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Appassionata - Erstes Verlangen

Originaltitel: Appassionata
  • 1974
  • 18
  • 1 Std. 36 Min.
IMDb-BEWERTUNG
5,4/10
1027
IHRE BEWERTUNG
Ornella Muti, Gabriele Ferzetti, and Eleonora Giorgi in Appassionata - Erstes Verlangen (1974)
Drama

Zwei Jugendfreunde verschwören sich, um herauszufinden, wie sehr ihre jugendliche Sinnlichkeit einen ihrer Haushalte stören kann, angeführt von einem Zahnarzt und seiner psychisch kranken Fr... Alles lesenZwei Jugendfreunde verschwören sich, um herauszufinden, wie sehr ihre jugendliche Sinnlichkeit einen ihrer Haushalte stören kann, angeführt von einem Zahnarzt und seiner psychisch kranken Frau.Zwei Jugendfreunde verschwören sich, um herauszufinden, wie sehr ihre jugendliche Sinnlichkeit einen ihrer Haushalte stören kann, angeführt von einem Zahnarzt und seiner psychisch kranken Frau.

  • Regie
    • Gianluigi Calderone
  • Drehbuch
    • Gianluigi Calderone
    • Alessandro Parenzo
    • Domenico Rafele
  • Hauptbesetzung
    • Gabriele Ferzetti
    • Ornella Muti
    • Eleonora Giorgi
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,4/10
    1027
    IHRE BEWERTUNG
    • Regie
      • Gianluigi Calderone
    • Drehbuch
      • Gianluigi Calderone
      • Alessandro Parenzo
      • Domenico Rafele
    • Hauptbesetzung
      • Gabriele Ferzetti
      • Ornella Muti
      • Eleonora Giorgi
    • 8Benutzerrezensionen
    • 7Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos49

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    Topbesetzung9

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    Gabriele Ferzetti
    Gabriele Ferzetti
    • Dr. Emilio Rutelli
    Ornella Muti
    Ornella Muti
    • Eugenia Rutelli
    Eleonora Giorgi
    Eleonora Giorgi
    • Nicola
    Ninetto Davoli
    Ninetto Davoli
    • Butcher's Boy
    Valentina Cortese
    Valentina Cortese
    • Elisa Rutelli
    Jeanne Martinovic
    • Anna
    Renata Zamengo
    • Dental Assistant
    Carla Mancini
    Carla Mancini
    • Client at Dentist
    Luigi Antonio Guerra
    • Regie
      • Gianluigi Calderone
    • Drehbuch
      • Gianluigi Calderone
      • Alessandro Parenzo
      • Domenico Rafele
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen8

    5,41K
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    Empfohlene Bewertungen

    51felco

    Three beauty and a Boccaccio plot. Titillating.

    If it wasn't performed by three of the top sensual Italian actress of the seventies/eighties this movie wouldn't be of any worthy. Belli, Muti and Giorgi act in this typical sexy fake-drama to pay the admission ticket to the show business. The nasty plot is basically in the service of having some nudity and (very) savagery scenes. The story is a typical Boccacio, and the dramatic cut given by the director simply avoid to fall to the 'sexy-commedia all'italiana' genre (70's Italian sex comedy). I wouldn't say if it is the classic Italian-trash so loved by Q. Tarantino, but it is very close.

    My vote is 5 (out of 10)
    5shawnblackman

    Those Kinky Italians

    An Italian kink fest that has a dentist involved with his daughter's friend. The dentist is married to a professional pianist who appears to have suffered a mental breakdown leaving a mostly empty shell. Their daughter is reckless and walks all over the mother and is always trying to seduce her father. The daughter's friend has a screwed up life as well and tries to find solace by banging older men.

    Mental illness, incest, and all kinds of other things keeps this one from being boring. If you miss the seventies fashion its all here. Not a bad film overall and was definitely an inspiration for American Beauty. You will have to read subtitles as it's Italian.
    8bg-67250

    Passion that last to life.

    Frayed, once said, in my thirty years of research, I did not search out, what a woman really wants. This film is a eye opener, how man and woman exploits the situation of eventuallity, and how they try to judge their own principal point. The pathetic site of our life is, in this ever recycling process, we get attached and detached from each other.
    7bill-729-637551

    Almost restored but not quite ...

    There does not seem to be an undamaged and complete print of this film. At several points scenes break off (although nudity or violence is not being shown) and the film jumps to a quite unconnected scene. It would seem that the original censored versions have survived more or less unscathed, but that the franker original director's cut has not. Those hoping for pubic hair and full frontal Ornella Muti will not be totally disappointed, but if you were hoping for a properly restored version of the director's original intention, I fear that we will never see it. A scene where the father is out hunting, for example, has obviously been so radically cut that it makes little sense. In a few other places scenes are cut off before they have properly ended. This is unlikely to have been the work of the director... Still worth watching, however.
    lazarillo

    "American Beauty"--1970's Italian Style

    It's a little hard to describe this movie. It's kind of like "American Beauty" where you have a dysfunctional middle-class family with a father that lusts after his teenage daughter's best friend, but in this movie he actually has sex with the friend (repeatedly)and perhaps his own daughter as well(?!) To be fair, this movie is nowhere near as offensive and disturbing as it sounds on paper. It's directed with subtlety and some amount of class; it's much close to Italian art than Italian sleaze. The actors playing the mother and father are both very good, and the two teenage girls are played by Ornella Muti and Eleanora Giogi, both then in their late teens/early twenties, and two of the most beautiful women in the history of the Italian cinema. (Like Jenny Tamburi in the similar film "La Seduzione" or Gloria Guida in about every movie she ever made, these two look good both in and out of their schoolgirl uniforms, but that is not because they are remotely believable as actual schoolgirls).

    This movie is not so much offensive or disturbing as it is confounding. The Muti character's mother who was once a famous concert pianist is suffering from some kind of mental breakdown, and her father is understandably drawn to a new life with the younger Giorgi character, who is like a sexy blank slate for all his middle-age fantasies. The motivation of the younger characters though are much more opaque and they are rather thinly-drawn as characters. Giorgi's character clearly lacks for parental attention, which explains why she befriends her friend's sickly mother, but not why she throws sex on her father several times but otherwise gives him the cold shoulder. The Muti characters actions, however, are completely perplexing: she is having trouble losing her virginity (which in itself strains credibility to the limit), but comes up with the most jaw-dropping and unbelievable solution to her problem imaginable.

    This movie is available in two versions: an Italian version which censors out the full-frontal nudity (which is hardly the most offensive thing in this movie), and a badly-dubbed English which is very confusing and seems to leave out a lot of plot points.

    Oh, and by the way, Agostina Belli is NOT in this movie. (Muti. Giorgi, AND Belli all in the same movie probably would have melted the celluloid in the camera). I'd recommend this movie to fans of beautiful Italian actresses, but be prepared to possibly be offended and definitely confused!

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    • Zitate

      Eugenia Rutelli: That's fun, when it's just the two of us. I'd be happy if we could spend all our life together and nobody else knew. Tomorrow is my birthday-what are you giving me?

      Dr. Emilio Rutelli: What do you want?

    • Verbindungen
      Referenced in El rediezcubrimiento de México (1979)

    Top-Auswahl

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    FAQ

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    Details

    Ändern
    • Erscheinungsdatum
      • 6. Juni 1974 (Mexiko)
    • Herkunftsland
      • Italien
    • Sprachen
      • Italienisch
      • Englisch
    • Auch bekannt als
      • Perversa
    • Drehorte
      • Rom, Latium, Italien
    • Produktionsfirmen
      • Produzioni Atlas Consorziate (P.A.C.)
      • Rewind Film
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    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 36 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.85 : 1

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