IMDb-BEWERTUNG
5,4/10
786
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuSomeone murders and dismembers a series of blonde women; unique in that it is shot entirely in the early 1970's cinema gimmick DUO-VISION (split screen).Someone murders and dismembers a series of blonde women; unique in that it is shot entirely in the early 1970's cinema gimmick DUO-VISION (split screen).Someone murders and dismembers a series of blonde women; unique in that it is shot entirely in the early 1970's cinema gimmick DUO-VISION (split screen).
- Regie
- Drehbuch
- Hauptbesetzung
Stefanianna Christopherson
- Genny
- (as Indira Danks)
Kirk Bates
- Owen Williams
- (as Kirk Bates and The Leaves of Grass)
Ian Abercrombie
- Eddie, Room Service Waiter
- (Nicht genannt)
Hal K. Dawson
- Grandpa Blake
- (Nicht genannt)
Patrick Wright
- Abusive Stepfather
- (Nicht genannt)
Empfohlene Bewertungen
Movie takes place at a huge seaside hotel in California. In it handyman Jason (Randolph Roberts) attacks and kills blonde women. He then hides the bodies so they just go missing. The hotel has a security man searching for the people and beautiful Lisa James (Tiffany Bolling) is hired to sing there. She has black hair...but decides to wear a blonde wig which has Jason after her.
This was the first (and last) film shot in "Duo Vision"--basically a split screen used in 99.9% of the film (there are a few shots in the film not using it). It actually works pretty good sometimes. You see a person on one side of the screen and see what he's thinking of on the other. Still, it's just basically a gimmick to sell the film (it didn't work). The story itself is familiar and the killings are pretty non-bloody (this has a PG rating), but the acting itself is actually not half bad and the film kept my interest. Not a camp classic by any means but an OK film with a well-used split screen process. I give this a 7.
This was the first (and last) film shot in "Duo Vision"--basically a split screen used in 99.9% of the film (there are a few shots in the film not using it). It actually works pretty good sometimes. You see a person on one side of the screen and see what he's thinking of on the other. Still, it's just basically a gimmick to sell the film (it didn't work). The story itself is familiar and the killings are pretty non-bloody (this has a PG rating), but the acting itself is actually not half bad and the film kept my interest. Not a camp classic by any means but an OK film with a well-used split screen process. I give this a 7.
Filmed, using the modern miracle that is "Duo-Vision" (aka: split screen), WICKED, WICKED is about an enormous hotel, and the psychopathic killer that lurks there. Though it's obvious who the murderer is from the beginning, this movie is quite entertaining and even boasts a nice "shock" finale.
Rick Stewart is serviceable as the womanizing sleuth on the case, while Randolph Roberts is perfectly cast as the bug-eyed maniac. There's also a cavalcade of oddball characters and the hyper-intense Scott Brady in another hard-nosed, barking cop role. Watch for Roger Bowen as the sniveling, reputation-obsessed hotel manager.
Is this a classic film? Well, no, but it is a lot of fun to watch. However, you might have to watch it twice in order to avoid eyeball whiplash...
Rick Stewart is serviceable as the womanizing sleuth on the case, while Randolph Roberts is perfectly cast as the bug-eyed maniac. There's also a cavalcade of oddball characters and the hyper-intense Scott Brady in another hard-nosed, barking cop role. Watch for Roger Bowen as the sniveling, reputation-obsessed hotel manager.
Is this a classic film? Well, no, but it is a lot of fun to watch. However, you might have to watch it twice in order to avoid eyeball whiplash...
Wicked, Wicked is unique in that it is shot entirely in DUO-VISION (a gimmick of early 1970's cimena). Brian DePalma used this technique with great success in both Carrie and Phantom of the Paradise. The problem here is that Richard Bare is no Brian DePalma and the story is completely idiotic.
the one saving grace of this film is the moment at which the duo-vision becomes "uni-vision" during the climactic moment of the story. You have to see it to appreciate the greatness of that one shot. Perhaps the director came up with that idea and then made a whole story around it?
the one saving grace of this film is the moment at which the duo-vision becomes "uni-vision" during the climactic moment of the story. You have to see it to appreciate the greatness of that one shot. Perhaps the director came up with that idea and then made a whole story around it?
The movie serves the gimmick of two screen viewing, but it's more annoying and pointless than anything. Lots of the time one side is just someone doing something mundane like examining wallpaper or sleeping while the other side has the important stuff. There was no real need to do an entire movie like this, it was just an interesting idea to try... unfortunately in practice, it kind of sucks. It's a standard slasher movie with bad acting so you're not missing much if you never see this. Needed a better plot and more thought out use of the duo-vision to be of any worth.
I can hardly begin to express what a disgusting, worthless piece of excrement this film is. When you consider how much talent there is in film-making, to know that a major studio (admittedly, on its last legs) funded this garbage makes you want to grab a sharp implement.
Why is it so awful? All right (deep breath):
1. The split screen. It's distracting. It adds nothing to the narrative. It isn't used to make a point (as Tarantino does in Jackie Brown). It's just there as a selling feature.
2. The performances. God help us.
3. The script. God continue to help us.
4. The story itself. Who the hell thought this would be an original idea?
5. The child abuse sequences. So appallingly exploitative, so unworthily sickening, so POINTLESS...I wanted to throw something at the TV.
6. The tacky tone. The sexual puns are puerile beyond belief. The Farrelly brothers would never have stooped this low.
7. The theme song. Still stuck in my head after about 10 years. GO AWAY!!!!
There are plenty of other reasons why this obscenity should be thrown into the Pit of Hell, but I really can't bear to go any further. Every copy of this should be consigned to fire, and everybody involved in it should be taken outside and shot, their bodies burnt, their ashes buried and the whole site concreted over.
If this diatribe persuades people to go and see it, it has failed in its mission. Don't ever employ its maker to do anything again, I implore you.
The least enjoyable bad film ever made. Can I give it a minus score, please?
Why is it so awful? All right (deep breath):
1. The split screen. It's distracting. It adds nothing to the narrative. It isn't used to make a point (as Tarantino does in Jackie Brown). It's just there as a selling feature.
2. The performances. God help us.
3. The script. God continue to help us.
4. The story itself. Who the hell thought this would be an original idea?
5. The child abuse sequences. So appallingly exploitative, so unworthily sickening, so POINTLESS...I wanted to throw something at the TV.
6. The tacky tone. The sexual puns are puerile beyond belief. The Farrelly brothers would never have stooped this low.
7. The theme song. Still stuck in my head after about 10 years. GO AWAY!!!!
There are plenty of other reasons why this obscenity should be thrown into the Pit of Hell, but I really can't bear to go any further. Every copy of this should be consigned to fire, and everybody involved in it should be taken outside and shot, their bodies burnt, their ashes buried and the whole site concreted over.
If this diatribe persuades people to go and see it, it has failed in its mission. Don't ever employ its maker to do anything again, I implore you.
The least enjoyable bad film ever made. Can I give it a minus score, please?
Wusstest du schon
- WissenswertesThe script for the film was unusual. It was typed sideways on legal-sized paper, with each side of the page corresponding to what happens on each side of the split-screen. Writer Richard L. Bare had trouble finding a typewriter with a wide enough carriage to accommodate the longer paper.
- PatzerAs Delores Hamilton looks around the hotel lobby, her head moves slightly on the right side of the split-screen but doesn't on the left.
- Zitate
Rick Stewart: We don't need any beach freaks makin' out with the guests!
- Alternative VersionenWarner Archive release makes several crude cuts for violence, causing jump cuts and a skipping soundtrack. -The first attack on a hotel guest is shorter. -The scene of a severed arm falling from a room service cart is removed; we only see a hand begin to slide out. -When the killer operates a guillotine, the Archive version cuts directly from the descending blade to the aftermath - there isn't even an impact sound! -The scene of a head falling off the jostled body of a victim has been removed. -A body impaled on a spiked fence been reduced from a zoom-closeup and a wide shot to about 10 frames of the wide shot.
- VerbindungenFeatured in 42nd Street Forever, Volume 1 (2005)
Top-Auswahl
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- How long is Wicked, Wicked?Powered by Alexa
Details
- Laufzeit
- 1 Std. 35 Min.(95 min)
- Sound-Mix
- Seitenverhältnis
- 2.65 : 1
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