Martha

Two days ago I have seen this movie. Lead actor Karlheinz Boehm and famous filmmaker Volker Schloendorff were present in the audience, and then discussed it after the screening. This was part of (or spontaneously turned into) a fund-raising effort for the humanitarian organization that K.H. Boehm founded.

Boehm said that Fassbinder was an expert or at least naturally gifted in judging people. In the discussion it was also mentioned that in his theater group at that time he had also built a network of dependencies. Boehm was very impressed by a quote from Fassbinder, saying approximately: In general you have to exaggerate something to unleash the full power and achieve maximum artistic effect, however it is important to do it correctly (do not exaggerate too much). Here this principle has been applied to demonstrate the (one-sided) struggle for power and dominance in a marriage. At the beginning the husband is very male, that is outspoken, direct, almost blunt. Martha seems to be in love for quite a while. Later, the requests of the dominant, violent husband become increasingly over the top, so that watching the sadist makes you feel uneasy. The same holds for Marthas friends and relatives which are unable to help or, with the exception of Herr Kaiser, even realize the truth about Marthas personality being gradually ruined. This is criticism of an emotionally degraded society.

However, from a aesthetic standpoint, camera and light are marvelous. The set locations (typical for wealthy people) have also been carefully selected and are amazing in their false, pompous colorfulness. In places, there is also quite a bit of black humor mixed in, and at the beginning it seemed like a mystery story (the black guy chasing Martha)or a love story.

Aside from that , the movie also reminded me of a 1950s Bergman marriage movie. Worth seeing.

I was so amazed by this genius, the way that Fassbinder holds his camera as if it was his own child. I've rarely seen somebody mastering the art of camera as much as Fassbinder does. He's all over it, he sees beyond the human eye. The shot where Martha meets Helmuth for the first time in Roma is amazing... my heart stopped for about 3 seconds... I couldn't believe what I just saw...I saw this shot many times but I was afraid that I might loose interest in it if I kept playing it again and again. But I didn't. As for the story, it is very beautiful indeed, strange and disturbing. It's one of the best filmed movie ever done in my opinion. Don't miss it.

Yes, hysterical as in exaggerated comedy, and hysterical as in the title character freaking out over her bizarre, ever-degenerating marriage. This is great Fassbinder film-making--the performances, cinematography, and dialogue are brilliant. As in many of his films, Fassbinder takes a perverse joy in keeping the audience balanced between comedy and melodrama, the laughs always tinged with apprehension. The colors are dominated by lurid reds. The arc of the story keeps one queasy as to how horrible the outcome might be.

The famous Sirk influence is very obvious in this as in many of RF's early 70's films, but what struck me is the equally obvious influence of Bunuel on Fassbinder's movies. "Martha" owes a great deal to "Belle du Jour" and "Tristana" among many other of the Spanish master's films about the natural perversity of male-female relationships.

More Fassbinder goodness with this 1974 film as we see the central character start out as a happy go lucky woman who feels pressurised to find a man, settle down and adjust to married life. Her own parents are revealed to be in a loveless marriage until Martha's father collapses and dies when he is with his daughter on holiday in Italy.

I'm not going to give away too much about the plot and what happens during the course of the movie as I don't want to blunt the impact of the film but all I'll say is that this is a dark piece of cinema! And I mean DARK!

As the concept of coercive control is just starting to be spoken about in the popular media, Fassbinder had made a film about it 1974. And gaslighting. And marital sadism.

A special mention needs to go to Margit Carstensen in the lead role whose performance is nothing short of astonishing as we see her character's spirit and very existence being destroyed and disintegrating before our very eyes.

I also didn't know that Karlheinz Bohm had ever depicted a darker character than his star turn in Michael Powell's Peeping Tom. I was sooo wrong! His character here is a sadistic psychopath/narcissist and acted to grimy and reptilian perfection.

I remember when I saw the movie Threads for the first time. I thought to myself that it couldn't get any darker but then saw that that it was only halfway through it's running time. I then saw that it could get MUCH darker! The same happened when I watched Martha.

This does for marriage and societal expectations for women what Jaws did for sharks. When I watched this I kept thinking to myself 'I'm so glad that I'm gay. And that I'm happily single!'

A selfish, immature and hysterical woman is progressively destroyed psychologically by a sadistic husband. In line with other Fassbinder movies, such as die Ehe der Maria Braun, this movie depicts a bourgeoisie only interested in money and keeping up appearances, where love is impossible. Beautifully filmed in particular in a baroque house, the effect of the movie is reinforced by the apparent kindness of the husband and its constant reference to love.