IMDb-BEWERTUNG
6,3/10
3821
IHRE BEWERTUNG
Ein Witwer und zwei seiner Söhne werden von ihrer schönen Haushälterin betört, und alle drei machten sich daran, sie mit ihren eigenen, einzigartigen Methoden zu verführen.Ein Witwer und zwei seiner Söhne werden von ihrer schönen Haushälterin betört, und alle drei machten sich daran, sie mit ihren eigenen, einzigartigen Methoden zu verführen.Ein Witwer und zwei seiner Söhne werden von ihrer schönen Haushälterin betört, und alle drei machten sich daran, sie mit ihren eigenen, einzigartigen Methoden zu verführen.
- Auszeichnungen
- 4 Gewinne & 3 Nominierungen insgesamt
Empfohlene Bewertungen
This movie epitomizes the dreams of many young bucks--having your way with the sexy nanny. I don't believe, however, that this movie should be categorized as a Comedy... it's not the kind of movie you should watch with your family, but it's a great reminder of the animal in all of us.
If you enjoy rapid-fire wit this film pleases like few others. Unfortunately some versions of English subtitles do not capture many of the best lines. There is some full frontal nudity at the end but most of the eroticism and comedy comes from two of the three brothers who are being driven crazy by the hot new maid, through no fault of her own. The youngest boy is also funny as the oblivious locomotive not interested in propriety. The father and two brothers fall in love and lust and while she is trying to be loyal to the widower dad, one of his sons cannot stop provoking and enticing her. He is also the most interesting character suffering with raging hormones, inexperience and a Machiavellian streak.
This is supposed to be an erotic comedy, and is widely acclaimed as such, but I sincerely wonder if it should really be categorized like that. The premise, film poster, light-hearted musical score and even the first 10-15 minutes of the film definitely qualify as a comedy. And a prototypic Italian one to boot, what with the film solely revolving around how Italian men, regardless of age and standing, perceive women.
The plot is simple but ingenious. Ignazio, a clothing store owner in his early fifties and a father of three sons, learns that his dear wife hired the incredibly beautiful Angela as the new housemaid just before her death. The men are promptly infatuated by her. Ignazio wants to marry her, if only he gets the approval of "La Mama", 19-year-old son Nuccio simply wants her as a trophy, but 14-year-old and fresh into puberty Nino is the one who really gets obsessed with Angela.
And creepy Nino's attitude and behavior is exactly what causes - to me, at least - "Malizia" to turn from a harmless comedy into a darkly perverse and occasionally even disturbing coming-of-age drama/thriller. The insufferable little brat puts poor Angela through a whole series of sick & twisted sexual humiliations, and that's just NOT funny! Now, I know the times and perceptions changed a lot, but I can't believe the harassment, voyeurism, and intimidations here were considered a laughing matter 50 years ago? Of course, it doesn't help that young actor Alessandro Momo depicts Nino as a cold, stoic, and genuinely disturbing psychopath.
Nino's dark character undermines the entire film. I couldn't even properly enjoy Laura Antonelli's naturally beauty, and the few full-frontal nudity sequences she has are entirely ruined because she simultaneously gets assaulted by a creepy little perv. Luckily, for laughter's sake, the youngest son Enzio keeps the film a bit comical, like when he runs away from kissing the grandmother because "she smells funny".
The plot is simple but ingenious. Ignazio, a clothing store owner in his early fifties and a father of three sons, learns that his dear wife hired the incredibly beautiful Angela as the new housemaid just before her death. The men are promptly infatuated by her. Ignazio wants to marry her, if only he gets the approval of "La Mama", 19-year-old son Nuccio simply wants her as a trophy, but 14-year-old and fresh into puberty Nino is the one who really gets obsessed with Angela.
And creepy Nino's attitude and behavior is exactly what causes - to me, at least - "Malizia" to turn from a harmless comedy into a darkly perverse and occasionally even disturbing coming-of-age drama/thriller. The insufferable little brat puts poor Angela through a whole series of sick & twisted sexual humiliations, and that's just NOT funny! Now, I know the times and perceptions changed a lot, but I can't believe the harassment, voyeurism, and intimidations here were considered a laughing matter 50 years ago? Of course, it doesn't help that young actor Alessandro Momo depicts Nino as a cold, stoic, and genuinely disturbing psychopath.
Nino's dark character undermines the entire film. I couldn't even properly enjoy Laura Antonelli's naturally beauty, and the few full-frontal nudity sequences she has are entirely ruined because she simultaneously gets assaulted by a creepy little perv. Luckily, for laughter's sake, the youngest son Enzio keeps the film a bit comical, like when he runs away from kissing the grandmother because "she smells funny".
i got pulled into watching more of Italian sex comedies after watching this film ,The film is true brilliance amazing work by the director and just love laura antoneli shes just amazing and gorgeous i wish i was born in the 60ts and i could watch this movie in my teens in a theater. the best part in this movie is the dining table scene where in young alesandro momo tries to slip in his hand in lauras undergarments and she doesn't resists she gives in to his deeds and the worst part is the ending wherein she rapes him why did that have to happen moreover the movie has some excellent acting by the actors laura antonelli in special and i wish alessandro momo was alive today he had to die so soon
it has all ingredients of an Italian comedy. but it is not exactly one of them.it has the chaotic slices of Meridional life style but it is not the story of its characters. because the key is not the humor, not the eroticism but the interesting and realistic image of a teenager impulses. a film about a metamorphose. step by step. different ages, dark humor drops, few beautiful scenes and seductive atmosphere. nothing special but useful for a style for discover the life as a form of adventure. a film who preserves the flavor of its period and gives a right definition about the eroticism in a time who dreams revolution. and a good performance by Alessandre Momo.
Wusstest du schon
- WissenswertesThere is a scene in the film where the father played by Turi Ferro tries to bribe his son Nino (Alessandro Momo) by buying him the motorcycle that he wanted so badly, even though the boy is not old enough to ride the vehicle. Nino does not accept the offer and justifies it by saying that motorcycles are very dangerous. In a sad, macabre coincidence, actor Alessandro Momo died the following year in a motorcycle accident - and when he was 17, that is, not yet legally authorized to ride the vehicle.
- VerbindungenEdited into Lo schermo a tre punte (1995)
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 109.133 $
- Laufzeit1 Stunde 33 Minuten
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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