IMDb-BEWERTUNG
7,6/10
40.073
IHRE BEWERTUNG
Auf einem fernen Planeten, der von blauen Riesen beherrscht wird, rebellieren unterdrückte Humanoide gegen ihre maschinengleichen Anführer.Auf einem fernen Planeten, der von blauen Riesen beherrscht wird, rebellieren unterdrückte Humanoide gegen ihre maschinengleichen Anführer.Auf einem fernen Planeten, der von blauen Riesen beherrscht wird, rebellieren unterdrückte Humanoide gegen ihre maschinengleichen Anführer.
- Auszeichnungen
- 1 Gewinn & 2 Nominierungen insgesamt
Barry Bostwick
- Adult Terr - Narrator
- (English version)
- (Synchronisation)
Jennifer Drake
- Tiwa
- (Synchronisation)
Eric Baugin
- Young Terr
- (Synchronisation)
Jean Topart
- Master Sinh
- (Synchronisation)
Jean Valmont
- Adult Terr - Narrator
- (Synchronisation)
Sylvie Lenoir
- Additional Voices
- (Synchronisation)
Michèle Chahan
- Additional Voices
- (Synchronisation)
Yves Barsacq
- Om
- (Synchronisation)
Hubert de Lapparent
- Additional Voices
- (Synchronisation)
Gérard Hernandez
- Master Taj
- (Synchronisation)
Claude Joseph
- Additional Voices
- (Synchronisation)
Philippe Ogouz
- Additional Voices
- (Synchronisation)
Jacques Ruisseau
- Additional Voices
- (Synchronisation)
Max Amyl
- Additional Voices
- (Synchronisation)
Denis Boileau
- Additional Voices
- (Synchronisation)
Madeleine Clervanne
- Additional Voices
- (Synchronisation)
- (as Madeleine Clervannes)
William Coryn
- Additional Voices
- (Synchronisation)
Christian Echelard
- Additional Voices
- (Synchronisation)
Empfohlene Bewertungen
I saw this movie a few years ago on the Sci-Fi channel during a movie marathon they were having. Loved it so much I bought the DVD.
Based on a brilliant piece of science fiction ("Oms En Serie" by Stefan Wul). The artwork is stunning, and the story line an original masterpiece.
The plotline of this story is simple.
You enslave a race of beings and take them for granted, one of them eventually learns your language, and unites all his fellow slaves in an organized attack.
Suddenly you've been conquered.
This story line was later ripped off by L. Ron Hubbard and his group of wackos. You might have read the book, or seen the atrocity of a film "Battlefield Earth".
Based on a brilliant piece of science fiction ("Oms En Serie" by Stefan Wul). The artwork is stunning, and the story line an original masterpiece.
The plotline of this story is simple.
You enslave a race of beings and take them for granted, one of them eventually learns your language, and unites all his fellow slaves in an organized attack.
Suddenly you've been conquered.
This story line was later ripped off by L. Ron Hubbard and his group of wackos. You might have read the book, or seen the atrocity of a film "Battlefield Earth".
It's like something out of a Salvador Dali painting, but on screen in a science fiction movie. A film where humans are merely pets and insects to a more advanced, giant race of alien beings. The film is pretty awe inspiring and makes one quite philosophical after watching it. It's definitely a masterpiece of its own accord, creatures of strange designs never before seen in any other film that I know of. I would definitely recommend the film to any science fiction enthusiast.
10yan-3
In the world of the animation business there is a recent trends towards super- realism where computer graphics are being increasingly used. Although I appreciate animations like Finding Nemo or the Incredibles for they represent a renewal of the genre (in the same way the Disney movie did in the 50's), the artistic style of La Planete Sauvage is unmistakable and accords perfectly with the dark atmosphere of the movie. This animation is based on the book Oms (a deformation of the french word homme, man) from the French SciFi writer Stephan Wul who should also be credited for being the writer of The Time Masters (another SciFi animation worth your time). Wul's real name is still a mystery. The rare things we know about his life are that he wrote his 10 (or so) only books when he was studying dentistry at the University. He apparently graduated and became too busy to continue his writing activity. What a pity. I've read most of Wul's book and they are all unique and beautiful. The animation sticks true to Wul's vision. The art by the Czech master Topor is dark and oppressing, despite the bright color of the 60-70's-influenced graphism, adding to the uncomfort of seeing human beings treated as pets or pests by giant extraterrestrials. However, the roles are interchangeable and humans do behave too often in the way the extraterrestrials do in the movie with other living creatures on Earth. Hard to find but worth the search.
This is the masterpiece of René Laloux. Was an almost big success in France, was shown only 2 or 3 times in the past 20 years and is now a kind of "Cult" movie for sci fi addicts. This sci-fi movie is far much better than the two other from the same director: "Gandahar" and "Les maitres du temps" (Time Masters). René Laloux always works with great and original comics artists. He worked with "Moebius" Aka Jean Giraud on "Les maitres du temps". This artist is also credited on "Alien" , he created the space suits. He worked with "Caza" an other great comics artist for "Gandahar"
He worked wit "Topor" on "La planète sauvage". Roland Topor is a french artist with a great sense of fantasy. He designed most of all you can see on the screen. The animation was produced in Czechoslovakia because there always have been excellent animation studios in this country, and also because producing in France was far too expensive. This story takes place in the past. It is a metaphor of the man's history. The small characters are called "Oms". This word is pronounced like the french word "Hommes" that means "man". It tell us when man had to leave the original heaven. Man had to fight against his old masters to be independent and free, then he had to find his place in the universe. This is the universal story ... and that's why this movie is timeless (despite the 70s Wha Wha guitars ... ;o)
He worked wit "Topor" on "La planète sauvage". Roland Topor is a french artist with a great sense of fantasy. He designed most of all you can see on the screen. The animation was produced in Czechoslovakia because there always have been excellent animation studios in this country, and also because producing in France was far too expensive. This story takes place in the past. It is a metaphor of the man's history. The small characters are called "Oms". This word is pronounced like the french word "Hommes" that means "man". It tell us when man had to leave the original heaven. Man had to fight against his old masters to be independent and free, then he had to find his place in the universe. This is the universal story ... and that's why this movie is timeless (despite the 70s Wha Wha guitars ... ;o)
I believe this is a metaphoric view of classification of humans in political borders based on power and technology. One thing that I have noticed boldly is that the story successfully intends to explain the analytical capabilities among both advanced societies and undeveloped ones are almost the same. I won't go further in order to avoid spoiling the movie. However, I strongly recommend to consider political aspects while watching it.
This was defiantly a unique experience for me, more like a conversation with people who care about history of civilizations and future of humans in different societies. I am very pleased and thankful to those who have made it possible for me to watch this unique animation. Considering the time it has been made, almost everything was great.
Wusstest du schon
- WissenswertesOne reason the coproduction took so long to complete is that in 1968 the Russians invaded Czechoslovakia which caused a delay.
- Patzer(2016 remastered original, English subtitles.) According to Terr, one week in a Draag's life is as long as one Om (human) year. But he also says that his owner Tiwa (the Draag that raised Terr from infancy) loses interest in Terr "as she grew into her teens". By that time Terr would almost certainly be in his late middle years, at the very least -- yet Terr appears to be still no older than his twenties.
- Zitate
[first lines]
Draag child 1: It doesn't move.
Draag child 2: What a shame we can't play with her any more.
- Alternative VersionenIn the German version, the humans aren't called "Oms", they are simply referred to as Menschen (humans) or Menschen-Tiere (human animals). Terr's name is also given a different origin. In both the original French and English versions, Tiwa names her pet Om Terr because his father says he behaves like a "real terror". In the German dub, Tiwa settles on the name after his father compares her pet to a struggling termite.
- VerbindungenFeatured in The Cell (2000)
- SoundtracksDeshominisation (I+II)
Written and Performed by Alain Goraguer Et Son Orchestre
Top-Auswahl
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Details
Box Office
- Weltweiter Bruttoertrag
- 2.704 $
- Laufzeit1 Stunde 12 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.66 : 1
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