Saint Jack

an interesting story that probably worked better in print than film.I did not read the novel.Good Singapore location shots. There's probably more depth to the character Jack Flowers than most Gazzara roles as we watch him roam the underbelly of Singapore soliciting women, and in one scene,a pair of transsexuals.Technically, it's well done with slightly above average acting and direction.Good performances by some unknown actors. Still, one walks away wishing there was a little more substance to the main character and the film overall.All 'n all, it is worth seeing although it lacks in certain areas.

Singapore 1973 – Jack Flowers (Gazzara) a worldworn drifter, has finally found his niche. He is a small-time pimp, eking out a living arranging liaisons for jaded ex-pats and burned-out GIs. Everybody knows Jack and everyone likes him – a situation that changes rapidly when he decides to open his own house of ill repute.

Saint Jack is Peter Bogdanovich's most accomplished film. Made long after his Hollywood star had waned it is a low-key, character driven piece full of memorable scenes and performances. The Singapore it depicts is long gone, buried under acres of concrete and glass. The world Jack Flowers' inhabits is old school orient - sampans, alleyways, bustling markets and street hustlers. Denholm Elliot excels as the bemused, vaguely melancholy accountant Jack takes under his wing. Rodney Bewes and Joss Ackland do memorable turns as aimlessly Englishmen abroad. Former James Bond George Lazenby puts in an appearance as a slimy US senator and director Bogdanovich plays a CIA operative.

For a movie produced by Roger Corman and Hugh Hefner it's far from the exploitation fare its subject matter might suggest. Photographed by the great Robby Muller and based on a novel by Paul Theroux it's well worth a look. 8/10

**Also recommended for fans of this movie is "Kinda Hot: The Making of Saint Jack in Singapore" by Ben Slater (ISBN: 9812610693) - a fascinating behind-the-scenes look at the making of the film.

Set in the early 70's of Singapore as a pimp has his ups and downs in the sex industry. Pay close attention to the clever time frame and enjoy Ben Gazzara's wonderful performance. Bogdanovich hasn't made a decent film since this! A story nicely told.

Ben Gazzara is not the Jack Flowers I saw in Paul Theroux' novel; he's too self-confident by half. But different in tone as they may be, both Theroux' and Bogdanovich's "Saint Jack" are successes. The location shooting in Singapore and the utter lack of background music are among Bogdanovich's own touches. It's a fine, solid little film, sexy, political and all over bright. Gazzara works as a gofer for a Chinese business to maintain his visa. But his dream is to open his own brothel, which with the backing of a few friends, he does. But the Chinese "mafia" closes him down (the confrontation with a Chinese midget and his musclemen is memorable). And then the CIA, represented by Peter Bogdanovith, subsidizes Flowers in a new brothel for Viet troops on R&R. It lasts as long as the war does (his former Chinese employer rags Gazzara about the Vietnamese victory). Then Gazzara is forced into some sleazy blackmail which, finally, he rejects. A moral decision in a very amoral story. British actor James Villiers has a small but distinctive part as Frogget. In a conversation with bar cronies he says: "The last time I was in UK they made homosexuality legal. I said to my wife, I said let's get out of here before they make it compulsory." This is not on DVD yet. Why the hell not?

A poignant and evocative portrayal of the seamy side of Singapore that was banned by the island state's then Prime Minister Lee(no-chewing-gum) Kwan Yoo and which must have had him spluttering into his gin-sling. Jack Flowers (Ben Gazzara) is a pimp providing R & R for 'Nam GI's and tourists. Crossing the path of Triad gangs, who want to muscle in on his action, he refuses to be intimidated. By contrast his British ex-pat. acquaintances are post-colonial flotsam: all-day drinkers with no ambition but to live out the rest of their lives in a pastiche of Empire. The exception is William Leigh (Denholm Elliot) who gives a deftly understated and moving performance. Both BG and DE are utterly convincing in their interaction, which is the Anglo-American "special relationship" (and their countries' post-war global power shift) in microcosm. Gazzara matches arch scene-stealer Elliot belying the saying "Never act with children, animals or Denholm Elliot". With the plot covering prostitution, blackmail and protection and there is also a pervading feeling that in the 1970's there was no place on earth that was not corrupted by exploitation and misogyny. Understated and underrated, but brilliant cinema.