IMDb-BEWERTUNG
4,9/10
7463
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuAn inventor creates a robot that is seized by an undersea kingdom to guide their monster god in attacking the surface as retaliation for the nuclear tests that have devastated their society.An inventor creates a robot that is seized by an undersea kingdom to guide their monster god in attacking the surface as retaliation for the nuclear tests that have devastated their society.An inventor creates a robot that is seized by an undersea kingdom to guide their monster god in attacking the surface as retaliation for the nuclear tests that have devastated their society.
- Regie
- Drehbuch
- Hauptbesetzung
Gentaro Nakajima
- Truck Driver
- (as Gen Nakajima)
Kenpachirô Satsuma
- Gaigan
- (as Kengo Nakayama)
Ralph Jesser
- Antonio's Aide (Radio Operator in White)
- (as Rolf Jessup)
Eisuke Nakanishi
- Asuka Island Nuclear Test (Narrator)
- (Synchronisation)
Teruo Nigaki
- Radon
- (Archivfilmmaterial)
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The villains of this film are beings from the underwater kingdom of Seatopia, frustrated with humans' nuclear-bomb testings, which ravaged their kingdom. Therefore, they sent their monster god Megalon, an over-sized cockroach, to destroy mankind (pretty sensitive, couldn't they just reach out to the humans and let them know they live downstairs, so therefore, quit with the bomb testings?).
Toho utilized the overused alien-invasion plot again, making this film the a rush-through production job. Tons of stock footage were used and the plot was very plain. This film is basically an "aliens and monsters invade Earth, and Godzilla and a robot arrives and defeats them and saves Earth story." There are no subplots, significance, irony and female leads. What made up for this movie, though, is the monster wrestling-like battle at the climax. After getting pretty beaten up by Gigan at the previous fight in "Godzilla vs. Gigan," Godzilla this time really gave Gigan a taste of his own medicine. Even giant-beetle Megalon couldn't hold up a strong battle against Godzilla. Jet Jaquer was Godzilla's partner-in-crime, a giant robot made to capitalize on the Ultraman and Zone Fighter trilogies that were popular in Japan by the time this movie came out, so I guess Godzilla deserves the right to have a robot as his sidekick at least once. Unfortuntately, Jet Jaguar wasn't emphasized enough. There should have been more scenes depicting him as a "superhero" (like saving a life or stopping a robbery like most superheros do). It still bothers me why the Seatopians need to steal Jet-Jaguar and use it to guide Megalon to Tokyo. In previous Godzilla movies, monsters just find their way to the city and start trampling. Why the heck does Megalon need a tour guide?
To sum it all, a rushed film with lots of stock footage and sub-par characters. But, an exciting monster battle at the end.
Grade C
Toho utilized the overused alien-invasion plot again, making this film the a rush-through production job. Tons of stock footage were used and the plot was very plain. This film is basically an "aliens and monsters invade Earth, and Godzilla and a robot arrives and defeats them and saves Earth story." There are no subplots, significance, irony and female leads. What made up for this movie, though, is the monster wrestling-like battle at the climax. After getting pretty beaten up by Gigan at the previous fight in "Godzilla vs. Gigan," Godzilla this time really gave Gigan a taste of his own medicine. Even giant-beetle Megalon couldn't hold up a strong battle against Godzilla. Jet Jaquer was Godzilla's partner-in-crime, a giant robot made to capitalize on the Ultraman and Zone Fighter trilogies that were popular in Japan by the time this movie came out, so I guess Godzilla deserves the right to have a robot as his sidekick at least once. Unfortuntately, Jet Jaguar wasn't emphasized enough. There should have been more scenes depicting him as a "superhero" (like saving a life or stopping a robbery like most superheros do). It still bothers me why the Seatopians need to steal Jet-Jaguar and use it to guide Megalon to Tokyo. In previous Godzilla movies, monsters just find their way to the city and start trampling. Why the heck does Megalon need a tour guide?
To sum it all, a rushed film with lots of stock footage and sub-par characters. But, an exciting monster battle at the end.
Grade C
A tour de force of rubbery monster mayhem in this genre classic. Brilliant turns from Megalon, Jet Jaguar, Gigan and the mighty Godzilla all of which out act the humans.
Ignore the storyline and luxuriate in the glory of giant monster action.
This is the funniest single entry into the Godzilla series. It is so incredibly bad, that there is not a single scene that doesn't have at least a chuckle or two; and many that have slap-your-knee hilarity to them - all unintentional.
The director, Jun Fukoda, was no stranger to the Godzilla series, and had already demonstrated that he could deliver a solidly competent B-movie. But this ain't one of those; and it's hard to say where Fukoda's head was at when he made this film.
We see actors miss their cues; we see strings lifting "flying" monsters; we have a robot with an idiotic smile painted on his face; we have a theme song popping up at the end that is only a parody of a pop-music movie theme. We have an annoying little kid actor that can't act. We have a cheesy giant cock-roach rubber suit flopping about crushing buildings, and then running from Godzilla with the gate of an old woman. We have the magic words that bring Megalon to life: "Rise up Megalon! Hey, get up!" while nymphettes do a veil dance. we have a background music that sounds like easy listening played at twice the tempo. Obvious stock footage from previous Godzilla films get inter-cut in the fight scenes. We have a special guest appearance from Gigan, called in (no showing or explanation how) from a galaxy called "Space Hunter M" Now, what wit could actually come up with that as the name of galaxy? Really, you must see this film at least once in your life; and if you don't see the humor in it that one time, see it again, because it will dawn on you like the blast of a heat-ray that, yeah, this film really does make NO sense whatsoever! Obviously made in two days by a group of brainy grammar-school students who happen to be drunk. One couldn't make a parody of the Godzilla films as funny as this; yet, incredibly, there's no sign that this was not intended to be taken seriously.
But we don't have to take it seriously just because it was intended that way. And taken as a comedy, it's just grand!
The director, Jun Fukoda, was no stranger to the Godzilla series, and had already demonstrated that he could deliver a solidly competent B-movie. But this ain't one of those; and it's hard to say where Fukoda's head was at when he made this film.
We see actors miss their cues; we see strings lifting "flying" monsters; we have a robot with an idiotic smile painted on his face; we have a theme song popping up at the end that is only a parody of a pop-music movie theme. We have an annoying little kid actor that can't act. We have a cheesy giant cock-roach rubber suit flopping about crushing buildings, and then running from Godzilla with the gate of an old woman. We have the magic words that bring Megalon to life: "Rise up Megalon! Hey, get up!" while nymphettes do a veil dance. we have a background music that sounds like easy listening played at twice the tempo. Obvious stock footage from previous Godzilla films get inter-cut in the fight scenes. We have a special guest appearance from Gigan, called in (no showing or explanation how) from a galaxy called "Space Hunter M" Now, what wit could actually come up with that as the name of galaxy? Really, you must see this film at least once in your life; and if you don't see the humor in it that one time, see it again, because it will dawn on you like the blast of a heat-ray that, yeah, this film really does make NO sense whatsoever! Obviously made in two days by a group of brainy grammar-school students who happen to be drunk. One couldn't make a parody of the Godzilla films as funny as this; yet, incredibly, there's no sign that this was not intended to be taken seriously.
But we don't have to take it seriously just because it was intended that way. And taken as a comedy, it's just grand!
Godzilla vs. Megalon, or Gojira tai Megaro, was the only film in this venerable Japanese series to be geared specifically for children. Godzilla is a legendary hero, and protector of Japan, rather than the Island of the Rising Sun's destructor. He is called upon by the android, and Ultraman look-alike, Jet Jaguar to fend off the attack of the giant interstellar cockroach, Megalon, and that fiendish villain from Star Hunter M Nebula, Gigan. The fight that insues is exciting, funny, and at times, a little bloody, but in the end we all know how it ends.
For the younger viewers, Godzilla vs. Megalon is up their alley, and when I was a kid, this is the film that made me believe in Godzilla and see him as a hero.
Highly recommended.
For the younger viewers, Godzilla vs. Megalon is up their alley, and when I was a kid, this is the film that made me believe in Godzilla and see him as a hero.
Highly recommended.
I've seen every Godzilla movie at least once, but this one is something of a special case. They say this film was started and completed in the same month, which is an incredibly short amount of time for a feature film to be made. I can't say it has the best plot, basically Atlantis is pissed out of nowhere and sends a giant bug to attack Japan of all places, while "agents" of their Caucasian race attempt to take control of a simplistic Robot that looks like a gymnastics instructor. Well, all that put aside, the movie isn't actually that terrible. It was fun to see Gigan in another film besides his own, I feel he was always a bit under rated.
Wusstest du schon
- WissenswertesWhile the film was all but ignored in Japan, becoming the least attended entry at the box office, it was a huge hit in the United States and is often regarded by fans as one of the main reasons why the Godzilla franchise has become so misunderstood in the west. Its American distributors, Cinema Shares International, built up a large advertising campaign around the movie, and a drastically shortened version that cut the film down to around 40 minutes premiered on prime-time TV on the NBC network. The film's VHS releases were also mistakenly believed to be in public domain, which made it more easily accessible and adding to the movie's notoriety in the US. Despite the film being disliked by the majority of fans, the movie actually received positive reviews from critics upon its initial release in the States. Vincent Canby praised Godzilla's development stating that "the dragon has become St. George" and wrote that the film "demonstrates the rewards of friendships, between humans as well as monsters, and it is gentle." Variety also praised the special effects work and the miniatures work as superb and "reflecting a creative understanding of the camera". The English film critic Phil Hardy also lauded the film's visuals as expertly done.
- PatzerWhen Godzilla is bouncing Megalon up and down, the Megalon suit is empty (the legs bend and collapse, showing no one is inside the suit).
- Zitate
Antonio's Aide: We've got a message coming from Star Hunter "M" Universe. "We are sending you the monster Gaigan, as requested."
- Alternative VersionenThe German dub of the film infamously renamed Jet Jaguar to King Kong in an attempt to fool audiences, but it also contained other differences. Most importantly, Goro was changed from being Rokuro's much older brother to his father. And instead of contacting the aliens of M Space Hunter Nebula, the Seatopian people contact a certain "Alpha Base".
- VerbindungenEdited from Weltraumbestien (1957)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- King-Kong - Dämonen aus dem Weltall
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 760.000 $ (geschätzt)
- Laufzeit1 Stunde 21 Minuten
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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Oberste Lücke
What is the Spanish language plot outline for King Kong - Dämonen aus dem Weltall (1973)?
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