IMDb-BEWERTUNG
5,5/10
324
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA wealthy doctor Andrea Valenti (Gianni Garko) accidentally kills his mistress, then the doctor falls victim of blackmail.A wealthy doctor Andrea Valenti (Gianni Garko) accidentally kills his mistress, then the doctor falls victim of blackmail.A wealthy doctor Andrea Valenti (Gianni Garko) accidentally kills his mistress, then the doctor falls victim of blackmail.
Maurizio Streccioni
- Policeman
- (Nicht genannt)
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Gianni Garko plays an amoral, social-climbing surgeon who has had his wealthy wife committed to a mental institution. After he accidentally kills his mistress(Paola Senatore) in a bizarre accident involving the titular "flower with petals of steel" (actually a sculpture),he manages to dispose of the body, but finds himself being pursued by the woman's sister, who is also his vengeful former (Carrol Baker), and a dogged police inspector. Then he begins to be blackmailed by a strange voice on the phone. He also has ANOTHER lover, a nurse (Pilar Velasquez) who may not be what she appears.
This obscure, long unavailable(at least in English) Italian giallo has a central twist that even by the standards of the genre is pretty far-fetched. It generally works though. It is very well-filmed. Piccolo is not one of the acknowledged masters of the genre like Argento or Bava (or Martino, Fulci, or Lenzi), but he definitely does a good job. The movie begins with a beautifully shot, seemingly gratuitous underwater diving scene that doesn't make sense until the end where it turns out to be a (definitely gratuitous) underwater lesbian scene (which gives new meaning to the term "muff diving"), but I would think also the first such scene in cinema history. The rest of the cinematography and editing is impressive too (if sometimes a little dark in the print I saw), but with one rather awkward murder scene.
The acting is very good, the Italian cast much more so than Carroll Baker (who I imagine was getting tired of the genre by this time). Garko manages to make his character a sympathetic Hitchcockian innocent, who only towards the end is revealed to be real cad getting his comeuppance. Paola Senatore doesn't have much screen time, but is very effective (it helps that she's naked in almost every scene). The beautiful Velasquez also provides some sumptuous nudity, but also some good acting as she goes from a seemingly throw-away character to a very important one by the end. The print I saw was a Spanish language fan-sub, but I imagine this would only get better with a more legitimate, re-mastered release.
This obscure, long unavailable(at least in English) Italian giallo has a central twist that even by the standards of the genre is pretty far-fetched. It generally works though. It is very well-filmed. Piccolo is not one of the acknowledged masters of the genre like Argento or Bava (or Martino, Fulci, or Lenzi), but he definitely does a good job. The movie begins with a beautifully shot, seemingly gratuitous underwater diving scene that doesn't make sense until the end where it turns out to be a (definitely gratuitous) underwater lesbian scene (which gives new meaning to the term "muff diving"), but I would think also the first such scene in cinema history. The rest of the cinematography and editing is impressive too (if sometimes a little dark in the print I saw), but with one rather awkward murder scene.
The acting is very good, the Italian cast much more so than Carroll Baker (who I imagine was getting tired of the genre by this time). Garko manages to make his character a sympathetic Hitchcockian innocent, who only towards the end is revealed to be real cad getting his comeuppance. Paola Senatore doesn't have much screen time, but is very effective (it helps that she's naked in almost every scene). The beautiful Velasquez also provides some sumptuous nudity, but also some good acting as she goes from a seemingly throw-away character to a very important one by the end. The print I saw was a Spanish language fan-sub, but I imagine this would only get better with a more legitimate, re-mastered release.
A surgeon kills a lover by accident when she is impaled by a steel petal from an elaborate sculpture during the course of a physical argument in his apartment. He dismembers and disposes of the body but soon a secret blackmailer starts sending him communications indicating a knowledge of his crime.
Everyone seems to have been sleeping with one and other at some time or other in this obscure Italian giallo. The plot-line, therefore, is quite convoluted like many of the films in this sub-genre. Another characteristic familiar to the genre is that none of the characters are particularly sympathetic with the lead character played by Gianni Garko being an especially unlikable misogynist. So, welcome to the wonderful world of giallo where everybody is amoral and there is no obligation from the film-makers to spoon feed the audience with any nice characters to empathise with!
This one is overall not one of the entries in the genre that follows the classic-style serial killer format and instead focuses on the psychology of the central character and the escalation of events off the back of a murder. We still nevertheless have pleasingly familiar elements such as absurd plot twists, abundant nudity and dark secrets of the past informing the present. It would probably also be fair to say that this one isn't as visually stylish as most, although it does have a couple of beautifully shot underwater sequences which bookend the film, the latter of which culminates with a pretty audacious lesbian love scene! In truth, the gorgeous and evocative underwater opening is so captivating it does mean that the subsequent story pales a little by direct comparison to it but its relevance is confirmed by the end scene; I would probably say that those two distinctive sequences constitute the highlight of the movie overall. The Flower with the Petals of Steel is ultimately another involving giallo. It isn't really an upper bracket entry in the genre or anything but it is a solid movie which will definitely appeal to seasoned fans of the genre.
Everyone seems to have been sleeping with one and other at some time or other in this obscure Italian giallo. The plot-line, therefore, is quite convoluted like many of the films in this sub-genre. Another characteristic familiar to the genre is that none of the characters are particularly sympathetic with the lead character played by Gianni Garko being an especially unlikable misogynist. So, welcome to the wonderful world of giallo where everybody is amoral and there is no obligation from the film-makers to spoon feed the audience with any nice characters to empathise with!
This one is overall not one of the entries in the genre that follows the classic-style serial killer format and instead focuses on the psychology of the central character and the escalation of events off the back of a murder. We still nevertheless have pleasingly familiar elements such as absurd plot twists, abundant nudity and dark secrets of the past informing the present. It would probably also be fair to say that this one isn't as visually stylish as most, although it does have a couple of beautifully shot underwater sequences which bookend the film, the latter of which culminates with a pretty audacious lesbian love scene! In truth, the gorgeous and evocative underwater opening is so captivating it does mean that the subsequent story pales a little by direct comparison to it but its relevance is confirmed by the end scene; I would probably say that those two distinctive sequences constitute the highlight of the movie overall. The Flower with the Petals of Steel is ultimately another involving giallo. It isn't really an upper bracket entry in the genre or anything but it is a solid movie which will definitely appeal to seasoned fans of the genre.
There exist two types of Italian gialli. The coolest type of giallo handles about masked psycho-killers with black gloves butchering people - preferably pretty young models - with sharp objects. The slightly duller but usually more stylish type of giallo handles about convoluted murder conspiracies complete with sexual intrigues, betrayal and triangular relationships. "The Flower with Petals of Steel", belongs in the second category. Even though the plot is wild and wickedly far-fetched, the film contains too many dull moments. The story revolves around Dr. Valenti. Although a busy surgeon, Dr. Valenti still has time to entertain several mistresses. He accidentally murders one in his apartment, with a hideous type of plant-statue, but is cold-blooded enough to professionally dissect her corpse and make it disappear. The girl's sister (played by giallo-regular Carroll Baker) and a sly homicide inspector are on the doctor's tail, and then he's also getting blackmailed. The film has one or two unforgettable sequences (most notably a lesbian scuba-diving highlight) and the bizarre plot is intriguing enough to keep you gazing at the screen until the finish, but overall it's disappointing and not at all recommended to anyone (except giallo-completists)
Andreas Valenti(Gianni Garko)is a respected surgeon with misogynistic tendencies.When his girlfriend Daniella(Paola Senatore)is accidentally killed by titular metal sculpture of flower he becomes the main suspect.In fact he surgically dismembers her body and disposes remains.Daniella's half-sister Evelyn(Carrol Baker)becomes suspicious and informs Inspector Garrano about possible Andreas guilt.The intrigue of blackmail and backstabbing begins...Sadly overlooked Italian giallo with fantastic underwater lesbian scene.The pace is deliberate and there are several very interesting twists and turns.The performances are splendid and there are some similarities to Luigi Cozzi's memorable "The Killer Must Kill Again".Overall,"The Flower with the Petals of Steel" is a must-see for Euro horror enthusiasts.
You don't often get to see a scuba diving lesbian love scene in a film, but that situation is less likely in the crazy world of the gialli, it seems...
Gianno Garko plays a jerk doctor who has just dumped his lover Daniela, perhaps for his assistant who's been making kissy faces at him. Daniela's sister is angry Carol Baker, who seems to also be Daniela's lover and is enraged at Daniela's continuous relationship with Gianni. Things come to a head one night when Gianni comes home to find a strangely silent Daniela there, and accidentally kills her by impaling her head with one of his strange object d'art required by all characters in gialli.
Panicking, Gianni uses his super surgeon skills to dismember the body and get rid of it, not knowing he's being watched all the time. Also, he's not as smart as he thinks as he didn't notice Daniela's car is outside of the building. When Carol Baker turns up looking for her sister, Gianni tells her, rather unconvincingly, that she hasn't been around in some time, and then a cop, who is falling for Carol, turns up looking for the dead girl too...and he's becoming increasingly biased.
Although this is very much a typical 'Carol Baker' giallo with seventies nudity, it is still watchable for Gianni Garko's increasingly unhinged performance and the twists all thrown in at the end (try not to think about them too hard though or you'll get a nose bleed). There are no good characters to root for in the film so it's a case of seeing who'se going to win the mind games that are being played out. Not the most manically paced, however, and I was kind of yearning for that - until the underwater love scene (bizarre
Gianno Garko plays a jerk doctor who has just dumped his lover Daniela, perhaps for his assistant who's been making kissy faces at him. Daniela's sister is angry Carol Baker, who seems to also be Daniela's lover and is enraged at Daniela's continuous relationship with Gianni. Things come to a head one night when Gianni comes home to find a strangely silent Daniela there, and accidentally kills her by impaling her head with one of his strange object d'art required by all characters in gialli.
Panicking, Gianni uses his super surgeon skills to dismember the body and get rid of it, not knowing he's being watched all the time. Also, he's not as smart as he thinks as he didn't notice Daniela's car is outside of the building. When Carol Baker turns up looking for her sister, Gianni tells her, rather unconvincingly, that she hasn't been around in some time, and then a cop, who is falling for Carol, turns up looking for the dead girl too...and he's becoming increasingly biased.
Although this is very much a typical 'Carol Baker' giallo with seventies nudity, it is still watchable for Gianni Garko's increasingly unhinged performance and the twists all thrown in at the end (try not to think about them too hard though or you'll get a nose bleed). There are no good characters to root for in the film so it's a case of seeing who'se going to win the mind games that are being played out. Not the most manically paced, however, and I was kind of yearning for that - until the underwater love scene (bizarre
Wusstest du schon
- WissenswertesDoctor drives a Mercedes and drinks J&B scotch.
- PatzerThough the sisters's are named Graffi on the cast-list, the detective refers to them as "Gherardi".
- Zitate
Dr. Andrea Valenti: I'll give you a vitamin shot so you can be ready for your wife.
Hospital patient: My wife! No! Anything but that! Not even if they paid me! I'd rather "play the pipe!"
[with hand gestures, indicates fingering a pipe to suggest masturbation]
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- La flor de petalos de acero
- Drehorte
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- Laufzeit
- 1 Std. 30 Min.(90 min)
- Seitenverhältnis
- 2.35 : 1
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