the otherwise lackluster film.
In conclusion, She Devils of the SS is a below average addition to the exploitation genre. While it delivers what you might expect in terms of visuals, there's little substance beyond that. I would score this a 4/10 and only recommend it with the appropriate expectations.
As an accurate portrayal of World War II Nazi Germany, SHE DEVILS OF THE SS (aka: FRAULEINS IN UNIFORM) is surpassed only by ILSA: SHE WOLF OF THE SS.
It's a quasi documentary about those brave fighting women of the Third Reich, able to disrobe for action in mere seconds. Who knew the war was this much fun?
In spite of its setting and rampant nudity, it's impossible to be offended, due to the utter lunacy / idiocy of the entire project!
Filmed in the blissful, early 1970's, it's difficult to imagine such a movie being made today...
It's a quasi documentary about those brave fighting women of the Third Reich, able to disrobe for action in mere seconds. Who knew the war was this much fun?
In spite of its setting and rampant nudity, it's impossible to be offended, due to the utter lunacy / idiocy of the entire project!
Filmed in the blissful, early 1970's, it's difficult to imagine such a movie being made today...
Frauleins in Uniforms (AKA She Devils of the SS) features none of the mean-spirited nastiness and sexual degradation that is generally associated with the Nazisploitation genre; instead, it uses its German wartime setting as an excuse to get its more-than-willing frauleins out of their uniforms and onto their backs as often as possible, the lovely ladies doing whatever is necessary to assist with the Nazi war effort.
Boasting a very attractive female cast (leads Elisabeth Felchner and Renate Kasché are particularly appealing), most of whom get buck naked, plus better than average production values (that allow for the occasional ambitious battle scene, complete with authentic looking weapons and tanks), this had the potential to be a fun slice of sleazy trash, but with flat direction from Erwin C. Dietrich and nary a plot to tie the unimaginative soft-core sex and fighting together, the whole sorry affair proves tedious in the extreme.
2.5 out of 10, generously rounded up to 3 for the hilarious rifle rubbing scene.
Boasting a very attractive female cast (leads Elisabeth Felchner and Renate Kasché are particularly appealing), most of whom get buck naked, plus better than average production values (that allow for the occasional ambitious battle scene, complete with authentic looking weapons and tanks), this had the potential to be a fun slice of sleazy trash, but with flat direction from Erwin C. Dietrich and nary a plot to tie the unimaginative soft-core sex and fighting together, the whole sorry affair proves tedious in the extreme.
2.5 out of 10, generously rounded up to 3 for the hilarious rifle rubbing scene.
Actually the alternate title of Frauleins out of Uniform is a better one.
Young girls join up to help Hitler's army and end up having lots of sex with soldiers and each other while trying to fight for the Nazi way.
Swiss made (for a German audience) exploitation soft-core war film that is more interesting for the nonjudgmental attitude toward the Nazis and its lack of any real violence -certainly nothing happens thats too exploitive -then anything then happens on screen. There is some attempt at a story, but it doesn't really go anywhere since the whole excuse for the film is for the women to get naked and to have simulated sex. Actually its not even that its pretend simulated sex (which is an oxymoron, which describes much of this film). Its all so nice that you really are never stimulated or titillated by anything on screen. Its like watching a bland TV show or Hogan's Heroes where people periodically undress. Its so bland as to inoffensive. I have never seen any film so asexual despite its best attempt to be sexual.
Words fail me.
Its not bad, its dull and so bland that you just don't care. I wish I could express how nonplussing this film is, its amazing.
Should you see it? Only if you want to see some cute girls disrobe. Other than that I'd watch something else.
Probably one of the weirdest Naziploitation films I've ever seen, which is not to be taken as a recommendation.
Young girls join up to help Hitler's army and end up having lots of sex with soldiers and each other while trying to fight for the Nazi way.
Swiss made (for a German audience) exploitation soft-core war film that is more interesting for the nonjudgmental attitude toward the Nazis and its lack of any real violence -certainly nothing happens thats too exploitive -then anything then happens on screen. There is some attempt at a story, but it doesn't really go anywhere since the whole excuse for the film is for the women to get naked and to have simulated sex. Actually its not even that its pretend simulated sex (which is an oxymoron, which describes much of this film). Its all so nice that you really are never stimulated or titillated by anything on screen. Its like watching a bland TV show or Hogan's Heroes where people periodically undress. Its so bland as to inoffensive. I have never seen any film so asexual despite its best attempt to be sexual.
Words fail me.
Its not bad, its dull and so bland that you just don't care. I wish I could express how nonplussing this film is, its amazing.
Should you see it? Only if you want to see some cute girls disrobe. Other than that I'd watch something else.
Probably one of the weirdest Naziploitation films I've ever seen, which is not to be taken as a recommendation.
For better or worse, films in the Nazi exploitation genre aren't really made anymore. Also known as 'nazisploitation', these movies- made primarily in the 1970's- generally focused on Nazis committing sex crimes, often as prison camp overseers during World War II. Most were simply softcore pornography wrapped inside a cigarette-paper thin veneer of plot, though a few- perhaps most notably Liliana Cavani's 'The Night Porter'- had some actual artistic merit, and explored interesting ideas.
Erwin C. Dietrich's 'She Devils of the SS'- also referred to as 'Eine Armee Gretchen', 'Frauleins in Uniform' and, somewhat bizarrely, in Turkey as 'Queen of Vampires'- is not one of the few. As an independent film à la 'The Night Porter', it fails completely, having nothing whatsoever to say- interesting or otherwise. Neither is it a funny film, despite a carefree atmosphere and many moments that seem to have been intended as comedy. Furthermore, as a piece of softcore pornography, it also fails, as it is boring and strangely tame, surely failing to titillate even the most easily arousable individual.
Based on a novel by Karl-Heinz Helms-Liesenhoff- a former German army officer who fled to Switzerland after being sentenced for desertion in 1943- the film is light both on plot and excitement. Dietrich's screenplay- which he wrote under the name Manfred Gregor- centres on Marga Kuhn, a young woman drafted into the Army as a 'Lightning Girl,' essentially a German version of the Japanese 'Comfort Women'. Her job is to further the Aryan cause by giving soldiers pleasure, though with the Red Army closing in, time is running short both for fighting and for fun.
It's a strange beast of a movie, that doesn't follow the usual pattern of nazisploitation flicks: the Nazis aren't portrayed as villains and the women willingly participate in the action, so to speak. It's an oddly light and breezy venture, like 'Carry on Camping' for fascists. Nazis gaily roll about in fields, or enjoy swastika-topped cakes, cheerily praising the Führer whilst cavorting in the nude. Had Dietrich intended it as a straight parody, and leaned more into the comedic side of things, the film could have actually worked. However, he doesn't; large parts of the narrative are turgid melodrama, which- combined with the film's happy-go-lucky air- results in an unusual tonal schizophrenia.
Additionally, the dialogue- written by frequent collaborator Christine Lembach - is stilted and, oftentimes, unintentionally funny. Moreover, as alluded to above, it is a surprisingly dull feature, despite the subject matter. Dietrich seems reticent to show anything graphic or erotic, meaning the nude and sex scenes- of which there are many- are weirdly subdued and insipid. It makes one wonder who Dietrich's intended audience was, as it is too mild for aficionados of filth and too lacking in story for feature film fans.
Having said that, it clearly has high production values. The production design, from Rolf Engler and Vladimir Lasic, looks authentic, while Georg Heiler's costume design appears consistently period-accurate. The weaponry and sets are also strikingly realistic. Moreover, Walter Baumgartner's score is quite stirring, and the cast are generally impressive- with Karin Heske and Carl Möhner doing particularly fine work. However, in a tale devoid of artistic or salacious merit; all that quality is rather wasted.
In short, if you go into Erwin C. Dietrich's 'She Devils of the SS' with carnal pleasures in mind, you'll be disappointed, and if you watch it as a 'straight' feature, you'll be left wanting. In fact, there really are very few reasons to seek it out; unless you're the sole member of the Dietrich fan club, and want to watch everything in his filmography. In that case, you've probably already seen it, and know how underwhelming it is in nearly every regard. Narratively lacking and erotically uninteresting, it's an overwhelmingly banal work. Despite some good performances and high production values, the only memorable thing about 'She Devils of the SS' is its title.
Erwin C. Dietrich's 'She Devils of the SS'- also referred to as 'Eine Armee Gretchen', 'Frauleins in Uniform' and, somewhat bizarrely, in Turkey as 'Queen of Vampires'- is not one of the few. As an independent film à la 'The Night Porter', it fails completely, having nothing whatsoever to say- interesting or otherwise. Neither is it a funny film, despite a carefree atmosphere and many moments that seem to have been intended as comedy. Furthermore, as a piece of softcore pornography, it also fails, as it is boring and strangely tame, surely failing to titillate even the most easily arousable individual.
Based on a novel by Karl-Heinz Helms-Liesenhoff- a former German army officer who fled to Switzerland after being sentenced for desertion in 1943- the film is light both on plot and excitement. Dietrich's screenplay- which he wrote under the name Manfred Gregor- centres on Marga Kuhn, a young woman drafted into the Army as a 'Lightning Girl,' essentially a German version of the Japanese 'Comfort Women'. Her job is to further the Aryan cause by giving soldiers pleasure, though with the Red Army closing in, time is running short both for fighting and for fun.
It's a strange beast of a movie, that doesn't follow the usual pattern of nazisploitation flicks: the Nazis aren't portrayed as villains and the women willingly participate in the action, so to speak. It's an oddly light and breezy venture, like 'Carry on Camping' for fascists. Nazis gaily roll about in fields, or enjoy swastika-topped cakes, cheerily praising the Führer whilst cavorting in the nude. Had Dietrich intended it as a straight parody, and leaned more into the comedic side of things, the film could have actually worked. However, he doesn't; large parts of the narrative are turgid melodrama, which- combined with the film's happy-go-lucky air- results in an unusual tonal schizophrenia.
Additionally, the dialogue- written by frequent collaborator Christine Lembach - is stilted and, oftentimes, unintentionally funny. Moreover, as alluded to above, it is a surprisingly dull feature, despite the subject matter. Dietrich seems reticent to show anything graphic or erotic, meaning the nude and sex scenes- of which there are many- are weirdly subdued and insipid. It makes one wonder who Dietrich's intended audience was, as it is too mild for aficionados of filth and too lacking in story for feature film fans.
Having said that, it clearly has high production values. The production design, from Rolf Engler and Vladimir Lasic, looks authentic, while Georg Heiler's costume design appears consistently period-accurate. The weaponry and sets are also strikingly realistic. Moreover, Walter Baumgartner's score is quite stirring, and the cast are generally impressive- with Karin Heske and Carl Möhner doing particularly fine work. However, in a tale devoid of artistic or salacious merit; all that quality is rather wasted.
In short, if you go into Erwin C. Dietrich's 'She Devils of the SS' with carnal pleasures in mind, you'll be disappointed, and if you watch it as a 'straight' feature, you'll be left wanting. In fact, there really are very few reasons to seek it out; unless you're the sole member of the Dietrich fan club, and want to watch everything in his filmography. In that case, you've probably already seen it, and know how underwhelming it is in nearly every regard. Narratively lacking and erotically uninteresting, it's an overwhelmingly banal work. Despite some good performances and high production values, the only memorable thing about 'She Devils of the SS' is its title.
Wusstest du schon
- PatzerThe supposedly Russian Red Army soldier shouts "Niemcy!" which is Polish not Russian.
- Zitate
Supplies Officer: You are failing in your duty as true Aryan women, and the Führer certainly expects a lot more than undisciplined indecency!
- VerbindungenFeatured in Nazithon: Decadence and Destruction (2013)
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