Day-Killer

The legendary Italian genre filmmaker Stelvio Massi takes a rare foray into the heady, be-gloved milieu of the schlocky Giallo with 'Five Women for The Killer' aka '5 Donne Per L'Assassino', and for my money it still makes for a diverting piece of compelling genre cinema, besides, it's somewhat curious seeing the urbane British character actor, Francis 'Dracula' Matthews in such luridly unfamiliar surroundings! The only other Giallo I am aware Massi shot was the Bruno Nicolai-scored, much-loved 'The Case of The Bloody Iris' starring the deliriously delightful, sinfully sultry, yet curiously monikered superstar Edwige Fenech.

Maestro Massi is generally known for his exciting, uncommonly boisterous Euro-crime titles, but he is a versatile, more than capable director whose CV boasts some rather exemplary titles. It must also be noted that the sleazy premise to the unfairly neglected 'Five Women For The Killer' is pretty unsettling, as the initial murder remains a rather grim affair, reminded me a tad of the similarly stark Joe D'Amato effort, 'Absurd'. And the stolid, ubiquitous, but always likeable italian actor Howard Ross is fine as the beleaguered police commissioner, plus the requisite Giallo eye-candy is strikingly supplied by sleek, scintillating blond Katia 'Designated Victim' Christine! And along with Fernet-Branca posters and tall glistering glasses of J & B whiskey, no Giallo is close to being authentic without a bespoke sexy-sinister score, and talented composer Giorgio Gaslini delivers delivers the groovy goods!

In FIVE WOMEN FOR THE KILLER, a man (Francis Matthews) returns home from a trip to find his wife dead. Soon, other women begin meeting the same fate, all sharing one thing in common.

This is a rather languid, by-the-numbers giallo, although the setup is novel. There is the expectedly-gloved killer, as well as a bevy of beautiful, female victims and a school of red herrings. There's just not a lot of action and the pacing is quite sluggish. This sort of film needs to be more suspenseful or at least have a good chase or two. As it is, there's not enough going on to make it all that interesting.

Recommended only for the die-hard giallo completist...

Director Stelvio Massi only contributed this film to the giallo genre, although he was the cinematographer for rather splendid The Case of the Bloody Iris. This movie perhaps indicates that he wasn't a natural with this type of material, as there is a somewhat plodding aspect to it on the whole. Nevertheless, as is mostly the way with serial-killer-on-the-loose gialli, it still remains very watchable and effective at times. The story in this one has a writer's wife dying while giving birth, immediately afterwards a series of murders begin with the victims all being pregnant women.

It wouldn't be too unfair to say that this one is one of the gialli which is lower on style, higher on sleaze. The story centres on some especially nasty murders, which were a bit much if you ask me! Those coupled with the nudity factor being very high generally puts this one squarely in the more exploitative end of the genre. The thriller element is often a bit under-played, although there are a few fairly suspenseful sequences here and there. I would additionally have to say that there is maybe a little too much police-procedure and chat overall too for the film's overall effectiveness. So, this fairly obscure example of the genre couldn't really be described as a lost classic or anything like that but it definitely benefits from still incorporating the main ingredients of this sub-genre - the mix might be a bit under-cooked in a number of ways but the final dish is still one which giallo enthusiasts will find some value in.

A writer's wife dies giving birth prematurely. The child is placed in a health clinic. It is there that the writer learns he is sterile. Soon after, pregnant women begin to be killed, all of whom either crossed the writer's path or are related to the clinic where the writer's child is recovering. The police suspect the writer. Is he the killer? Five Women for the Killer is a competently made Italian thriller (a giallo). The film lacks the baroque style of the best of the genre and most of the murders occur off screen. Furthermore, while the film has its moments of graphicness, it does not quite revel in the sleaze like some of its peers. Still, the film is a worthwhile view for a few reasons.

First, the film successfully utilizes the stand-by of the clue that can't be remembered. The protagonist has seen something that he cannot remember, but he knows it's important. In some movies (like Deep Red), the clue is rather illogically recalled, but, here, both the clue and its recall are believable (and can be spotted by close watching viewers).

Second, the film's plot tries to be a mystery that can be solved through clues. The film plays fair with its mystery, and even provides something of a twist at the end.

Third, although the killer wears gloves, they are not black!

Few will regard 5 Women for the Killer as a must see. However, the film generally holds interest. Fans of Euro-thrillers might want to give it a try.

When Giorgio Pisani returns home he finds his wife (that was expecting a baby) dead, but their child is alive. But then he discovers something that unsettles him.... and strangely enough someone starts to kill all pregnant women around. The police step in to investigate the murders.

This is a strange giallo – In 1974, Stelvio Massi made 3 films – "Macrò", "Squadra volante" and "5 donne per l'assassino". This may explain why the film has such an air of improvisation - the story is chaotically told and the film is uneven. Massi wanted to make a sophisticated, atmospheric giallo and sometimes he succeeds in creating good moments, thanks mainly to a good camera work. Active hand-held cameras following the action, a fast editing and zooms in and out skillfully used, give the film an almost frantic feel . There's also an inspired and flamboyant soundtrack (ranging from free jazz to romantic themes) that sometimes seems somewhat unrelated to the images. Limitations of time and budget gave the murder scenes (some of them good) an incomplete look – the final touch that crowns them is kind of amateurish. The main attraction of "5 donne per l'assassino" is the female cast – delicious eurobabes that are not shy of nudity, be it while they're making love, be it while they're being killed.

In short, the story in "5 donne per l'assassino" is simple and not very original, but the film is frenetic and extravagant. "5 donne per l'assassino" has its moments, but it's not a "good" film (too irregular for that!), still, real giallo buffs may discover something under its rough/stylish surface.