IMDb-BEWERTUNG
5,9/10
1978
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA gangster in Harlem must rescue his ex-wife, who has been kidnapped by the Mafia.A gangster in Harlem must rescue his ex-wife, who has been kidnapped by the Mafia.A gangster in Harlem must rescue his ex-wife, who has been kidnapped by the Mafia.
Julius Harris
- Papa Gibbs
- (as Julius W. Harris)
Rocky Aoki
- Asian Mobster with Purple Rolls Royce
- (Nicht genannt)
Merv Bloch
- Guy being shot at the Lincoln and Child Monument
- (Nicht genannt)
Annie Horton
- Maid
- (Nicht genannt)
Eugene Puzo
- Shooting Gangster on Beach House
- (Nicht genannt)
Janelle Webb
- Maid
- (Nicht genannt)
Empfohlene Bewertungen
No, this is not one of the greatest blaxploitation movie ever made; and yes, it has its flaws. But man, is this one a fun ride or what? It's an hour and a half of pure action with one of the greatest action hero of all time. It's ass kicking after ass kicking, as Tommy Gibbs takes revenge on everybody that have ever been dumb enough to mess with him. The fight scenes are great, inventive and plentiful. The cinematography is quite decent too and the story fun enough to keep you interested in it. Larry Cohen once more delivers the goods in this one. It's actually much better then most action stink fest that Hollywood produce this days. So sit tight and enjoy the roller coaster ride while it last.
Go Fred Williamson!
Go Fred Williamson!
Fun sequel takes off where Black Caesar took off...lots of violence...soul soundtrack not as good as James Brown's work on Black Caesar, but passable. Overall this movie has an even more fantastic plot than the first but is still basically enjoyable...particularly the island ambush scene and the chase in which Williamson runs after his opponent, who boards an airplane to L.A. from New York...Fred doesn't sweat it and gets a flight that just happens to leave a few minutes after the first gets off. We see scenes of the two men in planes...upon landing, at the same time, Williamson finds his quarry in a crowded airport and picks up where he left off in New York. As I said, ridiculous, but fun.
70s action and a blaxploitation classic with Fred Williamson (The Inglorious Bastards - 1978, MASH) as Black Caesar leading the way backed up by the luscious Gloria Hendry.
Lots of shoot-em-up action as the black gangsters take on the Mafia and the crooked cops that support them.
Things settle down, Black Caesar moves to LA, and comes back with a vengeance when his pops is killed. Cute scene where Mafia in park dies with hot dogs in their mouths.
The dialog and story wasn't the greatest, but if you are looking for righteous action, you've come to the right place.
Lots of shoot-em-up action as the black gangsters take on the Mafia and the crooked cops that support them.
Things settle down, Black Caesar moves to LA, and comes back with a vengeance when his pops is killed. Cute scene where Mafia in park dies with hot dogs in their mouths.
The dialog and story wasn't the greatest, but if you are looking for righteous action, you've come to the right place.
I loved Larry Cohen and Fred Williamson's previous collaboration 'Black Caesar', one of the toughest and most enjoyable movies of the early 70s blaxploitation boom. That movie was a great success and in the rush to cash in with a sequel something was lost. Cohen was shooting his killer baby classic 'It's Alive' at the same time Williamson was making 'That Man Bolt', yet they still attempted to make 'Hell Up In Harlem' simultaneously! Cohen's script is weaker this time around and the emphasis is on fights (fists and guns) over character development and story. The movie is more of an action film than a crime drama and therefore much less interesting to me. Williamson is still a powerhouse, but the movie as a whole fails to satisfy. Gloria Hendry ('Black Belt Jones') and D'Urville Martin ('Dolemite') both return from the first movie but aren't required to do all that much. You could even call their roles cameos and not be far wrong. Julius Harris ('Superfly') also returns as Williamson's father, but this time round he has a much larger role, and almost carries the first third of the movie all by himself. The film directly follows on from 'Black Caesar' with Tommy Gibbs (Williamson) recovering from a near fatal gunshot wound. He relies upon his Pop to keep things together, and this enables Harris to blossom from a middle aged straight citizen into a cool dressing killing machine almost overnight! This is one of the most entertaining things about the whole movie, but not enough to stop it from being a disappointment. Even the score this time round is inferior, with no James Brown content. I think this movie was too rushed and suffers for it. It has its moments but isn't a patch on 'Black Caesar'. I've noticed that quite a few blaxploitation classics fail to deliver with their sequels (I'm especially thinking of 'Foxy Brown', Jack Hill's weak follow up to his sensational 'Coffy'). I wonder why that was? Greed perhaps, or lack of faith in the material, I don't know. Anyway, 'Hell Up In Harlem' is okay, but it could have been, SHOULD have been a lot better! 'Black Caesar' is still brilliant though, don't miss that one.
Hell Up in Harlem (1973)
** (out of 4)
Sequel to Black Caesar has Fred Williamson surviving his assassination attempt and slowly moving up the ranks. How does he do this? By killing any Italian person he can get his eyes on. This film has a somewhat legendary making of since both the star and director were busy doing other things and they just got together on the weekends to shoot this film. I think it's easy to tell that the movie was rushed because there isn't any evidence of a screenplay having been written. The movie is nothing but non-stop, bloody violence from the opening to the closing. There's nothing wrong with this as it adds a lot of fun to the movie but if you're expecting anything deep then you can forget it as this thing is weak, story wise, even when compared to the poorest written blaxploitation film. Williamson is once again good in his role and he has the perfect attitude for this type of film. There are all sorts of shoot outs, explosions and even some kung fu thrown in for some good laughs.
** (out of 4)
Sequel to Black Caesar has Fred Williamson surviving his assassination attempt and slowly moving up the ranks. How does he do this? By killing any Italian person he can get his eyes on. This film has a somewhat legendary making of since both the star and director were busy doing other things and they just got together on the weekends to shoot this film. I think it's easy to tell that the movie was rushed because there isn't any evidence of a screenplay having been written. The movie is nothing but non-stop, bloody violence from the opening to the closing. There's nothing wrong with this as it adds a lot of fun to the movie but if you're expecting anything deep then you can forget it as this thing is weak, story wise, even when compared to the poorest written blaxploitation film. Williamson is once again good in his role and he has the perfect attitude for this type of film. There are all sorts of shoot outs, explosions and even some kung fu thrown in for some good laughs.
Wusstest du schon
- WissenswertesJames Brown was originally slated to do the music, but Larry Cohen rejected it. Motown artist Edwin Starr did the music, and Brown released the rejected music in the album, "The Payback".
- PatzerWhen Tommy stabs Palermo with an umbrella at Coney Island, the next shot featuring the squib/wound is clearly animated.
- Zitate
Woman: [after Gibbs shoots mafioso in Times Square] Aah!
- Alternative VersionenAn altered audio goof on the MGM DVD, but not the VHS release, occurs in one scene during the ambush in the beach house. Instead of hearing the women screaming, you hear additional gunshots, instead. The current Blu-ray from Olive Films corrects this mistake.
- VerbindungenFeatured in Adam & Yves (1974)
- SoundtracksAin't It Hell up in Harlem?
(uncredited)
Written by Freddie Perren and Fonce Mizell
Performed by Edwin Starr
courtesy of Motown Records Corp.
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Infierno en Harlem
- Drehorte
- Produktionsfirmen
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Box Office
- Bruttoertrag in den USA und Kanada
- 1.452.828 $
- Laufzeit
- 1 Std. 34 Min.(94 min)
- Farbe
- Seitenverhältnis
- 1.85 : 1
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