Szenen einer Ehe

Enormous success it had with audiences of Swedish TV, where it was shown in six episodes paved way for its theatrical release. This however called for compromising almost half the original length of celluloid.

As one of more easily understandable Bergman films, "Scenes From A Marriage" met much enthusiasm on both sides of the Atlatic.

The film showcases great two of Ingmar Bergman's favorite actors. Both Liv Ullman and Erland Josephson give lively mature performances, lauded by critics.

Being a down-to-earth family drama with strong social commentary of great relevance, "Scenes From A Marriage" has something important to convey. It is a meaningful picture.

It reflects on the nature of relationship between man and woman. It invites us to ponder on this basic issue, a cornerstone of human society Although not quite in the same league with bona-fide Bergman classics like "The Seventh Seal" and "Persona", "Scenes From A Marriage" remains a powerful movie.

Ohmygod. Liv Ullman really deserved an Oscar for this one, as did Bergman. WOW- not many movies are this honest, this heartbreaking, this true, and this tumultuous- we see two people, in and out of a relationship over fifteen years, experiencing all the pain, loss, love, hate, anger, jealousy, denial, sadness, and so on that finding one's soul-mate brings, stretched out long-term.

Not many movies even come close to this one's brutality in its genuine awareness of people. Most modern films (and television, for that matter) cannot even come close to the psychological precision of Bergman's films. Perhaps "Scenes from a Marriage" is his best work- more accessible than "Wild Strawberries", more compelling than "Persona." This is definitely a film to seek out.

The lawyer Marianne (Liv Ullmann) and the professor Johan (Erland Josephson) have been married for ten years, having two daughters. One night, Johan tells Marianne that he met a young woman, Paula, and he will travel to Paris with her for eight months. Caught by surprise, the perfect world of Marianne falls apart, and she starts living alone. Along the next ten years, they meet each other in different situations, in a relation of love and hate for each other. The first time I watched this theatrical movie I was single and was less than twenty years old. In that occasion, I loved the performances of Liv Ullmann and Erland Josephson, but I found the story too long. Today, with twenty-five years of marriage, I have watched this film again on video: what a masterpiece! Ingmar Begman presents an amazingly credible and honest story of the relationship of a couple along twenty years of their lives. Liv Ullmann is so beautiful and has such a stunning performance that impressed me. Erland Josephson also has a magnificent performance as an insecure but sensitive man, full of contradictions and without knowing how to make a decision about his feelings. Unfortunately the VHS spoken in Swedish distributed by Concorde in Brazil has many dialogs without subtitles. Sometimes, four, five sentences are omitted in the translation, or a long speech of a character is resumed to a five or six words sentence. A crime against the viewer! Highly recommended for married couples as a lesson of life. My vote is ten.

Title (Brazil): `Cenas de um Casamento' (`Scenes From a Marriage')

There are few other films that have the direct authenticity of this one. It is very frank, honest, tender, and heartbreaking. The performances of the two primary actors are amazing. Never once did I doubt their sincerity. In every single scene they overwhelmingly conveyed the intense and nuanced emotions of the couple. I use the word "overwhelmingly" because that is exactly what it is. At times it is hard to watch. Especially the scene in which Johan admits his infidelity. I could feel Marainne's hurt/anger/confusion. There are moments of intense tenderness, as in the last scene where Johan comforts Marianne after her nightmare. To be sure, the actors had some incredible material with which to work. Bergman knows human nature as much as any of modern writer. His dialog is poetic at times, and achingly authentic at others. They way the couple eviscerates and dissects each other is alarmingly, yet honest. Rarely is a character saying what they actually feel. Rarely do the characters know what they feel. They, like many people, really are "emotional illiterates." Bergman's direction is minimal, and that is what makes it so effective. The emphasis is completely on the characters and their existences. This is a powerful, evocative film. And I have seen only the theatrical version. I can imagine the full TV version is even more detailed.

After "Wild Strawberries," this is perhaps my favorite Bergman movie, though be warned: it will take the wind out of you, especially if you watch the full five-hour version in a condensed period of time, as I did.

Liv Ullmann and Erland Josephson create perhaps too realistic a version of marriage in this emotionally bruising film. When Marianne (Ullmann) finds out that Johan (Josephson) has been cheating on her and has decided to leave her, the safe, secure world she has built around her crumbles. She plays Marianne as a wife blind to her own husband's unhappiness and embarrassed that she didn't see it coming, and her's is a convincing portrait of a woman whose partner has decided long before her that what they have isn't working.

Josephson makes Johan into a contemptible ass, but he still manages to earn our sympathy. It's easy to dislike Johan but difficult to hate him, so we're in many respects thrust into the same emotional straight jacket as Marianne.

The saddest thing about "Scenes from a Marriage" is how much affection and love there actually is between these two people, and how it's going to waste. When they get angry, they lash out to hurt one another with words and even with fists at one point. There are tears, laughs, reveries. It's obvious that there wouldn't be the need for all this if there wasn't so much ingrained affection between them, and it's tragic to see them become each other's enemy rather than each other's ally.

For a very good if not quite as brilliant sequel to this film, see "Saraband," which has Marianne visiting Johan for the first time in many years after each has established a life of his/her own without the other. It brings a peaceful sense of closure and in many ways stitches up the raw wound left by the first film.

Grade: A