Super Fly T.N.T.

Superfly T.N.T is a highly entertaining sequel which deserves more credit than it very often gets. I loved everything about this one with the exception of the soundtrack (I liked this soundtrack but missed Curtis Mayfield) and the film's finale (which doesn't end on as high a note as the original film since this time Priest's new line of hustling has just started). Alex Haley and Ron O'Neal did excellent work on this film. Haley's script is both powerful and fun. O'Neal makes a good directorial debut. He's even better in the role of Priest this time than in the original Superfly. Superfly T.N.T. has a fine cast too. It's one of my favorite films of the era and my favorite of the three Superfly movies (although they are all worth seeing). This is a great film if you can accept the soundtrack (very appropriate but not as cool as Mayfield) and the finale (Priest's work has just begun so there's no easy ending). God Bless Ron O'Neal and Alex Haley.

The movie opens with scenes of what turns out to be Rome. I didn't know where this was set, and I had no knowledge of the original 'Superfly', but I was curious. When I saw the Colosseum, I knew where it was.

A group of rebels in an African desert gets ambushed, their weapons are taken, and the men are killed. Dr. Sonko is in the room when one of the rebel leaders is informed about what has happened. Later, Dr. Sonko goes to Rome. As it turns out, he wants Priest to help him.

The first half of the movie didn't make a lot of sense, possibly because I didn't know the characters. I know they were playing poker, and that's about it. I did like Jordan Gaines, who was funny, and I wouldn't have recognized him had I not seen Robert Guillaume's name in the credits. I enjoyed hearing Priest say things like 'Can you dig it?'

The music added to the movie, especially where there was what sounded like a traditional African performance mixed with 70s American soul. Scenes of African culture about halfway through the movie, including women carrying baskets on their heads, and people doing local crafts--these added to the movie as well.

Roscoe Lee Browne is such an excellent actor. So I was surprised that he seemed distracted by his French accent, and not as talented as usual. But when he gave his big speech to Priest about why Priest should care about Umbia (I'm guessing at the spelling), THAT was the Roscoe Lee Browne I expected.

Sheila Frasier did a good job as Georgia. Ron O'Neal's ability came through more in the second half, with some good though violent scenes where Priest had to use both intelligence and physical ability. The ending was great.

I'd like to see the original 'Superfly'.

This movie bored the snot out of me.

I had seen the original Superfly first. I wanted more of the same. Butt kicking, hard slapping, big bad PIMPING.

This movie has a retired Priest, (aka Superfly, the hero of the first film) living it up in Rome, approached by a wannabe rebel leader from a small West African nation, trying to get out from under the yoke of colonial oppression by THE MAN. He wants Priest to run some guns into the war-torn African nation for him.

Imagine my shock when I discovered just now that this film was co-written by ALEX HALEY, the author of the fantastic "Roots." That first came on TV when I was a kid, as one of the last of the big network television "events" before Cable TV really got wide latitude. That was along lines of The Beatles on Ed Sullivan (before my time) a Super Bowl, or the "Who Shot J.R." episode (I remember that hype too). But "Roots" was a great piece of art, and I mean EVERYBODY but EVERYBODY watched it, whatever color your skin happened to be.

This movie was a waste and a disaster, but I guess Alex Haley is where the idea of the African setting came from (idle speculation on my part).

Anyway, I guess they were trying to do something new with the character, but the concept was utterly wrong-headed from the start. The movie is also REALLY SLOW. It takes about 45 minutes before he gets to Africa! Too long! And the whole side story with Robert Guillame as a fellow American in Rome, an artist with a fantastic singing voice, was just a waste of time.

Original Superfly: 8 out of 10. This tripe: 3 out of 10.

It's still much better than THE GUY FROM HARLEM, though.

Everything that was right with the original "Super Fly" is wrong here. The original was the true definition of "independent film making;" very small budget, humble, and passionate. Nobody involved was famous, or a "big shot," and that gave the movie a kind of innocence that is lost on this showy sequel. The biggest mistake was taking the action out of New York City, as the ghetto backdrop played such a major role in the story, and it defined exactly who the character, Priest was. For this sequel the action is moved to more exotic settings of Italy, and later Africa. Thus the connection to the first film is lost. Everything here is bigger, more expensive, and everyone involved is more self-important due to the success they found with the first movie; thus the heart is lost as well. This is typical example of what goes wrong with sequels of great movies. The same thing happened with the "Penitentiary" franchise. The first one was an excellent piece of independent cinema, made with no money by a team of unknowns, and it was followed by an awful sequel, devoid of passion or artistic value. As far as Ron O'Neal, the man who made Priest such a fascinating character; he wasn't given the kinds of roles that he should have gotten. But he truly redeems himself after "Super Fly TNT," a few years later, with the excellent grindhouse classic "The Hitter," a film that received no attention, but is a million times better than this shallow vanity piece. I would encourage any fan of "Super Fly" and Ron O'Neal to skip this lame sequel and search out "The Hitter" instead.

Well I thought the original was all over the place ... the sequel is actually even more so. Even if they did a location change (and I reckon since Italy was quite cheap to shoot at in the 70s they probably shot there too, not that it matters), this is quite a dull watch overall. Even with the charismatic lead.

As with the first one, I am not aware of production issues or the history of the making of. Historically it is known that it wasn't easy for African American/black people to get an acting job. So I guess it makes sense that Ron O'Neal directed this as well. Maybe he bit more than he could chew though. Even with the addition of a great character actor, there was not much to save ... Blaxploitation fans may feel different overall. And maybe I'm spoiled with something like Black Dynamite that is just pitch perfect ...