Szenen einer Ehe

Ohmygod. Liv Ullman really deserved an Oscar for this one, as did Bergman. WOW- not many movies are this honest, this heartbreaking, this true, and this tumultuous- we see two people, in and out of a relationship over fifteen years, experiencing all the pain, loss, love, hate, anger, jealousy, denial, sadness, and so on that finding one's soul-mate brings, stretched out long-term.

Not many movies even come close to this one's brutality in its genuine awareness of people. Most modern films (and television, for that matter) cannot even come close to the psychological precision of Bergman's films. Perhaps "Scenes from a Marriage" is his best work- more accessible than "Wild Strawberries", more compelling than "Persona." This is definitely a film to seek out.

After "Wild Strawberries," this is perhaps my favorite Bergman movie, though be warned: it will take the wind out of you, especially if you watch the full five-hour version in a condensed period of time, as I did.

Liv Ullmann and Erland Josephson create perhaps too realistic a version of marriage in this emotionally bruising film. When Marianne (Ullmann) finds out that Johan (Josephson) has been cheating on her and has decided to leave her, the safe, secure world she has built around her crumbles. She plays Marianne as a wife blind to her own husband's unhappiness and embarrassed that she didn't see it coming, and her's is a convincing portrait of a woman whose partner has decided long before her that what they have isn't working.

Josephson makes Johan into a contemptible ass, but he still manages to earn our sympathy. It's easy to dislike Johan but difficult to hate him, so we're in many respects thrust into the same emotional straight jacket as Marianne.

The saddest thing about "Scenes from a Marriage" is how much affection and love there actually is between these two people, and how it's going to waste. When they get angry, they lash out to hurt one another with words and even with fists at one point. There are tears, laughs, reveries. It's obvious that there wouldn't be the need for all this if there wasn't so much ingrained affection between them, and it's tragic to see them become each other's enemy rather than each other's ally.

For a very good if not quite as brilliant sequel to this film, see "Saraband," which has Marianne visiting Johan for the first time in many years after each has established a life of his/her own without the other. It brings a peaceful sense of closure and in many ways stitches up the raw wound left by the first film.

Grade: A

Johan and Marianne have been happily married for ten years. Following the rough choice to abort their child, the marriage begins to fall apart. Theirs is a marriage of convenience anyway, so it is no surprise that they have looked elsewhere for love and comfort. One day, Johan runs away with another woman, and the process of divorce begins. "Scenes from a Marriage" (Scener ur ett aktenskap) is an intense and personal look at the sanctity of marriage in a world where divorce is in vogue.

"Scenes" begins with Johan and Marianne being interviewed for a magazine article about their perfect marriage. Johan is confident in his happiness. He loves his wife, has fathered two children, and has a well-paying job. Marianne is sure of nothing, other than that she's happy. She tries to talk about her future, but the photographer cuts her off for a picture. She never gets to finish her thought. One wonders what she would have said if she'd gotten to same amount of time to speak as Johan did.

During the course of an epic five-hour ride, the two will switch places. Johan will become uncertain of what he wants, and Marianne will become liberated and truly happy. It's what happens in between that fascinates. "Scenes from a Marriage" focuses on the in between moments in life. Most of the time there are only two characters on screen at a time. Filmed in an intimate, documentary-like style, the film gives us the feeling that we're watching a home movie about the down time in the couple's life. This is when they real emotions come to the surface. Johan reveals his passion for Paula, the woman who has seduced him away from Marianne. Marianne, reserved in public, let's her anger, pain, and jealousy flow freely when they are alone together.

It is this that makes the film work. The film was written and directed by Swedish master Ingmar Bergman, a man who knows how to create arrestingly real drama. Bergman knows that the little moments in life are utterly more fascinating then the overblown public moments that most movies show. By allowing us into these personal moments, Bergman allows Johan and Marianne to become like old friends to the viewer, and that makes the story all the more impactful.

The performances by Liv Ullman and Erland Josephson as Marianne and Johan are nothing short of revelatory. Let's face it, most actors don't shoot for the stars in television productions. Ullman and Josephson treat "Scenes" like any one of their theatrical films. This approach is much appreciated. I only wish they could teach American TV actors a thing or two. Ullman and Josephson deliver more meaningful and powerful performances in the course of five hours than half of the American network line-ups could provide in 5 seasons.

Take, for example, the scene where Marianne discovers that she is the last person to know about Johan's infidelity. The camera gets in close on Ullman's face to reveal all the little details of her expression. Ullman's face is a mask of horror and shame. Her eyes are crying out in despair much louder than her voice can.

There is another fantastic scene in which Marianne who, in the ultimate irony, is a divorce lawyer listens to a client discuss her loveless marriage. The comparison to Marianne and Johan's marriage is undeniable. The look on Marianne's face as she sees her future self in her client is hard to describe, but undeniably affecting.

Johan has less emotional depth, as one of the main plot points is that Paula saps the life out of him as the relationship progresses. However, look at the earliest scenes of the film, where he is overflowing with happiness. The joy in his eyes and his voice are so real it's hard to believe that the whole thing was carefully scripted by Bergman rather than improvised by Josephson.

It is said that, following the initial airing of "Scenes from a Marriage" on Scandinavian TV, the divorce rate in Scandinavia grew immensely. More surprising is that Ingmar Bergman was, and still is, delighted by this fact. The film does provide somewhat of an argument for staying together (Johan and Marianne bounce back and forth on th divorce issue several times) and ultimately, as far as I understand, says that even the most strained relationships can be helped. I suppose it is all up to individual interpretations.

I think that "Scenes from a Marriage" is a film about communication. The lack of communication, and the inability to communicate at all, are the major contributing factors in the breakdown of Johan and Marianne's relationship. It isn't until the divorce papers come that the communication begins. A lack of communication with their own emotions prevents the two from seeing any way out other than divorce--they simply assume that it's too late and that all is said and done. It doesn't have to be that way, and "Scenes from a Marriage" will provide a wake up call to anyone who thinks it does.

"Scenes From A Marriage" is quite simply that: we meet Marianne & Johan ten years into their union & we witness half a dozen scenes of their lives. I'm not married, but I have of course known many people, family & friends, who were married & who talked, acted, & lived much like this couple does. That they are well-educated & affluent is somewhat irrelevant - married couples often seem to be keeping a certain secret (some keep it better than others) that they disguise with contentment, ritual, obligation, affection. Most of the time they keep this secret even from themselves. This movie is about the gradual discovery of the two main characters of the nature & ramifications of that secret.

As far as Bergman films go, it's strangely pretty, in color, with two attractive leads. But I think perhaps Bergman (& Sven Nykvist) sought to give us a sense of familiarity with the suburban, middle-class surroundings to lure us into a false sense of the security of the marriage in question. Without giving anything away, I suggest that this film is no less dark & heavy than other Bergman films; it rather goes for the heart in the way that you often wish modern dramas about relationships would. It's not trite, nor contrived, nor easily resolved. It's wise as life.

The movie was edited down by Bergman from a six-episode television series, which comprise the "scenes." The cast is great, but it's Ullmann & Josephson's show, & Ullmann is such a magnificent actor that I marvel at her expressive face, which Bergman smartly keeps his camera on.

It's unbearably wise, & sometimes difficult, but there aren't many films out there as honest as this one.

The lawyer Marianne (Liv Ullmann) and the professor Johan (Erland Josephson) have been married for ten years, having two daughters. One night, Johan tells Marianne that he met a young woman, Paula, and he will travel to Paris with her for eight months. Caught by surprise, the perfect world of Marianne falls apart, and she starts living alone. Along the next ten years, they meet each other in different situations, in a relation of love and hate for each other. The first time I watched this theatrical movie I was single and was less than twenty years old. In that occasion, I loved the performances of Liv Ullmann and Erland Josephson, but I found the story too long. Today, with twenty-five years of marriage, I have watched this film again on video: what a masterpiece! Ingmar Begman presents an amazingly credible and honest story of the relationship of a couple along twenty years of their lives. Liv Ullmann is so beautiful and has such a stunning performance that impressed me. Erland Josephson also has a magnificent performance as an insecure but sensitive man, full of contradictions and without knowing how to make a decision about his feelings. Unfortunately the VHS spoken in Swedish distributed by Concorde in Brazil has many dialogs without subtitles. Sometimes, four, five sentences are omitted in the translation, or a long speech of a character is resumed to a five or six words sentence. A crime against the viewer! Highly recommended for married couples as a lesson of life. My vote is ten.

Title (Brazil): `Cenas de um Casamento' (`Scenes From a Marriage')