Gospel Road: A Story of Jesus

In all of the films I have seen, this has to be the single most beautiful rendition of the story of Jesus I have ever witnessed. If you can look past the bad wardrobe, effects and the Scandinavian Jesus, you will see a portrait of a man sent straight from heaven to give life to a fallen world. The music is touching, the narration is humble and moving, and the old King James translation of the Bible comes to life in the land of Israel.

Modern audiences might not be able to see the wonder of the story in such a low-budget rendering, but again I'd encourage anyone, believers and atheists, to watch it with a child's eyes. If a person can suspend his or her disbelief for a while, I think this movie has the power to change a person's life.

Simplistic look at the coming of the Messiah put to song and music by Cash, Carter, and Kristofferson. I liked the use of the original area in the Mideast for filming but couldn't they have found a more Jewish looking man to portray Christ? Near the end of the picture the cross scene leapt from Calvary to a modern city which was a nice touch depicting Christ's message moving through time giving all a chance at salvation. Obviously not a large budget production: unknown actors, very few money changers to be run off in the temple and even fewer wares to be thrown around, and hardly anyone showed up for the crucifixion. Even so Cash did manage to put forth the promise of salvation through Christ in an easily comprehensible manner.

Obviously, a labor of love for Johnny Cash, June Carter Cash, and company but as a film it could be better. The positive is that the songs Jonny Cash and others sing are really good. Also, Johnny Cash does a good job narrating. It was filmed in the Holy Land which was nice. The cinematography was good at moments very good. On the negative side, it was, obviously, done on a low budget and it shows. Robert Elfstorm who played Jesus was a cinematographer and documentary filmmaker. Yet, when he made this film he had blond hair and blue eyes and I don't think Jesus did. Though it was interesting seeing Paul Smith, who usually played villains, play Simon Peter. It was alos interesting seeing June Carter Cash play Mary Magdalene. Nevertheless, if you are a Johnny Cash fan you may want to check it out.

I read about this movie in one of Michael Medved's Golden Turkeys books years ago, but I never got a chance to see the full production until very recently.

There aren't a whole bunch of real actors in this, and that's actually a good thing. I think Johnny Cash hired the first Jesus looking guy he ran into, and it was his friend, Bob Elfstrom.

If you can get past the blonde, blue eyed Christ and a bunch of apostles that look like the Grateful Dead, you'll find a very honest and personal telling of the Gospel with some Cash music I'm thinking few people have ever heard. John Denver, Larry Gatlin and Joe South all got songwriting credits in this film.

Some might call it dated, and maybe it is a little bit. It's a very early '70s looking low budget film, but I think it was the proper way to make this movie at that time. Glitzy star power and glossy production just take away from the Word. I was surprised when this showed up on cable recently. It'll probably be a long time before it shows up again.

I played the role of Andrew the Apostle in this movie. I'd just like to say how amazing Johnny Cash was as the producer, and often times the director. Bob Elfrstrom played Jesus, and also directed, but mostly Johnny gave us direction in each scene.

We, the ones acting as the Apostles, walked behind Bob, our Jesus, in Jericho, and in every shot that Johnny and Bob found for us. June Carter was there as Johnny's confident and constant companion

I know many critics hated this movie. They didn't like Johnny's pick for Jesus, they thought our Judas was too type cast. But had they been there, they would have seen Johnny's amazing passion and his kindness.

We actors worked 12 hours a day on the set. We helped carry props, we helped push trucks out of the sand and set up scenes. And Johnny took care of us. He invited us to Thanksgiving dinner, and to a final wrap up party in Tiberias. At the end, I think the bad acting is our fault, but none of us were actors. We were a bunch of travelers he found in Jerusalem, and he made it work.

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