Der Sohn des Mandingo

As blaxploitation movies go, this fares o.k, but isn't anything remarkable. Big Jim Brown, if you don't know, is one of this famous black stars of the 70's, who's big set build, makes a viable commodity in these pics. Playing a famous, ever so cool character, in this so called sequel (the original I liked less), he finds himself in quite a pickle, as he becomes a marked man, by some dudes he ripped off, where at the start, his best friend, and a very familiar Police Academy face, buy the farm instead. Slaughter intends to find out who's responsible, and find them, before he becomes a memory. Not many surprises, the main one, being near the end, stretching reality some, but in light of it's faults, SBRO doesn't come off, as not a badly made pic, where Slaughter still has time to make love, especially to one hottie, who bares and gives herself completely to him. Another one, a blonde bombshell, who this pimp soughts out, will stay in your mind, Some nice blood shed too, as well as some good performances, notably, or surprisingly, ex t.v. show host, Mcmahon as a drug baron, and Don Stroud, as a great nasty, of a hitman. Hendry as Slaughter's girl isn't bad either. Brown is so perfect for Slaughter, it's just in the voice, but on the surface, this movie, I felt was more a let down, or limited to be more precise. Metaphorically a let down, like Stroud, letting the air out of that time. Great soundtrack.

Jim Brown returns for the sequel to the Slaughter. And quite frankly its as good as the first one, with a plot-line which is extremely similar. In this one, the mob kill some of Slaughter's entourage, so off he goes to kick some serious butt for the remainder of the movie. Its got a funky James Brown theme tune too. Very fun blaxploitation overall.

Somehow, this film burrowed it's way into the soft spot of my heart. Don't ask me how it happened, but I suppose having the film feature Ed "I'll Sponsor Anything" McMahon as a tail-chasing crack hustler had a bit to do with it.

Frankly, I was disappointed with Slaughter's first outing in 1972. Nothing more than a quick throw-together to follow Shaft-mania. How does the sequel get away from this? Big Jim Brown seems stronger as Slaughter here than in the first. Perhaps this is due to the fact that one year later he had something to work from, instead of his simple "Be like Shaft" motivation before.

The most outstanding part about the film is the soundtrack provided by pimp-daddy number one, James Brown. Almost every scene is graced with a touch of funk by the Godfather. An excellent period film, for the music, wardrobe, vehicles, lingo, and hair. I should also point out this film is also an excellent period film to represent a time in motion picture history when Jim Brown and Ed McMahon could actually GROW hair.

Double the chicks, double the blow, triple the body count, and factor in Ed McMahon and James Brown. You'll be in for one hell of a 70s action flick, and one that outshines it's predecessor no less. For my money, Slaughter's Big Rip-Off can play ball with any Blaxploitation film ever made. Even Shaft. Chances are you'll disagree, but Slaughter's Big Rip-Off has it's own distinct feel. Something the original was lacking.

Of the two Slaughter movies, this is the better and even though its hardly a Schindlers list in complexity it is bloody funny. All the men are the goodies or the baddies and the women are all just Hos and emotionally needy, eg Slaughters Girl. It is also bloody funny and The Pro has got to be the funniest movie pimp of all time, you just can't get enough of those hats, purple suits, gold chains and jive patois forever. The best bit is where he has the Harem around him going "DO YOU BITCHES UNNASTAN". Everything about him is larger than life and it is reminescent of Morris Day in Purple Rain. Jim Brown also proves hes a private dick for all the chicks and again he kicks whitey ass in every direction. The car scene is very unrealistic that they survive it unscathed, but hey this is the movies. Definitely the finest blax flick and it surpasses Shaft (1971). Even the first movie is pretty good.

This meandering tale of mob revenge is simply not very interesting, even with Ed McMahon in a ripe role as the chief heavy. Jim Brown kicks ass effectively, Gloria Hendry proves again that she can bring life to even the poorest roles, and Brock Peters is decent as The Cop Who Plays By the Book. It's still dull and badly constructed, and even the print shown on cable is now emasculated of its original James Brown score.