IMDb-BEWERTUNG
6,6/10
5743
IHRE BEWERTUNG
Eine Sammlung von vier kurzen Horrorgeschichten, die sich um ein britisches Antiquitätengeschäft und seinen mysteriösen Besitzer drehen.Eine Sammlung von vier kurzen Horrorgeschichten, die sich um ein britisches Antiquitätengeschäft und seinen mysteriösen Besitzer drehen.Eine Sammlung von vier kurzen Horrorgeschichten, die sich um ein britisches Antiquitätengeschäft und seinen mysteriösen Besitzer drehen.
- Regie
- Drehbuch
- Hauptbesetzung
Lesley-Anne Down
- Rosemary Seaton (Segment 4 "The Door")
- (as Lesley Anne Down)
Empfohlene Bewertungen
Decent entertainment and I do enjoy short story segments because they have to get right to the point of which these stories do. This may not be premium movie watching but it is fine story-telling especially around camp fires and sleep-overs. They had done several of these at one point because they became popular as matinée movies. Remember those days? Two movies for a reasonable price and then add popcorn, drink and a candy to it. Go with a friend and its a nice day out. This is what you can expect if you catch this at home only you bring the food and the friend as they don't do these in the movies anymore. Too bad too. I miss the audience reaction to the stories an added bonus. Watch as each story presents ordinary people getting into extra-ordinary and some "horror" circumstances and how they handle it all. There is a nice little touch here too. Each segment is kick-started by a shop-keeper who sets up the episode and how it will go depending if you are an honest person or not. In other words, you wont be spared the horror but allowed a different outcome. You catch on to this toward the last two episodes but they should have made it plain from the first one. I have done so for you. Please enjoy the efforts of these people to entertain and to try to scare you....popcorn and snack with drink recommended
From Beyond The Grave (1973) was a cool British horror film that I saw when I was younger. Man, I saw a lot of British horror late at night when I was a kid. That's all that would come on. I grew up on these movies. I even watched them as soon as we got a V.C.R. Oh, those were the days. One of my favorite childhood actors was Peter Cushing. The Amicus company was a competitor of long time horror film stalwart Hammer. When Hammer Films was on it's last legs, Amicus picked up the slack for awhile.
These four tales that the movie adapted were taken from a couple of literary sources. The stories were creepy and it always ended up in an odd way. I wish these films were available on d.v.d. so I could relive my youth. Until they're released in the United States then I'll just have my memories.
Highly recommended.
These four tales that the movie adapted were taken from a couple of literary sources. The stories were creepy and it always ended up in an odd way. I wish these films were available on d.v.d. so I could relive my youth. Until they're released in the United States then I'll just have my memories.
Highly recommended.
In good old Amicus-Anthology tradition, debuting director Kevin Connor presents a nice variety of three just above average horror stories and one really terrific one. "From Beyond the Grave" certainly wasn't the production studio's best omnibus effort (that honor goes to either "Asylum" or "The House that Dripped Blood"), but it has a splendid ensemble cast (including eminent British names like Donald Pleasance, Peter Cushing, Ian Ogilvy, David Warner, Ian Carmichael,
), a neat wraparound narrative and an overall pleasingly sinister atmosphere. All separate tales begin in the same location, namely an obscure and hidden antique shop manned by Peter Cushing. The customers at this shop then become the protagonists of the segments, and the attentive viewer quickly figures out that their own personal fate will also depend on whether or not they are honest human beings. The bought items (an army medal, an ancient mirror, a snuff box and even an medieval door) aren't necessarily essential objects in the tales, though. The first story stars David Warner ("The Omen") as an obnoxious man who becomes possessed with a murderous spirit homing in his recently purchased antique mirror. The plot of "The Gate Crasher", as this story is called, is quite mundane but it boosts a handful of grisly set pieces. The third story is a rather comical referring to "The Exorcist", with Ian Carmichael being possessed by an invisible and hugely hyperactive elemental critter (whatever the hell that may be) that is attached to his shoulder. The exorcism scenes are incredibly over-the-top and the segment isn't really meant to be scary. The fourth and final story was a bit too tacky in my humble opinion, but it nonetheless has awesomely grim scenery (the room, the portal, the axe
) and the beauty of actress Lesley-Ann Down. I'm deliberately saving story number two for last, as it is by far the most superior installment of them all. Most credit here must go to Donald Pleasance and his real-life daughter Angela, for their genuinely uncanny performances as the overly friendly yet obtrusive pair of low-class street merchants who gradually 'take-over' an unhappy married man. I can't reveal too much about the plot, but the performances of Donald and particularly Angela Pleasance truly send cold shivers down your spine. Recommended!
From the plethora of Horror films from the Amicus and Hammer studios in the late 1960's and early 70s, this is one that stands out above many of the others. The opening sequence with the camera moving through the mist graveyard is a masterful piece of horror film. Each of the stories is built up very well with an excellent element of tension in each. If you want to see a great example of the British horror film genre, this is the place to start.
A superb slice of vintage British horror from Amicus productions, which although headed by two Americans Max J. Rosenberg and Milton Subotsky, Amicus was based in England at Shepperton Studios. I personally am a huge admirer of the work of Milton Subotsky, I think he gave a great deal to the British film industry and gave us the 'portmanteau' style of horror film which meant that the stories would be around half an hour long, it was impossible to tire of such a short subject! Milton himself claimed that the classic 'Dead of Night' was the inspiration behind these multi segment horror films and I think he took it to another level. I think that 'From Beyond' is the finest one they made, with atmospheric stories and great acting from the entire cast and of course the wonderful Peter Cushing as the mysterious proprietor of 'Temptations Ltd'. Peter was the actor most used by the studio, he being very reasonable by way of his fees, whereas Subotsky claimed the great Christopher Lee became too expensive!
Wusstest du schon
- WissenswertesThe last of the "portmanteau" (anthology) horror films from Amicus Films. The others were: Die Todeskarten des Dr. Schreck (1965), Der Foltergarten des Dr. Diabolo (1967), Totentanz der Vampire (1971), Asylum (1972), Geschichten aus der Gruft (1972), and In der Schlinge des Teufels (1973).
- PatzerIn "The Elemental" segment, during the exorcism, a yellowish dog figurine on the right side of the mantle gets knocked off. In a following shot it is back on the mantle and explodes.
- Zitate
Madame Orloff (segment 3 "The Elemental"): There's an Elemental on your shoulder!
- VerbindungenFeatured in Das Todesspiel (1988)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Más allá de la tumba
- Drehorte
- Produktionsfirma
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Box Office
- Budget
- 203.941 £ (geschätzt)
- Laufzeit
- 1 Std. 38 Min.(98 min)
- Sound-Mix
- Seitenverhältnis
- 1.66 : 1
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