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Spiegelbild der Angst

Originaltitel: A Reflection of Fear
  • 1972
  • PG
  • 1 Std. 29 Min.
IMDb-BEWERTUNG
5,8/10
1137
IHRE BEWERTUNG
Spiegelbild der Angst (1972)
A disturbed young girl starts believing that there is something very sinister at work after her estranged father visits her at her mother and grandmother's house with the woman he plans to marry.
trailer wiedergeben1:01
1 Video
58 Fotos
Psychological ThrillerCrimeDramaHorrorMysteryThriller

Füge eine Handlung in deiner Sprache hinzuA disturbed young girl starts believing that there is something very sinister at work after her estranged father visits her at her mother and grandmother's house with the woman he plans to m... Alles lesenA disturbed young girl starts believing that there is something very sinister at work after her estranged father visits her at her mother and grandmother's house with the woman he plans to marry.A disturbed young girl starts believing that there is something very sinister at work after her estranged father visits her at her mother and grandmother's house with the woman he plans to marry.

  • Regie
    • William A. Fraker
  • Drehbuch
    • Edward Hume
    • Lewis John Carlino
    • Stanton Forbes
  • Hauptbesetzung
    • Robert Shaw
    • Sally Kellerman
    • Mary Ure
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,8/10
    1137
    IHRE BEWERTUNG
    • Regie
      • William A. Fraker
    • Drehbuch
      • Edward Hume
      • Lewis John Carlino
      • Stanton Forbes
    • Hauptbesetzung
      • Robert Shaw
      • Sally Kellerman
      • Mary Ure
    • 30Benutzerrezensionen
    • 19Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Trailer
    Trailer 1:01
    Trailer

    Fotos58

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    Topbesetzung14

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    Robert Shaw
    Robert Shaw
    • Michael
    Sally Kellerman
    Sally Kellerman
    • Anne
    Mary Ure
    Mary Ure
    • Katherine
    Sondra Locke
    Sondra Locke
    • Marguerite
    Signe Hasso
    Signe Hasso
    • Julia
    Mitchell Ryan
    Mitchell Ryan
    • Inspector McKenna
    • (as Mitch Ryan)
    Gordon De Vol
    Gordon De Vol
    • Hector
    • (as Gordon Devol)
    Gordon Anderson
    Gordon Anderson
    • Aaron
    • (Synchronisation)
    Victoria Risk
    • Peggy
    Leonard Crofoot
    Leonard Crofoot
    • Aaron
    • (as Leonard John Crofoot)
    Michael St. Clair
    • Kevin
    Liam Dunn
    Liam Dunn
    • Coroner
    Michelle Marvin
    • Nurse
    Michèle Montau
    • Mme. Caraquet
    • (as Michele Montau)
    • Regie
      • William A. Fraker
    • Drehbuch
      • Edward Hume
      • Lewis John Carlino
      • Stanton Forbes
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen30

    5,81.1K
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    Empfohlene Bewertungen

    7Chase_Witherspoon

    Fear is the key

    Underrated horror-thriller with an interesting cast, led capably by a young Sondra Locke as a reclusive girl, who yearns for the affections of her absent father (Shaw), as she struggles mentally with inner demons and a strained relationship with her mother (Ure) who she blames for her father's estrangement. When Shaw visits with new girlfriend in tow (Kellerman), Locke sets out to impress him with her superior intellect and creativity, but love her as he does, he's unwilling to 'rescue' her from her unhappy existence with her mother. As he prepares to leave again, he's confronted with a series of unexplained events including fatal accidents, murder and twisted sanity.

    It's the stuff of nightmares; the haunting score, lighting, and especially Locke's performance contribute to a chilling, suspenseful tale that is at times, graphically violent and gruesome. Shaw delivers another watchable performance as the increasingly concerned father, while Kellerman (aside from being breathtakingly attractive) is equally effective as an innocent bystander and unwilling witness to the unfolding madness.

    A first rate cast, professional production values and intelligent dialogue all deliver, but somehow, this minor thriller seems to go perpetually unnoticed. The plot might not be rock solid, and there's undoubtedly some narrative weaknesses, but invest a little time and latitude, and you should be repaid handsomely. Great fright night fare.
    Pookie-10

    Dreamy and haunting

    I recently had the privilege to see a brand new (from the camera negative) 35mm print of this film at the American Cinematheque here in Los Angeles. It was a Friday night, there were probably only about 20 people in the theatre. Bill Fraker and Sondra Locke were there to talk about it. I really admire this film on many levels, visually it is quite amazing, filled with haunting pastel images and eerie dark shadowy lighting. It had look and feel [and content] of a film made around the 1970-71 period as opposed to '73, and sure enough that was indeed the case. (the film was shelved for 2 years before the studio did something with it) This is yet another interesting example of the kind of strange and bold and brilliant and unconventional film that could have ONLY been made in that time. (and surely the filmmakers of the time were not aware of it--as this was just the reality of the era)

    In the same kind of haunting and lonely ambience this film created, I felt depressed that these works are still so overlooked. Even now, (as of late March 2003) there is only one other comment here on the IMDB. And this person (verna55) happens to a friend of mine I've corresponded with. It seems only too apparent there is simply no audience for movies like this, except for rare, intelligent, aware people like me. On one level I'm glad to know about and connect with films like this, on another it makes me morose with utter hopelessness knowing there is simply no market for films like this. Or chance anything like it could ever be made again, especially given the way people tend to overlook and ignore the most brilliant things. But gee, thats nothing new isn't it? I hold little hope for the future of humankind, and you know what? frankly I think some kind of armageddon would be the best thing that could happen to planet earth right now. (--D. Packard, director of "Reflections of Evil")
    noir guy

    Haunting Gothic Psychodrama

    Haunting Gothic psychodrama (adapted by Lewis John Carlino whose THE SAILOR WHO FELL FROM GRACE WITH THE SEA covers similarly torrid terrain) which, whilst undeniably owing a shade too much of a debt to PSYCHO (as previously noted by another IMDb commentator), whips up an unsettling and uneasy atmosphere of dread, not all of which is dissipated by apparently heavy censorship cuts made to secure a 'PG' for its original U.S. theatrical release in the early 70s. In fact, these often noticeable edits (scenes cut away before they've barely begun) lends the whole enterprise a greater sense of ambiguity by suggesting, rather than showing, the barely suppressed corruption and perversion. Possibly too low-key for popular tastes (which makes it all the more surprising that this was distributed by a major studio and roped in the likes of Robert Shaw) and, although I don't really go a bundle on films which seem to be bending over backwards to conceal their surprise ending (and, yes, I did see this one coming a mile off), this is still a one-off melodramatic curio worth seeking out and which certainly lingers in the mind. Now, how about a nice DVD transfer (my UK video copy is a nasty full-frame RCA Columbia release from the early 80s which doesn't do justice to what looks like impressive cinematography)?...
    5richardchatten

    The Looking Glass War

    Despite getting top billing, for much of the time you're hardly aware that Robert Shaw is even in this murky psychodrama, the story so dominated by the female contingent (including Sondra Locke's imaginary friend who who looks and sounds like a grotesque parody of Hugo in 'Dead of Night').

    The film is actually shown through the large hungry eyes of Sondra Locke who plays his daughter dressed as Shaw observes "like some precocious doll".

    The casting of Shaw's wife Mary Ure as Shaw's estranged wife seeking a divorce is sadly ironic since her untimely death was one of the defining tragedies of his life.
    5robertconnor

    Bizarre Casting

    A beautiful but strange teenage girl is kept isolated by her mother and grandmother. Her long absent father arrives with a new fiancé in tow, and asks for a divorce. It's not long before all sorts of slightly perverted and typically violent seventies shenanigans kick off!

    One of the oddest early seventies psycho-thrillers... as Marguerite, Locke is all bug eyes, long hair and mini-dresses as the disturbed teenager, wafting around, talking to a seemingly imagined friend and enduring alarming mood swings. Hasso and Ure (in her last film) are given rather thankless roles as her sinister guardians (and given the apparently Canadian setting - references to Charlottetown, Georgetown - there's no particular explanation for Marguerite having a Swedish grandmother and an Anglo-American mother... and why is the gardener British?). Robert Shaw was a fine actor (and he was married to Ure at the time), but here seems to sleepwalk throughout the movie, despite the slightly incestuous nature of his character, and Kellerman was a curious and strange choice for the 'straight' role of Anne, especially if you consider her other more wacky roles of this period (M*A*S*H, SLITHER, LAST OF THE RED HOT LOVERS and BREWSTER McCLOUD).

    In keeping with a movie-making trend of the period, much is made of Locke's pubescent sexuality (see also BABY LOVE, TWINKY, Sally Tomsett's character in STRAW DOGS), and even with the apparent editing, the murder of at least one character has a grainy, improvised and rather nasty look to it.

    Ultimately it doesn't really work, but it's still a fascinating and spooky failure with a striking cast and captivating central performance, all of which leaves it lingering long after the final credits fade.

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    • Wissenswertes
      The voice of "Aaron" is provided by Gordon Anderson, who was Sondra Locke's husband at the time, although it was later sensationally revealed that their 51-year marriage had never been consummated.
    • Verbindungen
      Referenced in Ban the Sadist Videos! (2005)

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    Details

    Ändern
    • Erscheinungsdatum
      • 11. Mai 1973 (Finnland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Reflejos del miedo
    • Drehorte
      • Leo Carrillo State Beach - 35000 W. Pacific Coast Highway, Malibu, Kalifornien, USA(the scenes where Marguerite her father Michael and his Girlfriend Anne are walking on the beach beach)
    • Produktionsfirma
      • Columbia Pictures
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

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    • Laufzeit
      1 Stunde 29 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.85 : 1

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