Las ratas no duermen de noche

Euro-cult icon Paul Naschy plays Jack Surnett, leader of a criminal gang. After a botched heist, the gang heads for the hills, and Surnett is seriously wounded by police during the getaway. Only a brain transplant can save Surnett now, and, as fate would have it, there is a professor (Ricardo Palmerola) out there specializing in that sort of thing. Surnetts' gang goes out and steals a donor brain, from none other than Surnetts' biggest rival, a goon dubbed The Sadist (Roberto Mauri). Naturally, as Surnett revives, he comes under the influence of The Sadists' brain, becoming even more depraved & violent.

This sounded like it had the makings of a solid exploitation-crime flick (with a touch of horror), but alas it's all rather flat and unexciting. Director Juan Fortuny relates the story at a snails' pace, with too many unnecessary detours. Worst of all, this is a Paul Naschy film in which Naschy BARELY APPEARS, at least until the final 20 or so minutes as Surnett begins to unravel.

There is *some* decent gore, and there are certainly *some* amusing moments (such as two henchmen, Paul (Claude Boisson) and Karl (Victor Israel) getting squeamish in regards to severing The Sadists' head. So they wait for a train to do the job for them!

The cast is good, although the English dubbing is pretty cheesy as it is for so many of these types of movies. Carlos Otero is especially effective as the pathetic Doc Ritter, while Israel, sporting glasses and a bushy mustache, amuses as the weaselly Karl.

This likely won't appeal to Naschy fans across the board, although I *will* say that, yes, it is indeed an atypical effort for the Spanish genre star. People bemoaning the dearth of sex & nudity should be aware that there IS an alternate cut running about 10 minutes longer that has more of what they want.

Six out of 10.

This is the finest bizarro Euro-exploitation piece that I have seen in a long time.

Certainly, Quentin Tarantino is a fan of this wild 1973 Franco-Spanish co-production starring horror legend Paul Naschy. Few films can successfully combine a botched jewel heist, a brain transplant and a mysterious character known only as "The Sadist." Naschy's role, though pivotal, is actually minimal, with few lines and only a few key scenes. The real story is played out by a gang of motley character types, of which the females are especially malicious and memorable.

Crimson has the right combination of impossibly contrived storyline and dazzling color visuals that one looks for in this kind of movie.

The Image Entertainment DVD (for sale on Amazon, though not linked to this page) is a sharp widescreen print, with a few nifty extras, including the alternate "erotic scenes" (not featuring Naschy, but the switch over to the bad body double is hilarious!).

Highly recommended

I remember stumbling upon this film a couple of years ago on a cheap looking DVD edition under the appealing title "The Man with the Severed Head", but without any type of additional info like cast members, year of release or plot synopsis. Since I couldn't trace the film around here on this website, or any other website for that matter, I didn't want to risk a blind purchase. Now I found this film with the exact same cover image, released under the acclaimed "Euroshock Collection" label and with the box proudly exclaiming Paul Naschy's name as the lead star, so this time there weren't any more excuses not to watch it! I consider myself to be a big fan of Paul Naschy, in spite of his gigantic ego and his often terribly inept and gratuitously sleazy Spanish film productions. In case you are just even slightly familiar with Naschy's usual repertoire, you will notice straight away that "Crimson" is an extremely atypical film for him. Naschy literally loves himself and he's always profiled as a powerful, strong and womanizing type of anti-hero. Here in this film "Naschy" hardly has anything to do or say, as his character lies half-dead in bed most of the time because most of his brains were blown out by the police during a failed jewelery theft. I honestly wonder why Naschy even accepted this type of inferior role in a movie he didn't even co-wrote or directed himself.

"Crimson" isn't necessarily a bad film, but horror and Euro-sleaze fans should definitely beware as there are hardly any gore elements and absolutely no nudity. Yeah, I have no idea what that's all about neither. This was mid 70's and European exploitation production, right? Instead of all this, writer/director Juan Fortuny attempts to come up with an ambitious and extremely convoluted mixture of heist movie, revenge thriller and mad scientist shlock. Following the heist gone wrong mentioned here above, Jack Surnett's gang members don't want their leader to die and force a drunken doctor to come up with a solution. He brings the whole posse to a secluded place in the countryside, where a brilliant scientist and his wife are on the verge of accomplishing a breakthrough in their brain transplant experiments. As the involuntary brain donor, the gangsters select Surnett's arch enemy – a guy named "The Sadist" and acting like one too – and hope that a happy ending will ensue. Needless to say the operation doesn't go as planned and Surnett doesn't wake up as the man he once was. "Crimson" is an odd and difficult to categorize exploitation effort. It's reasonably fast-paced and mildly compelling, but still there's a lot of redundant footage and unnecessary dull sub plots (like the love history between the scientist and his wife, the distrust and hostility between the gang members mutually, etc…). The absence of actual horror aspect and bloody killing sequences is a huge disappointment, especially since the DVD cover showcases some promisingly bloody tableaux. The delirious jazzy soundtrack is great and some of the supportive cast members deliver splendid performances, like The Sadist and the double-crossing dude with the sleazy mustache. Worth a look if you're into curious and offbeat European exploitation cinema, but nothing really special.

What we have here is an example of what happens when a crime film meets horror - it's a bungled heist, and the result is not jail time or dead gang members, but a transplanted head! Yep, that's the premise of Juan Fortuny's weird little horror film that features the talents of the ever-popular Paul Naschy as the lucky recipient of a radical new operation. Obviously the major inspiration for this film is Mary Shelly's all-time classic horror story 'Frankenstein' as we've got a mad scientist, a 'monster' and some new medical breakthrough. The main story focuses on the fortune of Jack Surnett, played by Paul Naschy. He and his gang decide to pull a jewel heist, but when one of them cocks up, the alarms start ringing and the cops turn up. This is bad news for Jack as he gets shot in the head and it looks like his time may be up. However, his gang aren't ready to just sit back and watch him die so they take him to their own doctor and soon it transpires that the only way to save him is a brain transplant, and the only brain available used to belong to "The Sadist"...

It's probably obvious from the plot summary, but Crimson really is a bizarre film. Quite how anyone thought these elements could come together well is beyond me, but actually the result isn't as bad as thought it might be; although it's not really as fun either. It's clear that this film was never really meant to be taken seriously and it's a good job it doesn't take itself seriously. The best thing about most of Paul Naschy's films is Paul Naschy, although that's not really the case here as he spends most of the film lying in bed. However, when he finally does get up the film really takes a turn for the better as we get to watch Naschy with a bandage round his head running all over the countryside getting up to no good. The film isn't especially gory, but there's a fair bit of that cheap looking bright crimson blood to keep horror fans happy. It's clear that the film is never really going to go anywhere, and it really doesn't...but I only saw this for a fun time and it just about delivers that much. I wont call this brilliant or a must see, but its decent stuff and I can recommend it.

Crimson (1973)

** (out of 4)

Paul Naschy would often borrow elements from the Universal monster movies and he does so again, although with this film it borrows from BLACK Friday. In the movie Naschy plays a gangster who is shot in the head during a heist. His crew manages to find a doctor that could save his life but he's going to need to brain from another human. The crew decide to get the brain of a rival gangster known as The Sadist and while this transplant saves their bosses life, it also causes him to be even more dangerous to those around him. CRIMSON is also known as several other titles including THE MAN WITH THE SEVERED HEAD as well as THE RATS COME OUT AT NIGHT. Those expecting a straight horror film are going to be disappointed as will those coming into the picture expecting to see a lot of Naschy. The Euro legend gets top billing but sadly he appears in very little of the actual picture and it almost seems like his scenes weren't a part of the original screenplay and were just added to try and cash-in on his appeal at the time. CRIMSON isn't a bad movie but it is a rather needless one that doesn't add up to much in the end. I think the biggest problem is the screenplay that just doesn't know what it wants to do. The Euro-Crime genre is certainly on full display here but all of the elements are rather weak here. The stuff dealing with the gangsters really isn't interesting and you certainly never fear these guys. The horror elements are also incredibly weak because very little is done with them. Naschy has a bandage on his head, screams about his brain not working right and every once in a while he briefly acts out. He certainly doesn't get much to work with performance wise and that's true for the rest of the cast. To be fair, the English dubbing certainly doesn't help because it makes all of these tough gangsters sound like school girls. When the film was released in France it contained some more graphic sex scenes but this wasn't the version I watched but I'm going to guess that these scenes certainly livened up the picture a bit, which is something it certainly needed.