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Namak Haraam

  • 1973
  • Not Rated
  • 2 Std. 26 Min.
IMDb-BEWERTUNG
7,2/10
1891
IHRE BEWERTUNG
Namak Haraam (1973)
Somnath (Somu) lives in a shanty house in a Delhi slum with his widowed mom, and unmarried sister, Sarla. He is friendly with Calcutta-based wealthy Vikram (Vicky) Maharaj. When Vicky's dad, Damodar, has a heart attack and is advised to take bed-rest for two months, Vicky fills in his father's shoes, has a confrontation with a senior employee and union leader, Bipinlal Pandey, which results in a strike. His father intervenes, asks Vicky to apologize to Bipinlal, which Vicky does, and everything returns to normal. Vicky confides about his humiliation with Somu, and both conspire to teach Bipinlal a lesson. As a result, Somu accompanies Vicky to Calcutta, gets a job as a laborer in his mill, befriends his fellow-workers, gets some monetary relief to injured workers, amongst other benefits, is elected as the union leader replacing Bipinlal. With Somu as the union leader and Vicky as the boss there is no stopping these two - until Damodar finds out and decides to put a stop to Vicky being influenced by Somu's middle-class ideas and ideals. Damodar starts a chain of events that get out of control, events that may well see the death of one of the friends at the hands of the other. Will Vicky's and Somu's friendship see them through or will it also be a casualty?
trailer wiedergeben1:17
1 Video
12 Fotos
Drama

Füge eine Handlung in deiner Sprache hinzuSomnath (Somu) lives in a shanty house in a Delhi slum with his widowed mom, and unmarried sister, Sarla. He is friendly with Calcutta-based wealthy Vikram (Vicky) Maharaj. When Vicky's dad,... Alles lesenSomnath (Somu) lives in a shanty house in a Delhi slum with his widowed mom, and unmarried sister, Sarla. He is friendly with Calcutta-based wealthy Vikram (Vicky) Maharaj. When Vicky's dad, Damodar, has a heart attack and is advised to take bed-rest for two months, Vicky fills i... Alles lesenSomnath (Somu) lives in a shanty house in a Delhi slum with his widowed mom, and unmarried sister, Sarla. He is friendly with Calcutta-based wealthy Vikram (Vicky) Maharaj. When Vicky's dad, Damodar, has a heart attack and is advised to take bed-rest for two months, Vicky fills in his father's shoes, has a confrontation with a senior employee and union leader, Bipinla... Alles lesen

  • Regie
    • Hrishikesh Mukherjee
  • Drehbuch
    • Biresh Chatterjee
    • Gulzar
    • D.N. Mukherjee
  • Hauptbesetzung
    • Rajesh Khanna
    • Amitabh Bachchan
    • Simi Garewal
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,2/10
    1891
    IHRE BEWERTUNG
    • Regie
      • Hrishikesh Mukherjee
    • Drehbuch
      • Biresh Chatterjee
      • Gulzar
      • D.N. Mukherjee
    • Hauptbesetzung
      • Rajesh Khanna
      • Amitabh Bachchan
      • Simi Garewal
    • 19Benutzerrezensionen
    • 2Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 2 Gewinne & 1 Nominierung insgesamt

    Videos1

    Namak Haraam (1973) Trailer
    Trailer 1:17
    Namak Haraam (1973) Trailer

    Fotos11

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 8
    Poster ansehen

    Topbesetzung32

    Ändern
    Rajesh Khanna
    Rajesh Khanna
    • Somnath (Somu)…
    Amitabh Bachchan
    Amitabh Bachchan
    • Vikram (Vicky) Maharaj
    Simi Garewal
    Simi Garewal
    • Manisha
    Rekha
    Rekha
    • Shyama
    Govardhan Asrani
    Govardhan Asrani
    • Dhondu (Shyama's brother)
    A.K. Hangal
    A.K. Hangal
    • Bipinlal Pandey
    Om Shivpuri
    Om Shivpuri
    • Damodar Maharaj
    Manmohan
    Manmohan
    • Jai Singh
    Durga Khote
    Durga Khote
    • Somu's Mother
    Raza Murad
    Raza Murad
    • Alam
    Jayshree Talpade
    Jayshree Talpade
    • Courtesan
    • (as Jayshree T.)
    Yogesh Chhabra
    Darshan
    Neelam
    Neelam
    Lalita Kumari
    Lalita Kumari
    Habiba Rehman
      Kamaldeep
      Kamaldeep
        Manisha
        • Sarla (Somu's sister)
        • Regie
          • Hrishikesh Mukherjee
        • Drehbuch
          • Biresh Chatterjee
          • Gulzar
          • D.N. Mukherjee
        • Komplette Besetzung und alle Crew-Mitglieder
        • Produktion, Einspielergebnisse & mehr bei IMDbPro

        Benutzerrezensionen19

        7,21.8K
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        Empfohlene Bewertungen

        9IPyaarCinema

        Classic

        Review By Kamal K

        This film brilliantly depicts the economic depression era of the 70s through the legends such as Rajesh Khanna and Amitabh Bachchan. How well the bad condition of workers has been shown through the medium of Friendship of two persons. It is a must watch film for each and every Indian and hats of to Hrishikesh Da and other actors who excelled in their respective works.
        10sanjaykkhanna

        Movie Gold

        Two of the ALL time bests on the screen together. Rajesh Khanna and Amitabh Bachchan and the music of RD Burman and the voice of Kishore Kumar. Excellent writing. Magic like this is gone forever.
        10sanjay0864

        Two of the greatest performances of Indian cinema.

        Rajesh Khanna and Amitabh Bachan put in two of the best performances of Indian cinema. Although Amitabh Bachan in a louder role got more praise from the masses, it is Rajesh Khanna in a role that required underplaying, who is the heart of the film and whose acting performance is as good if not better than that of Amitabh. This is not to say that Amitabh puts in a truly great acting performance (one of his best). The film itself is excellent and is another tribute to the greatness and versatility of Hrishikesh Mukherjee (director). Quite simply put, it is in the 'MUST NOT MISS' category. By the way the excellent music is also a real plus.
        8Peter_Young

        An excellent picture; fantastic performances.

        Hrishikesh Mukherjee could never disappoint. Nor could Gulzar. Here Mukherjee directs a film scripted by Gulzar and the result is an excellent film in all respects - real, intelligent, moving. The movie starts well and keeps growing on you as it proceeds.

        This is a story of two brother-like friends, Somu (Khanna) and Vicky (Bachchan). Somu lives a poor lifestyle with his mother and sister while Vicky is the son of a wealthy businessman who runs a huge factory in Bombay. When Vicky's father has a heart attack and is advised to take bed-rest, Vicky takes his place. He has a confrontation with the union leader, Bipinlal, as a result of which a strike takes place and he is forced to apologise in public. He confides Somu about his humiliation, and the two plan to take revenge on the poor honest man. Somu poses as a labourer in the factory, befriends his fellow-workers, wins their confidence by arranging them several contrived benefits, and ultimately takes Bipilal's place as the union leader. But while the mission gets completed, Somu finds it difficult to leave. He gradually gets close to the people and gets increasingly involved with their life troubles, which makes him look at things differently.

        This social drama is brilliantly written - an interesting story, a tight conflicted script, awesome dialogues. Mukherjee's direction is excellent as always, and the film is brilliantly executed. The depiction of poverty and hardship among people from the lower middle class is spot on and at points really manages to tug at your heartstrings. That makes it easier to understand Somu's involvement with the world of simple villagers, a world he actually belongs to but an involvement which could smash his friendship with Vicky. This conflict of interests is well brought out by Mukherjee. The film of course presents a clash of opposing economic worlds, but it works essentially because of the human relationship between the two friends, which is extremely well done. Somu and Vicky are very different, the former being soft-spoken, simple and generous, and the latter being hot-tempered, proud and a bit aggressive. Yet their friendship is convincing and it's clear that each one of them would do anything for the other.

        Rajesh Khanna plays Somu exceedingly well, and his character is very easy to relate to. But it is clearly Amitabh Bachchan's film. As Vicky, he delivers an impressive performance by creating a tough, dignified and stylish persona. His decisiveness, inner conflict, anger and care for a friend are excellently displayed, and everything--from his facial expressions to his line delivery to his body language--is incredibly forceful. Apart from Bachchan and Khanna, the cast includes many good actors, all of whom perform well. A very young Rekha appears in a tiny role as the sassy Shyama and she is very charming. Simi Garewal plays the intelligent and educated Manisha with grace. A.K. Hangal is outstanding and likable as Bipinlal. Om Shivpuri does a good job as Vicky's dad and he gets some of the better dialogues in this film. Raza Murad is wonderful as Alam, an alcoholic poet who befriends Somu. So are Durga Khote and actress Manisha who play Somu's mother and sister.

        Namak Haram is one of many great films made by Hrishikesh Mukherjee and written by Gulzar, with a beautiful soundtrack composed by master RD Burman and some memorable performances. I recommend you to watch Namak Haram - it is entertaining, it is moving, it is heartbreaking, it is a classic.
        7harrissajjids

        I am impressed

        I have just seen the movie Namak Haraam. I am stunned. I cannot understand why this movie is ignored on TV channels. It has everything which makes a movie great. It has story, drama, enchanting songs and above all amazing performance by two great actors Rajesh Khanna and Amitabh. The story is predictable but the plot and presentation make it absorbing. It has some occasions to shed tears also. Character study of Amitabh and Rajesh is quite deep. Both the actors are my favourites. Amitabh with his imposing style and Rajesh with his soft loving style of acting are two poles apart. But they fit like gems in their respective characters. This movies has become my top five favourites of Rajesh Khanna with Dushman, Amar Prem, and Anand.

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        Handlung

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        • Wissenswertes
          When the film started shooting in 1972, Rajesh Khanna was a super star with barely any dates to spare while Amitabh was free and had nothing but dates. Seeing the situation, Hrisihikesh Mukherjee decided to shoot most of Amitabh's solo scenes with out Rajesh Khanna. When the under production film was shown to the film distributors, they naturally felt Amitabh was the main lead of the film with Rajesh Khanna in a special appearance. They did not want to buy the film despite it being a Hrishikesh Mukherjee film. Finally one distributor told Mukherjee that his "hero" looked like a ape with that hair cut. He went on to add that he should get a hair cut so they could see if he had any ears. When Zanjeer released and was declared a block buster, that very distributor wanted Amitabh's role to be increased and demanded Amitabh be given equal prominence as Rajesh Khanna in the film's poster's
        • Zitate

          Alam: People are dying in the hopes of living and I am living in the hope of dying.

        • Verbindungen
          Featured in Tan-Badan (1986)

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        Details

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        • Erscheinungsdatum
          • 23. November 1973 (Indien)
        • Herkunftsland
          • Indien
        • Sprache
          • Hindi
        • Auch bekannt als
          • Traitor
        • Drehorte
          • Mohan Studios, Mumbai, Maharashtra, Indien(Studio)
        • Produktionsfirma
          • R.S.J. Productions
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        Technische Daten

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        • Laufzeit
          2 Stunden 26 Minuten
        • Farbe
          • Color
        • Sound-Mix
          • Mono

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