Ein Zeitungsreporter untersucht seltsame übernatürliche Vorkommnisse in Chicago.Ein Zeitungsreporter untersucht seltsame übernatürliche Vorkommnisse in Chicago.Ein Zeitungsreporter untersucht seltsame übernatürliche Vorkommnisse in Chicago.
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I was just looking over the new series made for ABC TV. Good god. I was just contemplating what a new series would be like, and then I find it...and I guessed right; watered down, fancy boy crud.
The old series of Night Stalker was a zeitgeist, about being a regular guy, trying to find the truth, which was always hidden by authorities. Much like the times, it had a soul that went to the heart of public feelings, while working in the frame genre of horror/suspense. But, instead of writing to connect the public to their inner feelings about society wrapped in entertainment, the new series is about black and white working together, hot and fancy, to find less then archetypal mysteries. Kolchak brought a pulpy sense of reality to light, and portrayed the seedy side of life without being moralistic. It was Columbo of the supernatural. It didn't create fanciful immorality, like the goth culture today, and it didn't put searing political statements all over. It tried to entertain. And it did. Hence the popularity through the years. Anyone, like myself, who saw this in their childhood remembers it today.
The new series is destined to be another watered down bastardization of brilliant TV.
The old series of Night Stalker was a zeitgeist, about being a regular guy, trying to find the truth, which was always hidden by authorities. Much like the times, it had a soul that went to the heart of public feelings, while working in the frame genre of horror/suspense. But, instead of writing to connect the public to their inner feelings about society wrapped in entertainment, the new series is about black and white working together, hot and fancy, to find less then archetypal mysteries. Kolchak brought a pulpy sense of reality to light, and portrayed the seedy side of life without being moralistic. It was Columbo of the supernatural. It didn't create fanciful immorality, like the goth culture today, and it didn't put searing political statements all over. It tried to entertain. And it did. Hence the popularity through the years. Anyone, like myself, who saw this in their childhood remembers it today.
The new series is destined to be another watered down bastardization of brilliant TV.
One of my favorite shows back in the '70s. As I recall it went to air on Friday (or possibly Saturday)night on the Nine Network (?) here in Australia. Darren McGavin and Simon Oakland were great together.
Each episode usually reached a climax with Kolchack having to engage in hand to hand combat with some sort of supernatural opponent. To their credit, the writers made a concerted effort to get away from the usual round of vampires and ghosts as much as possible.
I remember one episode in which the adversary was the spirit of an ancient Indian Chief which/who 'came back' as a massive electrical current which started to kill people in a city hospital. The final showdown saw Kolchack trying to short circuit the 'power beast' amidst an explosion of sparks and billowing flames. Oh well .... you had to be there at the time but it was an interesting idea.
McGavin always packed a lot of energy and enthusiasm into his roles and this was one of his best.
Definitely deserves a place in TV's "Hall of Fame". To quote Tony Vincenzo .... 'Kolchack you are ON IT '... Or, in the case of the Hall of Fame,'IN it' !
Each episode usually reached a climax with Kolchack having to engage in hand to hand combat with some sort of supernatural opponent. To their credit, the writers made a concerted effort to get away from the usual round of vampires and ghosts as much as possible.
I remember one episode in which the adversary was the spirit of an ancient Indian Chief which/who 'came back' as a massive electrical current which started to kill people in a city hospital. The final showdown saw Kolchack trying to short circuit the 'power beast' amidst an explosion of sparks and billowing flames. Oh well .... you had to be there at the time but it was an interesting idea.
McGavin always packed a lot of energy and enthusiasm into his roles and this was one of his best.
Definitely deserves a place in TV's "Hall of Fame". To quote Tony Vincenzo .... 'Kolchack you are ON IT '... Or, in the case of the Hall of Fame,'IN it' !
A brilliantly entertaining series that ran for a single shining season in the 1970's, "Kolchak: The Night Stalker" concerned a Chicago reporter whose investigations invariably lead him into dangerous encounters with the paranormal.
Starring the incomparable (and irreplaceable) Darren McGavin, this smartly written show has been described by some as being "campy", and while a couple of episodes ("The Youth Killer" and the much more amusing "The Trevi Collection") may have strayed far enough into that territory to qualify as camp, this was actually a series with two distinct parts. Half of the show was a situation comedy (the scenes taking place in the INS office between Kolchak and Vincenzo were particularly amusing), and the other half was a straight-faced thriller that featured some genuinely frightening scenes of horror.
Quite a maverick among television shows of the day, "Kolchak: The Night Stalker" noticeably parted company with established convention regarding what qualifies a character to fill the role of a hero. Common practice dictates that your basic TV good guy will be conventionally handsome, good with his fists and fearless in the sight of danger. Some are rich and reside in fabulously appointed surroundings and often find themselves the focus of unflagging admiration from a cheering section of supporting characters.
Then there's Carl Kolchak. A far sight from the usual male model-type lead, this average-looking guy doesn't work for a big league paper, but instead pounds away at his typewriter in a somewhat rundown news bureau office. He has no family and the only people who seem even remotely close to him are a gray-haired advice columnist and a short-tempered managing editor who's usually bellowing at him to drop his latest crazy story.
Also rare for a TV hero: he doesn't even carry a gun. In fact, when faced with danger, Carl sometimes runs away in stark raving terror.
Furthermore, he's generally reviled by public officials, and after vanquishing something evil from our midst, he never even gets any credit for having risked his neck.
Armed only with a camera, a tape recorder and his wits, Carl Kolchak certainly doesn't sound very formidable. And yet, somehow, this cynical, middle-aged news hound in a seersucker suit and beat-up straw hat is the greatest foe any vampire or blood-thirsty creature of the night ever came up against. Sure, he may not get that Pulitzer prize, but for his uncanny abilities at ridding the world of one monster after another, this unlikely hero surely ranks as one of the most unique and marvelously ironic characters in the history of television.
If you're interested, have reviewed of all 20 episodes, too.
Starring the incomparable (and irreplaceable) Darren McGavin, this smartly written show has been described by some as being "campy", and while a couple of episodes ("The Youth Killer" and the much more amusing "The Trevi Collection") may have strayed far enough into that territory to qualify as camp, this was actually a series with two distinct parts. Half of the show was a situation comedy (the scenes taking place in the INS office between Kolchak and Vincenzo were particularly amusing), and the other half was a straight-faced thriller that featured some genuinely frightening scenes of horror.
Quite a maverick among television shows of the day, "Kolchak: The Night Stalker" noticeably parted company with established convention regarding what qualifies a character to fill the role of a hero. Common practice dictates that your basic TV good guy will be conventionally handsome, good with his fists and fearless in the sight of danger. Some are rich and reside in fabulously appointed surroundings and often find themselves the focus of unflagging admiration from a cheering section of supporting characters.
Then there's Carl Kolchak. A far sight from the usual male model-type lead, this average-looking guy doesn't work for a big league paper, but instead pounds away at his typewriter in a somewhat rundown news bureau office. He has no family and the only people who seem even remotely close to him are a gray-haired advice columnist and a short-tempered managing editor who's usually bellowing at him to drop his latest crazy story.
Also rare for a TV hero: he doesn't even carry a gun. In fact, when faced with danger, Carl sometimes runs away in stark raving terror.
Furthermore, he's generally reviled by public officials, and after vanquishing something evil from our midst, he never even gets any credit for having risked his neck.
Armed only with a camera, a tape recorder and his wits, Carl Kolchak certainly doesn't sound very formidable. And yet, somehow, this cynical, middle-aged news hound in a seersucker suit and beat-up straw hat is the greatest foe any vampire or blood-thirsty creature of the night ever came up against. Sure, he may not get that Pulitzer prize, but for his uncanny abilities at ridding the world of one monster after another, this unlikely hero surely ranks as one of the most unique and marvelously ironic characters in the history of television.
If you're interested, have reviewed of all 20 episodes, too.
After the immense success of the made for t.v. movies "The Night Stalker" and "The Night Strangler", A.B.C. decided to finally make the adventures of everyones' favorite monster hunter Carl Kolchak into a weekly series. Unfortunately, it only lasted one season. Too bad though. This had to be one of the smartest series ever written for television. It was definitely a perfect mix of both horror and comedy as it placed the a regular guy like Kolchak in several unbelievable situations. Kolchak would begin by writing on stories on what he would think would be an ordinary murder and wind up finding the killer is either a werewolf or a vampire. Darrin McGavin was perfect in the role and Simon Oakland was great as his editor Vincenzo. Too bad that this show was up against the juggernaut that was the Friday night line up that was over on N.B.C.. In fact the night that it premiered, Friday September 13, 1974, was also the same night that another smartly written show premiered, "The Rockford Files".
I grew up being mesmerized by Kolchak and his witty, interesting, sometimes bumbling reporting style that dug up the goods on the city's night time other-world bad guys (and gals). I haven't seen but one or two episodes since I watched the originals in the 70s and would love to see them again. I might have to break down and actually buy the videos of the shows. Also, I hear ABC is going to remake the series and show it in the fall (2005). Not sure how it's going to go over and if they're going to capture that 70s atmosphere. If they don't have Darren McGavin in there or someone as superb and funny as he was/is, I'm not sure if the show will go over like it did when I was a youngster. That, and they'll be competing with all the latest gizmo-loaded, hi-tech, sci-fi shows and movies that have sprung up over the past few years. I won't go into detail about any of the episodes since other commenters have done so very eloquently. Just suffice it to say that you'll either love this series or not, but I'm betting that you'll love it.
Wusstest du schon
- WissenswertesThe series was cancelled because Darren McGavin asked to be released from his contract. Not only did he become disappointed with the series' scripts, but he ended up exhausted from the rigorous daily shooting schedule (beginning at 3:00 pm until just before sunrise) and his uncredited producing duties. Three scripts were left unproduced. Two of them were adapted into a "Kolchak" series of comic books in 2003.
- PatzerMany of the stories take place in the winter months, but there is never any snow, and even if there was no snow, it is highly unlikely one would be driving a convertible with the top down during the winter months in Chicago.
- Zitate
Carl Kolchak: [voiceover] Buck Finemann, seventy two years old. Cantankerous old geezer. No-one liked him much, but they allowed him to play poker with them once a week because he was a terrible card player and had been known to lose as much as seventy five cents in a single evening.
- Crazy CreditsDuring opening credits, Kolchak throws his hat at a wall hook, it misses and falls into the garbage. When the show first aired, there was an alternate opening where he threw his hat, it stays on the hook, and Kolchak has a surprised look on his face. This was Darren McGavin's genuine reaction, as he had not expected it to happen. After the first few episodes, the opening was changed to the one that is currently shown on reruns and media releases.
- VerbindungenEdited into Die Himmelhunde von Boragora: God Save the Queen (1983)
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