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Jene Jahre in Hollywood

Originaltitel: The Way We Were
  • 1973
  • 12
  • 1 Std. 58 Min.
IMDb-BEWERTUNG
7,0/10
28.954
IHRE BEWERTUNG
Jene Jahre in Hollywood (1973)
Official Trailer ansehen
trailer wiedergeben2:25
5 Videos
99+ Fotos
Period DramaTragic RomanceDramaRomance

Zwei ungleiche Menschen haben eine wunderbare Romanze, aber ihre politischen Ansichten und Überzeugungen treiben sie auseinander.Zwei ungleiche Menschen haben eine wunderbare Romanze, aber ihre politischen Ansichten und Überzeugungen treiben sie auseinander.Zwei ungleiche Menschen haben eine wunderbare Romanze, aber ihre politischen Ansichten und Überzeugungen treiben sie auseinander.

  • Regie
    • Sydney Pollack
  • Drehbuch
    • Arthur Laurents
    • Francis Ford Coppola
    • Paddy Chayefsky
  • Hauptbesetzung
    • Barbra Streisand
    • Robert Redford
    • Bradford Dillman
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,0/10
    28.954
    IHRE BEWERTUNG
    • Regie
      • Sydney Pollack
    • Drehbuch
      • Arthur Laurents
      • Francis Ford Coppola
      • Paddy Chayefsky
    • Hauptbesetzung
      • Barbra Streisand
      • Robert Redford
      • Bradford Dillman
    • 146Benutzerrezensionen
    • 61Kritische Rezensionen
    • 61Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • 2 Oscars gewonnen
      • 6 Gewinne & 8 Nominierungen insgesamt

    Videos5

    Official Trailer
    Trailer 2:25
    Official Trailer
    The Way We Were
    Trailer 1:26
    The Way We Were
    The Way We Were
    Trailer 1:26
    The Way We Were
    Robert Redford: The Con With Conviction & the End of a Legendary Screen Persona
    Clip 5:10
    Robert Redford: The Con With Conviction & the End of a Legendary Screen Persona
    The Way We Were: What Are You Scared Of?
    Clip 1:38
    The Way We Were: What Are You Scared Of?
    Clip
    Video 1:38
    Clip

    Fotos162

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    Topbesetzung52

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    Barbra Streisand
    Barbra Streisand
    • Katie Morosky
    Robert Redford
    Robert Redford
    • Hubbell Gardiner
    Bradford Dillman
    Bradford Dillman
    • J. J.
    Lois Chiles
    Lois Chiles
    • Carol Ann
    Patrick O'Neal
    Patrick O'Neal
    • George Bissinger
    Viveca Lindfors
    Viveca Lindfors
    • Paula Reisner
    Allyn Ann McLerie
    Allyn Ann McLerie
    • Rhea Edwards
    Murray Hamilton
    Murray Hamilton
    • Brooks Carpenter
    Herb Edelman
    Herb Edelman
    • Bill Verso
    Diana Ewing
    Diana Ewing
    • Vicki Bissinger
    Sally Kirkland
    Sally Kirkland
    • Pony Dunbar
    Marcia Mae Jones
    Marcia Mae Jones
    • Peggy Vanderbilt
    Don Keefer
    Don Keefer
    • Actor
    George Gaynes
    George Gaynes
    • El Morocco Captain
    Eric Boles
    Eric Boles
    • Army Corporal
    Barbara Peterson
    • Ashe Blonde
    Roy Jenson
    Roy Jenson
    • Army Captain
    Brendan Kelly
    • Rally Speaker
    • Regie
      • Sydney Pollack
    • Drehbuch
      • Arthur Laurents
      • Francis Ford Coppola
      • Paddy Chayefsky
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen146

    7,028.9K
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    Empfohlene Bewertungen

    8sdave7596

    Opposites attract, but rarely last

    "The Way We Were" released in 1973, stars two of the biggest names in show biz then and now, Barbra Streisand and Robert Redford. The story is basically a weepy melodrama, but who cares? Both of these superstars are the reason to watch. At first, we cannot imagine what they see in one another. They meet in college, circa 1937 -- Katie (Streisand) is a wallflower political activist, Hubble (Redford) is the Golden Boy track star. Yes, both were too old to play college students, so it is obvious the director surrounded them with people their own age, with some decent supporting actors like Lois Chiles and a younger James Woods. The two are reunited by World War II, Redford is in the military but also part of the uppity "Beekman Street" crowd, Streisand is a liberal who is nuts about FDR and working on various political causes. The unlikely twosome fall in love, get married, and do not always have an easy time. Redford doesn't mind his wife's political activity, but he is bored by politics and cannot relate to them. The turbulent 1950's hit, Redford is a writer in "Red Scare" Hollywood who takes the easy way out; Streisand believes people should always stand up for their principles, no matter the cost. Sydney Pollack directed this fine film, and had to convince his friend Redford to take on the part of Hubble Gardner; Redford was reluctant, and it is easy to see why. His character, while a decent guy at heart, is also shallow, somewhat superficial, and doesn't take life seriously. The film obviously exploits Redford's golden boy looks, something he always detested. Streisand's part is obviously the more interesting one, as the part was exclusively written for her. And while her character may not fit in on "Beekman Street," she looks fabulous here. All in all, this is one of the finest romances to come out of the 1970's that also has intelligence and class.
    7FilmOtaku

    Despite some faults, it's still pretty good

    The theme of a golden boy falling for a girl from "another world", be it social class, the "wrong side of the tracks" or fill in your cliché here, is one that goes back to the silent film era. One of the most famous examples is Sydney Pollack's 1973 film "The Way We Were". Set from the 1930's through the 1950's, Barbra Streisand plays Katie, an outspoken member of the Communist party and campus activist who does not have anything handed to her; she works two and sometimes three jobs in order to pay for her living and college tuition. Hubble (Redford) is your typical aforementioned golden boy, a "big man on campus" who indulges in sports, debutantes and all-around good times. The two know each other from the diner Katie works at (he being the patron) and at one point before graduation, briefly bond over their shared passion for writing. Cut to a few years in the future and Katie encounters Hubble at a bar. Hubble is in the armed forces and Katie is characteristically working a couple of jobs while volunteering for various social causes. After a night of drunken sex (Hubble being the drunken one) they embark on an unlikely relationship that spans over a decade and includes a move to California (when Hubble becomes a screenwriter in Hollywood) and the conception of one child. They are happy, but realize that regardless of their desire, they can't completely cross social lines and certainly can't change one another, particularly Katie's ever-ferocious dedication to social causes; a fight that becomes exponentially heated during McCarthy's Red Scare. The two have to decide whether they can sustain enough raw emotion for one another to persevere over everything else that is stacked up against them.

    There are several things about "The Way We Were" that require suspension of disbelief (the fact that despite never having had much contact with one another that after one night of drunken lust and an awkward "morning after" being enough to kick start a relationship the magnitude of theirs is the first thing that comes to mind) but the bottom line is that it really is a well-written, well-directed and well-acted film. The two principal characters are full and complex, regardless of whether we are talking about the socially conscience Katie or the socially acceptable Hubble. I suspect they somewhat were written with the intent of familiarity for the purpose of effectiveness, and if this is true, it worked on me. The era in which these two characters were set was a very interesting time in American history, and the characters' actions during these times created some compelling cinema, particularly when it touched on the Red Scare.

    But who am I fooling? The main reason people watch this movie, whether for the first time or for the fiftieth is for the doomed romance, and Streisand and Redford deliver in spades. "The Way We Were" was written for Streisand, (something that cause Redford to turn down the part at first, because he knew the film was going to be hers) and her portrayal of Katie is excellent. There are so many perceptions of Streisand nowadays (some of them correct, to be sure) that it's easy to forget that she really does have some serious acting chops, and she exhibits them to full effect here. I also happened to learn that the soft filtered lens thing with her didn't just start with her later movies, for whatever reason she was filmed with that lens more often than not here, but that didn't do anything more than slightly distract me because I couldn't help but chuckle. Redford gives a typical solid performance as well, though his initial doubts about taking the role turned out to be valid; he is not the dynamic figure in the film. However, his character is a strong one and Redford does a good job.

    I don't know if Pollack knew he was creating a screen classic when he directed "The Way We Were" but he did make a very good film. If you can make it past some major melodrama and some plot holes (what was the deal with their child?) watch this film, and just sit back and appreciate it for what it is – a chick flick that guys don't have to feel ashamed watching. 7/10 --Shelly
    Del-Con

    One of the very best!

    I can remember seeing THE WAY WE WERE when I was in high school and being surprised by how much I had enjoyed it. Romances were never really my thing, but I had always enjoyed the work of Robert Redford, so I decided to give it a try. I was floored by the power and beauty of film! My initial reactions to the film were, once again, how natural and charismatic Redford is as the classic example of the college golden boy, who feels slightly trapped. After the credits began to roll, I knew right then that I had seen something special, something that would pass the test of time. I assume others felt the same way, the film went on to become an international blockbuster and the top grosser of the year.

    Years later, I watched THE WAY WE WERE again. Now older, I had a new perspective on the film, and to be completely honest, I enjoyed it even more! While I still think Redford is great in this film, I discovered that it is actually Barbra Streisand who gives the better performance. As the political activist Katie, Streisand has one her best roles since Fanny Brice in the original FUNNY GIRL and she provides a show-stopping performance. She displays both strength and vulnerability, she is at once both scorned and innocent. Her's is one of the best performances of the 70's.

    The final verdict: THE WAY WE WERE stands the test of time as one of the best films of it's kind. Watch this film for the most moving finale in film history, for the knock out performance from Streisand, for the long-lasting chemistry between Redford and Streisand, and for one of the most famous and touching love stories of this century.

    Out of 10, I'd rate THE WAY WE WERE a solid 10!
    budmassey

    Epic and anchored by the history of the century.

    Oh, the way they used to make movies. Robert Redford and Babs. The ultimate star-crossed lovers, him a privileged golden boy for whom everything came too easy, but he knew it, and her a socialist politico who had to work harder for everything because she was plain, jewish, and poor.

    Through Beekman Place, McCarthyism, Hollywood, World War II and the fact that they simply weren't cut out for each other, they tried until they couldn't try any more. Barbra is deep and intellectual, at least she wants to be, but ends up being the ultimate drama queen, "I'm not pretty enough for you, am I?" and "Nobody will ever love you like I do." Redford is aloof and chilly and beautiful and as shallow as a mud puddle.

    BUT, if you can watch that last scene, "I can't Katie." "I know." and not open up the waterworks then pack up your DVD player and give it to the Goodwill, because movies are not for you.

    Epic and anchored by the history of the century, The title, The Way We Were refers to all of us. It's how we once were when things mattered and we cared. Too often dismissed as a chick flick or a tear jerker, this is two of the best there ever were at their personal best.
    Movie_Man 500

    breathless

    Had to see this one again after years had elapsed between viewings, and the hair brushed from the face ending still gets to me. Weep weep, boo hoo. Speaking of hair, Babs looks better with her hair curly here, it always seems stiff flattened out. I still can't figure out if Hubbel was challenged by Katie or if he fell for her because he knew she loved him deeply, even if their relationship was based more on her attraction to him than his to hers. I never thought he truly felt comfortable with her. Because she was so "serious" all the time, as he tried to tell her. Romance was bound to fail because he could never think about other people the way she did and she in turn could never relax. The public confrontation during the communist witch hunt is the last straw and eventually leads us to the sidewalks of New York, where Katie's hair is curly again and Hubbel comments that she must have lost her iron. A truly moving romance with some stretches of dullness here and there but never at the expense of character. Both stars look great, with Streisand definitely robbed at Oscar time.

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    • Wissenswertes
      Filmed amid the ongoing Watergate political scandal, Robert Redford initially wanted the film to focus on the blacklisting of actors and writers during the McCarthy era. He was unhappy with cuts made to the film following a preview. "I think we'd both have preferred a more political Dalton Trumbo-type script," Redford recalled, "but finally Sydney came down on the side of the love story. He said, 'This is first and foremost a love affair,' and we conceded that. We trusted his instincts, and he was right."
    • Patzer
      When the radio announcer refers to the time of Franklin Roosevelt's death, he says it occurred at 5:45 in the morning. President Roosevelt died in the early afternoon.
    • Zitate

      Hubbell Gardner: People are more important than their principles.

      Katie Morosky Gardner: People ARE their principles.

    • Verbindungen
      Featured in Film Extra: Sydney Pollock (1973)
    • Soundtracks
      The Way We Were
      Composed by Marvin Hamlisch

      Lyrics by Marilyn Bergman and Alan Bergman

      Sung by Barbra Streisand before the opening credits and during the end credits.

      Music played often in the score

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 7. März 1974 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprachen
      • Englisch
      • Französisch
    • Auch bekannt als
      • Cherie Bitter
    • Drehorte
      • Union College, Schenectady, New York, USA
    • Produktionsfirmen
      • Columbia Pictures
      • Rastar Productions
      • Tom Ward Enterprises
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 5.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 45.000.000 $
    • Weltweiter Bruttoertrag
      • 45.000.493 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 58 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 2.39 : 1

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