Some Call It Loving

You would end up with "Some Call It Loving" One of the most truly unique films that you will find - if you can. Features a rare performance by Richard Pryor and Tisa Farrow - Starring Zalman King. Actor of "Blue Sunshine" and other B- movie horror films of the 70's like "Galaxy of Terror" - Later to bring us such hits as "9 1/2 Weeks" and the "Red Shoe Diaries". Zalman portrays and eccentric jazz musician who one day happens upon a carnival sideshow. Lured in by a carny barker he witnesses a human exhibition. A sleepy beauty - A real life girl who apparently due to a rare medical condition maintains a constant state of sleep. The wealthy musician so taken by the girl, he decides to buy her off the carny. It turns out that this is NOT the only girl in his human collection. Back at the mansion are two more unique women.

Many films have delt with the Sideshow and Carny theme but few are able to capture the real seedy and underlying themes of Freakshows as well as this film does in the first 5 mins. . Logan Ramsey (walking tall) plays the sideshow owner - giving one of the most convincing performances of a true seedy carny. Add to this a pair of lesbians - a Blonde Bombshell Fetish Cheerleader - Richard Pryor as a strung out Jazz Drummer - Plus - some nunexploitation - Add a pinch of Saxaphone driven Jazz and you got yourself a film from 1973 unlike any other - If this film came out now it would take Sundance by storm. Simply put the film deals with the idea of creating the perfect woman or chasing after the idea of the perfect woman. One uncorrupted from the realities of the world. An eerie twisted Twilight Zone feel - It's interesting to see how Zalman went from this to 9 1/2 weeks. Which also deals with obtaining human passion.

An obscure oddity, chastised and forgotten in its time. A different take on the Sleeping Beauty story which is complimented with interestingly composed shots, surreal characters, narrative peculiarities and great music. It's a warm piece of Americana that invokes weird nuns, freak carnivals and a rambling Richard Pryor. Basically all the stuff that makes America great. Despite the strange elements inherent in the movie, it still comes off as artfully dramatic. Love cannot be forced and no one is perfect for one another, the film explores how futile it is to make this happen when a man has the perfect opportunity to mold a sleeping beauty into his ultimate love. It is somewhat a shame that the film hasn't found an audience outside of Rosenbaum's essential 1000 and some Cinemageddon weirdos as it could easily slot itself into the fanbase cult of Harmony Korine and beyond. Watch it at 3am and let it mesmerize and sedate you.

It has been more than a quarter century since I saw this movie. it is not a good movie. It is, however, one of the more bizarre films you will ever see. It has stayed in my memory all these years while other clunkers are gone. Richard Pryor's turn as a wino-philosopher and Zalman King as a jazz musician-prince defy description. And its has a nuns dancing scene with Carol White. Because of the cast and treatment, this truly may be a one of a kind experience.

Truly an awful movie in every sense of the word. The story had no meaning beyond some high school type vapid comments. And the best one word description would be pretentious. In fact they even quoted Hamlet's Polonius but, in the incorrect context. But I can forgive all of that. I have a fondness for weird, experimental films. But, the one thing I can't forgive is boredom. The characters move at the speed of a glacier. They walk to one room then back for no reason. "Just get bloody on with it" I hollered at the screen. Boring boring boring. And don't figure you can throw in one line from my beloved Hamlet and figure that makes you 'artistic'!

Skip this slow placed clunker and go watch eraserhead .

For those who would trash this film as so much convoluted garbage--Freudian or otherwise--I have only these words: The Very Thought of You. The scene in which this song is included is the only thing which makes this film worth watching. Of course, the inclusion of the song, good as it is, cannot save this film from the trash heap.

The concept is imaginative enough. The story concerns what appears prima facie to be a familiar theme, but which incorporates the kind of surrealistic realism that was characteristic of John Collier. His characters are dreamers with noble ideals and high expectations. Only to find that the real thing, once encountered, is nowhere near what they had imagined. Another story by Collier in this same mold, by the bye, is "The Chaser," which did become a Twilight Zone episode.

The well-read viewer will probably be able to overlook the bizarre elements which clutter this film for just a moment and appreciate its sublime theme. In the end, however, the bizarre elements drown out any attempt at profundity. The viewer, like the characters in the film, is left feeling vaguely disillusioned, if not outright cheated.

The song deserves mention immediately because I believe that the sentimental romanticism of The Very Thought of You expresses very well the intention of the film's director. As envisioned by him, the song lingers in memory. Unfortunately, the director's intention is out of step with the writer Collier's original intention and it shows. The whole production is out of sync with its purpose. This is not a good film. I'd give it one and a half stars, and that's for the song.