Scorpio, der Killer

Handsome Alain Delon is "Scorpio" in this 1973 spy film starring Burt Lancaster and Paul Scofield, and featuring John Colicos, Arthur Hil and Joanna Linville. Cross (Lancaster) is an old CIA agent who assassinates foreign officials the U.S. needs out of the way. His some time parter is Jean Laurier, aka Scorpio, a freelancer. Scorpio is given the order to kill Cross - the agency feels he knows too much. Cross is very clever, but Scorpio knows him well enough to anticipate some of his moves. The two men play an international game of cat and mouse, and along the way, there are casualties.

This is a compelling if somewhat slow thriller, very typical of the spy films one saw in the '60s and '70s. What makes this one is the locations - having been to Vienna, I sat across from the opera house in the exact place where one scene was shot. The streets, the hotel lobbies and the rooms were unmistakably European. The cast is excellent, with Lancaster doing a great job - and his own stunts at the age of 59 - as a down to earth, tired agent. Scofield is effective as Zharkov, a Communist friend who helps Cross, and John Colicos is very good in a typical role for him as Cross' cold-blooded boss. Delon isn't quite in the league of these actors - he brings a kind of lethargy to his role and is almost too internalized, plus his accent is quite thick, so some of his dialogue is difficult to understand. You can't beat him for eye candy, though.

I've enjoyed other spy films better, but this one, written by David Rintels (my cousin's brother-in-law) is good with the right atmosphere and some dandy performances.

The thing about spys and espionage is that there is a difference >between good guys and bad guys. Burt Lancaster portrays aging C.I.A agent Cross who wants to leave the C.I.A to spend more time with his wife (Joanne Linville). However he has been training another mentor Jean code name "Scorpio"(Alain Delon) who is just been learning the tricks of the trade as a C.I.A assasin. C.I.A boss (John Colicos) feels that Cross knows too much and that he should be killed. He soons asks Scorpio to do the job, but he refuses. Scorpio is later arrested on phony narcotics rap and is blackmailed to do the job of eliminating Cross, so he accepts it. Cross however catches on that he is being by the watched C.I.A and the game of cat and mouse between him and Scorpio begins. He later takes refuge in with on old colleague (Paul Scofield) in Venice. Yet the question remains. Who is doublecrossing who? Who will survive the game? Who is good and who is bad? This a great film. Burt Lancaster was 59 years old and he had the ability to perform his running scenes as he is being pursued by Delon and another C.I.A hitman. He is proven to be a good actor who attributed the physical-athletic attributes in the film. Alain Delon gives a marvelous performance the man forced to hunt down and kill Lancaster. I give this film 10 out of 10**********.

In Paris, CIA operative Cross (Burt Lancaster) uses freelance assassin Jean 'Scorpio' Laurier (Alain Delon) to kill. It's their sixth or seventh assassination together. CIA don't usually do the killings themselves. They try to take out Cross within the Agency and fail. They do a deal with Scorpio to kill Cross. In Paris, Cross is given a safe house from his Soviet opposite Zharkov.

Cross and Scorpio need to be closer. There is a connection but a deeper emotional connection would make the chase more compelling. Scorpio can't be an outsider especially considering their conversation later in the movie. They talk like teacher and student. It doesn't really fit their relationship as described in the beginning. I still like their connection. It just needs some minor changes. On the other hand, Cross and Zharkov are almost perfect. They are both world-wearied warriors on their last legs. The movie does drag a bit too long after the explosive climax in Paris. Despite that scene, the movie could use a good action car chase in the city. It could use some more action and it needs to get to the ending faster. Overall, it has some interesting aspects of the genre but it's not one of the memorable ones.

"Scorpio" is a pretty good spy drama, though it's not for everyone. Before I explain that qualifying remark, a brief mention of the movie's positive attributes. Unlike a lot of other movies involving spies, the plot for "Scorpio" is pretty easy to follow. The movie also portrays the world of spies in a more realistic fashion; spying for the most part isn't action- packed, but instead involves a lot of humdrum stuff. The movie also has a very un-Hollywood-like ending that I thought was pretty refreshing. Those last two positive attributes, however, are two that will turn many people (mainly young viewers) off this movie. The lack of action will probably bore them, and the ending will probably infuriate them. But if you are a fan of older movies and their particular kind of storytelling, the movie is a good way to spend 114 minutes of your time.

The movie hasn't aged well, but it still lives with great performances by it's lead actors. The editing and pace feel a bit odd (or off) and it's not only, because it's a slow moving movie, but because some choices seem "wrong".

If you can overlook those "flaws", you can surely enjoy the movie. The story is pretty complicated though and you might feel a bit confused at the ending. But this confusion can be a good thing, too. And the more I think about the ending, the more I like it. While it could have a better set-up, it still delivers and gives the movie one final punch, that will leave you surely with some sort of taste in your mouth (as the saying goes). If you like spy movies, this is essential, otherwise be aware of it's flaws and downfalls.