Während der Großen Depression findet sich ein Betrüger mit einem jungen Mädchen wieder, das vielleicht seine Tochter ist, und die beiden gehen eine ungleiche Partnerschaft ein.Während der Großen Depression findet sich ein Betrüger mit einem jungen Mädchen wieder, das vielleicht seine Tochter ist, und die beiden gehen eine ungleiche Partnerschaft ein.Während der Großen Depression findet sich ein Betrüger mit einem jungen Mädchen wieder, das vielleicht seine Tochter ist, und die beiden gehen eine ungleiche Partnerschaft ein.
- Regie
- Drehbuch
- Hauptbesetzung
- 1 Oscar gewonnen
- 9 Gewinne & 10 Nominierungen insgesamt
James N. Harrell
- The Minister
- (as Jim Harrell)
Empfohlene Bewertungen
If Hayes, Kansas, and thereabouts...were the perfect locations for Peter Bogdonavich's classic "Paper Moon," then the film itself is the perfect realization of those real places forever etched in celluloid.
Few times will you ever see a film so visually wedded to its locale and cinematic style. In a typical film, you might picture the presentation of the movie working in a number of ways, but in "Paper Moon," it will forever seem like it could only have been done this way...on location, in black and white, and photographed like moving Andrew Wyeth shots of Americana.
Tatum O' Neal is terrific and justifiably won an Oscar for her part, but Ryan is wonderful as well....funny in that exasperated manner that Bud Abbott is, and the quality goes right down to the smallest bit player in the cast.
A perfect film would have great acting, great visuals and utilization of music, a superb story and lines that have you repeating them for years. Welcome to "Paper Moon." I can't recommend this blend of comedy and drama enough. A modern classic.
Few times will you ever see a film so visually wedded to its locale and cinematic style. In a typical film, you might picture the presentation of the movie working in a number of ways, but in "Paper Moon," it will forever seem like it could only have been done this way...on location, in black and white, and photographed like moving Andrew Wyeth shots of Americana.
Tatum O' Neal is terrific and justifiably won an Oscar for her part, but Ryan is wonderful as well....funny in that exasperated manner that Bud Abbott is, and the quality goes right down to the smallest bit player in the cast.
A perfect film would have great acting, great visuals and utilization of music, a superb story and lines that have you repeating them for years. Welcome to "Paper Moon." I can't recommend this blend of comedy and drama enough. A modern classic.
10grolt
Paper Moon has to be one of the finest pieces of American cinema to grace the 70's. Bogdanovich's direction bares a strong resemblance to The Last Picture Show, but overall this film is much more satisfying and enjoyable. The Black and White photography gives the film a nostalgic beauty that perfectly complements the Depression-era it attempts to recreate. Also notable is the charming Jazz-based score, with a wonderful opening title track, reinforcing the film's charm. As good as the story, direction and music are however, the true stars of the film are the O'Neal twosome. Both bring forth their best performances of their careers, and share a chemistry on screen that only a father and daughter could. Ryan O'Neal brings forth a subtle charm as the wise-talking, but inept hustler Moses Pray. Tatum however, even upstages her father with what has to be the best youth performance in history. She is funny and moving when need be, and always charming, eliciting laughs many times based solely on her malleable facial expressions. Her show-stopping five minute shot, no matter how long it took to film, proves just how fully Tatum was able to embody little Addie Pray. The movie is always entertaining, with never a dull spot, with a strong supporting performance by Madeline Kahn to help keep things rolling during the middle. This is a true classic that should be seen by people of all ages, I can't recommend it enough!
Unlike many films of the early 1970s, plenty before and after, viewing this doesn't continually remind you of the time of its creation, but instead deposits you into the age of the Great Depression where your mind resides for the duration.
The development of the relationship between Moses and Addie is near perfect, their capers, scrapes and mischief endearingly conjuring a bond they both desperately need. I didn't expect this to be anything like as engrossing, charming and engaging as it was, perhaps being the father of two daughters with attitude enhanced the experience, but whatever it was left a lasting impression.
The development of the relationship between Moses and Addie is near perfect, their capers, scrapes and mischief endearingly conjuring a bond they both desperately need. I didn't expect this to be anything like as engrossing, charming and engaging as it was, perhaps being the father of two daughters with attitude enhanced the experience, but whatever it was left a lasting impression.
As cute and sharp as it's 9-year-old star Tatum O'Neal, Paper Moon is a bona-fide gem that says that, one way or another, we're all con artists. The acting is wonderful (Ryan O'Neal was never better), the cinematography is exceptional and it's to the eternal credit of director Bogdanovich and his writer Alvin Sargeant that the caper never sinks into mushiness. By avoiding the earnestness that pervades so many Depression Era tales and perfectly balancing character with situation, it rolls along so merrily that you don't realise how touching it is until the very end.
Having (criminally) never seen Paper Moon before, I suspect that it must have had more than a passing influence on a great many other movies, including my all-time favourite Midnight Run. Watching it is an experience to be savoured and treasured, and one that I'm looking forward to repeating time and again.
Having (criminally) never seen Paper Moon before, I suspect that it must have had more than a passing influence on a great many other movies, including my all-time favourite Midnight Run. Watching it is an experience to be savoured and treasured, and one that I'm looking forward to repeating time and again.
The Last Picture Show was a great film about small-town usual Americans, and in Paper Moon the director proceeded to represent this idea. It is made very thoroughly and tells us a story in a very gripping way. It really takes a talent to make a film without shoking or brand new ideas so great. The film is plain and it's story is quite simple, but this wonderful storytelling, directing and acting make Paper Moon a brilliant. Ryan and Tatum O'Neal made their job on the highest level and look very charming together. Every movie fan should see this masterpiece.
Wusstest du schon
- WissenswertesTatum O'Neal was ten years old when she won the Academy Award for Best Supporting Actress for her performance in this movie, making her the youngest person ever to win an Oscar in a competitive category. As of 2023, she still holds this record. She was four years younger than her rival nominee, Linda Blair, in Der Exorzist (1973).
- PatzerWhen Addie is reading the obituary of Mr. Morgan, just above and below Mr. Morgan's are two obituaries - one Bessie Lees and one Oscar G. Olsen, both entering rest on April 28th, 1971. This film takes place in the mid-30s. Also worth noting is some of the obituaries state San Francisco as the home of a few of the deceased. This film takes place throughout Kansas and Western Missouri.
- Zitate
[repeated line]
Addie Loggins: I want my two hundred dollars!
- Crazy CreditsSpecial thanks to the people in and around Hays, Kansas and St. Joseph, Missouri
- VerbindungenEdited into The Clock (2010)
- SoundtracksIt's Only a Paper Moon
(1933) (uncredited)
Music by Harold Arlen
Lyrics by E.Y. Harburg and Billy Rose
Performed by Paul Whiteman and Orchestra
Vocal by Peggy Healy
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Luna de papel
- Drehorte
- Wilson, Kansas, USA(Pray getting Addie's money at Robertson's mill, Hairdresser and General store on Avenue E)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 2.500.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 591 $
- Laufzeit1 Stunde 42 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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