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Jene Jahre in Hollywood

Originaltitel: The Way We Were
  • 1973
  • 12
  • 1 Std. 58 Min.
IMDb-BEWERTUNG
7,0/10
28.955
IHRE BEWERTUNG
Jene Jahre in Hollywood (1973)
Official Trailer ansehen
trailer wiedergeben2:25
5 Videos
99+ Fotos
Period DramaTragic RomanceDramaRomance

Zwei ungleiche Menschen haben eine wunderbare Romanze, aber ihre politischen Ansichten und Überzeugungen treiben sie auseinander.Zwei ungleiche Menschen haben eine wunderbare Romanze, aber ihre politischen Ansichten und Überzeugungen treiben sie auseinander.Zwei ungleiche Menschen haben eine wunderbare Romanze, aber ihre politischen Ansichten und Überzeugungen treiben sie auseinander.

  • Regie
    • Sydney Pollack
  • Drehbuch
    • Arthur Laurents
    • Francis Ford Coppola
    • Paddy Chayefsky
  • Hauptbesetzung
    • Barbra Streisand
    • Robert Redford
    • Bradford Dillman
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,0/10
    28.955
    IHRE BEWERTUNG
    • Regie
      • Sydney Pollack
    • Drehbuch
      • Arthur Laurents
      • Francis Ford Coppola
      • Paddy Chayefsky
    • Hauptbesetzung
      • Barbra Streisand
      • Robert Redford
      • Bradford Dillman
    • 146Benutzerrezensionen
    • 61Kritische Rezensionen
    • 61Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • 2 Oscars gewonnen
      • 6 Gewinne & 8 Nominierungen insgesamt

    Videos5

    Official Trailer
    Trailer 2:25
    Official Trailer
    The Way We Were
    Trailer 1:26
    The Way We Were
    The Way We Were
    Trailer 1:26
    The Way We Were
    Robert Redford: The Con With Conviction & the End of a Legendary Screen Persona
    Clip 5:10
    Robert Redford: The Con With Conviction & the End of a Legendary Screen Persona
    The Way We Were: What Are You Scared Of?
    Clip 1:38
    The Way We Were: What Are You Scared Of?
    Clip
    Video 1:38
    Clip

    Fotos162

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    + 154
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    Topbesetzung52

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    Barbra Streisand
    Barbra Streisand
    • Katie Morosky
    Robert Redford
    Robert Redford
    • Hubbell Gardiner
    Bradford Dillman
    Bradford Dillman
    • J. J.
    Lois Chiles
    Lois Chiles
    • Carol Ann
    Patrick O'Neal
    Patrick O'Neal
    • George Bissinger
    Viveca Lindfors
    Viveca Lindfors
    • Paula Reisner
    Allyn Ann McLerie
    Allyn Ann McLerie
    • Rhea Edwards
    Murray Hamilton
    Murray Hamilton
    • Brooks Carpenter
    Herb Edelman
    Herb Edelman
    • Bill Verso
    Diana Ewing
    Diana Ewing
    • Vicki Bissinger
    Sally Kirkland
    Sally Kirkland
    • Pony Dunbar
    Marcia Mae Jones
    Marcia Mae Jones
    • Peggy Vanderbilt
    Don Keefer
    Don Keefer
    • Actor
    George Gaynes
    George Gaynes
    • El Morocco Captain
    Eric Boles
    Eric Boles
    • Army Corporal
    Barbara Peterson
    • Ashe Blonde
    Roy Jenson
    Roy Jenson
    • Army Captain
    Brendan Kelly
    • Rally Speaker
    • Regie
      • Sydney Pollack
    • Drehbuch
      • Arthur Laurents
      • Francis Ford Coppola
      • Paddy Chayefsky
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen146

    7,028.9K
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    Empfohlene Bewertungen

    MAX80

    One of the best romances of all-time!

    There are movies about love being made all of the time. After awhile, they all begin to look the same. However, once in awhile, one is made that truly stands out. THE WAY WE WERE is such a film. This film, mixing love and politics, finds two individuals (Barbra Streisand and Robert Redford) who meet in college, but years pass before a romance blooms. She is an political activist, he's bored by politics. She's stern and serious, he's easygoing and laid-back. Although they love each other deeply, their differences begin to tear them apart. As far as romantic tearjerkers go, they don't get much better than this. Both Striesand and Redford are perfectly cast and their characters are ones in which viewers will grow to love and care about. Many viewers will also appreciate the realistic ending. This is a beautiful film.
    budmassey

    Epic and anchored by the history of the century.

    Oh, the way they used to make movies. Robert Redford and Babs. The ultimate star-crossed lovers, him a privileged golden boy for whom everything came too easy, but he knew it, and her a socialist politico who had to work harder for everything because she was plain, jewish, and poor.

    Through Beekman Place, McCarthyism, Hollywood, World War II and the fact that they simply weren't cut out for each other, they tried until they couldn't try any more. Barbra is deep and intellectual, at least she wants to be, but ends up being the ultimate drama queen, "I'm not pretty enough for you, am I?" and "Nobody will ever love you like I do." Redford is aloof and chilly and beautiful and as shallow as a mud puddle.

    BUT, if you can watch that last scene, "I can't Katie." "I know." and not open up the waterworks then pack up your DVD player and give it to the Goodwill, because movies are not for you.

    Epic and anchored by the history of the century, The title, The Way We Were refers to all of us. It's how we once were when things mattered and we cared. Too often dismissed as a chick flick or a tear jerker, this is two of the best there ever were at their personal best.
    9moonspinner55

    Hollywood schmaltz or deeply felt love story?

    Actually, "The Way We Were" is both, and happily so. It's a classy romantic period drama about a 1940s wallflower in New York who blooms in love with her ex-jock boyfriend (an old acquaintance from their college days), and the movie overflows with star-power. None of today's celebrities have the kind of chemistry Barbra Streisand and Robert Redford bring to the screen, and Streisand in particular is so deeply into this character that the herky-jerky editing and breathless writing don't harm her or get in the way (the faults can easily be overlooked). When writer Redford adapts his novel into a screenplay and the couple marries and moves to Hollywood in the McCarthy-Blacklist era, her passion for politics gets them both in hot water; that's where this script hits a snag, with increasingly melodramatic plotting (Redford's affair with a former flame) and confusion in the character motivations (this primarily due to hasty, eleventh-hour editing). Still, it is a handsomely-produced movie with a great tearjerker ending and two fine stars who plow right through the nonsense and bumpy continuity. They transcend the make-believe surroundings, turning the picture into something really special, something to remember. ***1/2 from ****
    7SnoopyStyle

    the never-changing look of a God

    It's WWII. Katie Morosky (Barbra Streisand) is a Jewish girl working in New York radio pumping out patriotic programming among her many activist jobs. In a nightclub, she runs into former crush and Naval officer Hubbell Gardiner (Robert Redford). In college, she was a communist student leader struggling to rally against Franco with Frankie McVeigh (James Woods). He was the WASP star athlete, the man around campus, and outwardly lived a carefree life. He's taken with her tenacity and she admires his writing. In the post war years, they are married in Hollywood where he writes for the studio and she fights against Mcarthyism.

    She has the better part. He's playing the trophy wife. His hemming and hawing with his writing is a bit infuriating. He's too cool for school except for a few emotional outbursts. Those are great for showing some depth in his character although the couple seems to have only two polar opposite gears. As for her, Streisand gives it her all. There is a grating edge to her character which is not that appealing. I do like that these two flawed characters struggle with their undeniable connection until I can't take their unending fight about politics. Another issue is the unchanging Grecian God beauty of Redford's look. This movie takes place over decades. He needs to change. Maybe give him a buzz cut during the war years. There is the famous song which I wouldn't diss or praise. Pollack delivers a solid melodrama although the relationship gets too melodramatic at times.
    8sdave7596

    Opposites attract, but rarely last

    "The Way We Were" released in 1973, stars two of the biggest names in show biz then and now, Barbra Streisand and Robert Redford. The story is basically a weepy melodrama, but who cares? Both of these superstars are the reason to watch. At first, we cannot imagine what they see in one another. They meet in college, circa 1937 -- Katie (Streisand) is a wallflower political activist, Hubble (Redford) is the Golden Boy track star. Yes, both were too old to play college students, so it is obvious the director surrounded them with people their own age, with some decent supporting actors like Lois Chiles and a younger James Woods. The two are reunited by World War II, Redford is in the military but also part of the uppity "Beekman Street" crowd, Streisand is a liberal who is nuts about FDR and working on various political causes. The unlikely twosome fall in love, get married, and do not always have an easy time. Redford doesn't mind his wife's political activity, but he is bored by politics and cannot relate to them. The turbulent 1950's hit, Redford is a writer in "Red Scare" Hollywood who takes the easy way out; Streisand believes people should always stand up for their principles, no matter the cost. Sydney Pollack directed this fine film, and had to convince his friend Redford to take on the part of Hubble Gardner; Redford was reluctant, and it is easy to see why. His character, while a decent guy at heart, is also shallow, somewhat superficial, and doesn't take life seriously. The film obviously exploits Redford's golden boy looks, something he always detested. Streisand's part is obviously the more interesting one, as the part was exclusively written for her. And while her character may not fit in on "Beekman Street," she looks fabulous here. All in all, this is one of the finest romances to come out of the 1970's that also has intelligence and class.

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    Handlung

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    • Wissenswertes
      Filmed amid the ongoing Watergate political scandal, Robert Redford initially wanted the film to focus on the blacklisting of actors and writers during the McCarthy era. He was unhappy with cuts made to the film following a preview. "I think we'd both have preferred a more political Dalton Trumbo-type script," Redford recalled, "but finally Sydney came down on the side of the love story. He said, 'This is first and foremost a love affair,' and we conceded that. We trusted his instincts, and he was right."
    • Patzer
      When the radio announcer refers to the time of Franklin Roosevelt's death, he says it occurred at 5:45 in the morning. President Roosevelt died in the early afternoon.
    • Zitate

      Hubbell Gardner: People are more important than their principles.

      Katie Morosky Gardner: People ARE their principles.

    • Verbindungen
      Featured in Film Extra: Sydney Pollock (1973)
    • Soundtracks
      The Way We Were
      Composed by Marvin Hamlisch

      Lyrics by Marilyn Bergman and Alan Bergman

      Sung by Barbra Streisand before the opening credits and during the end credits.

      Music played often in the score

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 7. März 1974 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprachen
      • Englisch
      • Französisch
    • Auch bekannt als
      • Cherie Bitter
    • Drehorte
      • Union College, Schenectady, New York, USA
    • Produktionsfirmen
      • Columbia Pictures
      • Rastar Productions
      • Tom Ward Enterprises
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 5.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 45.000.000 $
    • Weltweiter Bruttoertrag
      • 45.000.493 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 58 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 2.39 : 1

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