Sparsh

I first heard about the director of this movie by a facebook post written by a fellow Sri Lankan movie lover. As mentioned in that post, the director Sai Paranjpye had received many acclaims for the movie and awarded many times. So without even thinking or researching (which I do before I decide to watch a movie if I haven't heard about it before) I downloaded it and watched it.

It was a slow start but I was amazed by Naseeruddin's acting and fell in love with Shabana's natural smile and eyes. And the plot was not a usual one to me.

To be honest, it took me sometime to fully attain to it but when I did, I couldn't took my eyes away. It was a great plot with great dialogs and characters. How she has captured the most inner feelings of the characters and how perfect the actors do their best to express it is truly amazing.

And even when I thought something might get wrong, well it doesn't. Everything was perfect and this became a movie which rushed tears in to my eyes.

Looking forward to watch more movies of the director. Hope they are available with English subtitles.

If there was any doubt that Naseer, in my humble opinion, is the best actor of our times, this movie lays those doubts to rest. Anirudh Parmar's character was (since it has been such a long time this movie was released) a challenge in two ways. Not only was Anirudh blind, but his handicap brought out the best of humanity in him. He chooses the noblest cause one of his handicap could undertake, to educate the less fortunate with the same handicap. Also, Anirudh's fierce pride as a productive human being had to be portrayed as such. Naseer not only stood up the challenge but overcame it as only he can. Which actor in the world (Dustin Hoffman included) could play a blind man, without wearing sun-glasses, as well as him playing Anirudh Parmar? For Naseer fans like myself, a definite MUST SEE!

As opposed to the general notion of Indian movies, this is not a regular run-of-the-mill film.

It is a sensitive movie, with intense performance by Naseeruddin Shah in the role of a self-respecting visually-impaired principal of a blind school, who hates the society for pitying people like him. He works towards making his students self-reliant. Shabana Azmi plays a social worker who has a troubled personal life supporting him as a volunteer. The movie depicts the relationship between the 2. The pride of the man and the sympathies of the woman are the cause of turbulence in their relationship.

The subject of disability on celluloid has its share of fans but I am certainly not one amongst them. I, for one, could not comprehend Sanjay Leela Bhansali's 'Black' and found it quite tedious to sit through. His 'Guzaarish' was no masterpiece for me either. So when I decided to watch Sai Paranjpai's 'Sparsh', I was a little apprehensive despite being a great fan of her other noted works- 'Katha' and 'Chashme Buddoor'. It stars Naseeruddin Shah and Shabana Azmi- two of the most celebrated actors in Hindi cinema- and after you finish viewing this little gem- you would have no doubts remaining as to why these two are so highly rated. Naseeruddin Shah plays Anirudh, a blind man, who runs an institute for blind children. Shabhana Azmi plays Kavita, a widow, who has not recovered from the death of her husband even three years hence.

Anirudh is shown to be self-reliant man who scorns at any efforts made to help him lead his life. He hates it when blind people are referred to as 'Bechaaras'. His is a really strong persona that commands respect from his students and staff alike. One, however, wonders whether this show of strength and courage an effort made by him to conceal the pain and incompleteness he feels within himself. Kavita on the other hand makes no attempt to hide her dolefulness and lack of purpose in life. She spends all her time in singing and gardening.

The story starts off really slowly with hardly any movement in the first twenty minutes. However things pick up considerably when Kavita joins Anirudh's institute as a mentor, guide, and friend to the children. They warm up to her immediately and start reveling in her presence. Even she is thrilled to receive so much love and respect from them. She starts coming to the institute on a regular basis and starts devoting her entire time and energies completely to the happiness and benefit of the children. She tells them stories, helps them prepare for dramas, but more than all this, she gives them the motherly love they were devoid of earlier. Meanwhile, the bond between Kavita and Anirudh starts getting stronger with each passing day. Regular meeting and interactions slowly gets translated into mutual liking. So much so that after some time they realize that they both need each other in their lives and decide to get married. However complications arise in the form of Anirudh's self doubts that get elevated by a few stray remarks made by his acquaintances. He starts to feel that Kavita is making a sacrifice by marrying him and is forcing herself into lifelong misery and compromise.

The running of the blind school is shown remarkably well. It looks like considerable research went into the whole thing and the results are just amazing. All the kids perform naturally, so much so that one is forced to wonder whether they were actually blind or just acting. There is one kid 'Paploo' who stands out, and incidentally he is the only kid in the school with the gift of sight. There is a small track about him feeling jealous of the blind kids as they managed get more attention from their aunty Kavita. There are a lot of moments between the kids and Kavita that are so endearing that you can't help smiling. The drama between Anirudh and Kavita too is very engaging. Same is the case with the interactions between Anirudh and his sighted assistant to whom acts as a 'love guru' (borrowing a modern lingo).

The strength of this movie lies in its dialogues. Unlike many other movies from the 1970s and 80s that looked like they were made without prior written material, this one looks like it was made after meticulous planning. The story is set in the suburbs of South Delhi- and even the locations are devoid of any misery or darkness just like the content. The music is soothing and works well for the film, however it boasts of no songs that are popular even today.

Parting note- Sparsh is a happy movie about life and learning to cope with its losses. Never once is a kid shown crying over his lack of sight, or feeling depressed about it. And that, for me, is film's greatest victory. Sai Paranjpye more than deserves all the plaudits she got for making this, so did Naseeruddin Shah (who got the National Award) and Shabana Azmi. Sanjay Leela Bhansali needs to take a cue from this movie and reflect on how he could have treated his earlier movies better.

For my views on more such lesser known movies from the world of Hindi cinema, please check out moviesandnomore. blogspot. com

This movie deals with people with handicaps – one is bitter due to blindness and the other is depressed due to heart break. Society tends to glorify blindness as a bigger handicap than heartbreak. The movie poignantly shows that both are debilitating and need a lot of work to overcome. Kavita and Anirudh are fortunate in discovering each other. Their individual handicaps first help them in working together, then bonding together and then tears them apart. A well-wisher has to step in ultimately to bridge the gap.

There are some endearing scenes with the kids and the dialog is very engaging. The sequence where Anirudh describes his perception of Kavita's beauty deserves special mention for its poetry. Both Naseer and Shabana excel in their minimalist style.