IMDb-BEWERTUNG
4,0/10
8508
IHRE BEWERTUNG
Ein geächteter Schmuggler und ihr außerirdischer Begleiter werden vom Kaiser der Galaxis rekrutiert, um seinen Sohn zu retten und eine Geheimwaffe des bösen Grafen Zarth Arn zu zerstören.Ein geächteter Schmuggler und ihr außerirdischer Begleiter werden vom Kaiser der Galaxis rekrutiert, um seinen Sohn zu retten und eine Geheimwaffe des bösen Grafen Zarth Arn zu zerstören.Ein geächteter Schmuggler und ihr außerirdischer Begleiter werden vom Kaiser der Galaxis rekrutiert, um seinen Sohn zu retten und eine Geheimwaffe des bösen Grafen Zarth Arn zu zerstören.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Nominierung insgesamt
Hamilton Camp
- Elle
- (English version)
- (Synchronisation)
Fortunato Arena
- Zarth Henchman
- (Nicht genannt)
Salvatore Baccaro
- Neanderthal Man
- (Nicht genannt)
Omero Capanna
- Spaceship Guard
- (Nicht genannt)
Hélène Chauvin
- Amazon
- (Nicht genannt)
Enrico Chiappafreddo
- Escaping Prisoner
- (Nicht genannt)
Domenico Cianfriglia
- Zarth Henchman
- (Nicht genannt)
Candy Clark
- Stella Star
- (English version)
- (Synchronisation)
- (Nicht genannt)
Franco Daddi
- Zarth Henchman
- (Nicht genannt)
Dirce Funari
- Amazon Woman
- (Nicht genannt)
Empfohlene Bewertungen
When I saw stills of this movie back in 1979, I thought someone had finally made a film just for me. It had spaceships, and robots and something that Star Wars didn't have: Caroline Munro. I waited in vain for its appearance at the cinema. It turned up on TV one afternoon in the beginning of 1985. Well, it was nearly the film I had been waiting for. Overall, it's got everything a b-movie addict can want: ambitious, but not always successful visual effects, at least one Shakespearian actor forced to recite comic strip dialogue, plenty of continuity errors, and a number of very attractive young women, principally, the said Miss Munro, as Stella Star.
It was a shock to find that the very English tones of Caroline had been dubbed by an American voice artist, but that's the movie business. The French speaking version(even for non-French speakers, such as myself) is preferable. Stella's voice is light and playful, and the robot, instead of the 'amusing' cowboy voice in the English language version, talks in mournful, echoey tones, which, for me, works very well.
Caroline Munro, although playing the central character, gets rather sidelined throughout the proceedings; however, she has two scenes in the first part of the story in which the action revolves around her, and if these are the best parts of the whole movie. Her skirmish with a tribe of amazons makes for a very exciting sequence. Inexplicably, but stunningly clad in a shiny black bikini, and thigh length boots, she dominates this sequence. It's a shame that an important section of it, in which the amazons attach her to a mind-probe device, was deleted because of film exposure problems. The film does, unfortunately, contain several instances where a prop or effect has been abandoned at the last minute, and a build-up is all for nothing.
Seek out one of the early drafts on the script (tucked away on the DVD set, if you dig deep enough), to get some idea of what might have been, had not the production been plagued with misfortune.
There are several ways to enjoy this movie. Pick out the bits you like, and ignore the rest; look on it as a latter-day Flash Gordon Serial-style entertainment (it does rattle along at breakneck speed when it gets going), and forget all about logic, and literacy, and the rules of storytelling; or just shut your eyes and listen to John Barry's fabulous orchestral score.
I like Starcrash for two reasons. Caroline Munro is one of them. The other is the fact that Luigi Cozzi wanted to make the movie he'd always wanted to see. He'd written the script before Star Wars came out, and it was only pressure from the studio that forced him to imitate elements of that film. Conversely, it was budget restraints and studio disputes that hampered his efforts.
At the beginning of this review, I made what may seem like a disparaging remark about the visual effects. In a day when we're used to spectacular CGI extravaganzas produced by hundreds of artists and technicians, and costing millions, it's well to consider that most of the effects on this movie were created by one guy with little time, few facilities and a comparitively tiny budget. It's easy to guffaw at the occasional stray shadow on a sky background, but I think what Armando Valcauda achieved, under the circumstances, was, to quote Stella, 'incredible'.
Ultimately, one of the most appealing shots of Caroline Munro as Stella Star is near the end, when Stella Star is swimming through space, and we get a close-up of her very beautiful smile through the visor of her helmet. It kind of makes you feel better, just looking at her.
It was a shock to find that the very English tones of Caroline had been dubbed by an American voice artist, but that's the movie business. The French speaking version(even for non-French speakers, such as myself) is preferable. Stella's voice is light and playful, and the robot, instead of the 'amusing' cowboy voice in the English language version, talks in mournful, echoey tones, which, for me, works very well.
Caroline Munro, although playing the central character, gets rather sidelined throughout the proceedings; however, she has two scenes in the first part of the story in which the action revolves around her, and if these are the best parts of the whole movie. Her skirmish with a tribe of amazons makes for a very exciting sequence. Inexplicably, but stunningly clad in a shiny black bikini, and thigh length boots, she dominates this sequence. It's a shame that an important section of it, in which the amazons attach her to a mind-probe device, was deleted because of film exposure problems. The film does, unfortunately, contain several instances where a prop or effect has been abandoned at the last minute, and a build-up is all for nothing.
Seek out one of the early drafts on the script (tucked away on the DVD set, if you dig deep enough), to get some idea of what might have been, had not the production been plagued with misfortune.
There are several ways to enjoy this movie. Pick out the bits you like, and ignore the rest; look on it as a latter-day Flash Gordon Serial-style entertainment (it does rattle along at breakneck speed when it gets going), and forget all about logic, and literacy, and the rules of storytelling; or just shut your eyes and listen to John Barry's fabulous orchestral score.
I like Starcrash for two reasons. Caroline Munro is one of them. The other is the fact that Luigi Cozzi wanted to make the movie he'd always wanted to see. He'd written the script before Star Wars came out, and it was only pressure from the studio that forced him to imitate elements of that film. Conversely, it was budget restraints and studio disputes that hampered his efforts.
At the beginning of this review, I made what may seem like a disparaging remark about the visual effects. In a day when we're used to spectacular CGI extravaganzas produced by hundreds of artists and technicians, and costing millions, it's well to consider that most of the effects on this movie were created by one guy with little time, few facilities and a comparitively tiny budget. It's easy to guffaw at the occasional stray shadow on a sky background, but I think what Armando Valcauda achieved, under the circumstances, was, to quote Stella, 'incredible'.
Ultimately, one of the most appealing shots of Caroline Munro as Stella Star is near the end, when Stella Star is swimming through space, and we get a close-up of her very beautiful smile through the visor of her helmet. It kind of makes you feel better, just looking at her.
It's awful all right - in a hilarious way! This movie is awful in almost every category - special effects, sound, costumes, set, acting and the script - but if you like good cheese, if you can embrace the spirit of Ed Wood and others like him, then you'll LOVE this campy sci-fi disaster. Marjoe Gortner gives one of the truly worst performances I have evr seen - he either is phoning it in or over-acting like crazy - I swear, watch in the beginning - he almost doesnt blink for over ten minutes. Creepy. And for all of those who saw this movie as young lads - I can see why Ms. Munro wouldmake such an impression on you. Woo-wee!! That is some hot leather space bikini they have her in. She was gorgeous and all but my god, some of the "fight" scenes she's in are unintentionally hilarious. Good silly fun!!!
I've been a fan of this movie for many years,a friend who used to work in a video shop told me of it,he said it was just like Star Wars ! He was both right and wrong in the same breath.It is a Star Wars inspired movie,but also borrows heavily from Barbarella,Flash Gordon etc... As to it being as good as the original...no way ! It is however better than the 2 prequels and was probably the same price for the whole movie as their catering costs ! If you've not seen it...do so now !
Starcrash (1978)
** (out of 4)
Stella Star (Caroline Munro) is asked by The Emperor (Christopher Plummer) to set out and locate his missing son (David Hasselhoff) and along the way she must battle countless robots and other space creatures. This Italian-American co-production was clearly influenced by STAR WARS and I think fans of that film are probably going to hate this simply because it is a rip-off. Those who enjoy silly, campy and over-the-top science fiction will probably get a few kicks out of this thing while people like myself, not crazy over the genre, will probably get a few laughs and of course be thrilled by Munro. STARCRASH is an ultra-cheap movie but I think the cheapness actually works in its favor because you just can't take any of it too serious and this is something that kills a lot of "B" movies. A lot of time "B" movies take themselves so serious that the director never allows the viewer to just sit back and have a good time but director Luigi Cozzi makes sure you don't take anything too serious. I really liked the happy tone that runs throughout the movie and it's clear that they weren't trying to scare, shock or go for crazy action scenes but instead they just delivered a campy story. The special effects really aren't as bad as you'd expect in such a low-budget film. A major plus is the cast, which includes the beautiful Munro. While her acting might not be the greatest she at least fits the role perfectly and there's no doubt that her charm really helps keep the film moving. The highlight of the film would have to be that leather bikini thing she's dressed in for the majority of the running time. Plummer picks up a paycheck appearing in his brief part and the young Hasselhoff is pretty funny in his bit. Hamilton Camp deserves mention for his Southern voice of the robot and we get Joe Spinell as the bad guy. It's interesting to note that Spinell and Munro would go onto appear in MANIAC just two years later. STARCRASH isn't a masterpiece and it's not even a good movie but fans of camp should at least be entertained by it.
** (out of 4)
Stella Star (Caroline Munro) is asked by The Emperor (Christopher Plummer) to set out and locate his missing son (David Hasselhoff) and along the way she must battle countless robots and other space creatures. This Italian-American co-production was clearly influenced by STAR WARS and I think fans of that film are probably going to hate this simply because it is a rip-off. Those who enjoy silly, campy and over-the-top science fiction will probably get a few kicks out of this thing while people like myself, not crazy over the genre, will probably get a few laughs and of course be thrilled by Munro. STARCRASH is an ultra-cheap movie but I think the cheapness actually works in its favor because you just can't take any of it too serious and this is something that kills a lot of "B" movies. A lot of time "B" movies take themselves so serious that the director never allows the viewer to just sit back and have a good time but director Luigi Cozzi makes sure you don't take anything too serious. I really liked the happy tone that runs throughout the movie and it's clear that they weren't trying to scare, shock or go for crazy action scenes but instead they just delivered a campy story. The special effects really aren't as bad as you'd expect in such a low-budget film. A major plus is the cast, which includes the beautiful Munro. While her acting might not be the greatest she at least fits the role perfectly and there's no doubt that her charm really helps keep the film moving. The highlight of the film would have to be that leather bikini thing she's dressed in for the majority of the running time. Plummer picks up a paycheck appearing in his brief part and the young Hasselhoff is pretty funny in his bit. Hamilton Camp deserves mention for his Southern voice of the robot and we get Joe Spinell as the bad guy. It's interesting to note that Spinell and Munro would go onto appear in MANIAC just two years later. STARCRASH isn't a masterpiece and it's not even a good movie but fans of camp should at least be entertained by it.
This is probably one of the best/worse movies I've ever seen, and I've been so much looking forward to its official release on DVD... Well at last that's it! Starcrash is available on DVD Region 2 in France! I certainly pray for a French dub option, as it makes the movie even more cheesy than it is! I'm certainly looking forward to seeing it again, as my VHS copy is so used now that it's not correctly read by my VCR. I wonder if it's going to be released in other countries. However, Starcrash is still brilliant... Just to see Christopher Plummer wondering during the whole movie what he's doing and why he accepted the part, know about his fantastic power as the Emperor of the Universe, to stop time for five minutes only, and see David Hasselhoff in one of his first movies ever... Of course, seeing the wonderful Carolin Munroe in a Barbarella-like part is also great fun!
Wusstest du schon
- WissenswertesChristopher Plummer admitted that he did the film so he could visit Italy for free. In an interview he said "Give me Rome any day. I'll do porno in Rome, as long as I can get to Rome. Getting to Rome was the greatest thing that happened in that for me."
- PatzerStella Star's wardrobe changes many times during a single scene through the entire film. At one point, her leather two-piece attire has a red collar and straps across her midsection. They disappear and later reappear during the same scene.
- Zitate
The Emperor: You know, my son, I wouldn't be Emperor of the Galaxy if I didn't have some powers at my disposal. Imperial Battleship, halt the flow of time!
- Alternative VersionenThere are two versions of this film, the U.S Theatrical Version and the longer European Version which has more opening titles.
- VerbindungenEdited into Star Crash 2 (1981)
- SoundtracksStarcrash Main Title
Written and Arranged by John Barry
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Starcrash: Ataque interstelar
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 1 Std. 32 Min.(92 min)
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen