Lupin III: Das Schloss des Cagliostro

I don't like Japanese anime most of the time. In fact, the only anime I genuinely love comes from Miyazaki and Studio Ghibli. Now, I knew this movie was a Miyazaki film, but the fact that I'd never even SEEN or READ Lupin the series made me veeery hesitant to check this movie out. I'd seen it at the Library movie section but wasn't willing to fork over the one dollar to rent it.

I finally saw it yesterday, thanks to my sister, and MAN! was it awesome! I didn't expect it to play out like a regular Miyazaki film, but it did in every aspect I can think of: the animation style, the facial expressions, the plot, storyline and script, and the overall feel of the movie screamed Miyazaki. By the end, I even learned to love Lupin and the whole cast of characters who were all strangers to me at the beginning of the movie.

Aside from the corny 70's music, this movie was fun every step of the way. It was funny, romantic, dramatic, action-packed: everything! So I guess that sums it up well. I'm sorry I didn't watch it before, so now i'm telling you--GET THIS MOVIE! I'm sure you will find at least something in it that will entertain you.

The Castle of Cagliostro doesn't really conform to the usual expectations one might have of the great Miyazaki's work, particularly in light of his more personal and celebrated projects like Kiki's Delivery Service, Spirited Away and My Neighbour Totoro. However, that said, it is worth noting that the film will definitely appeal Miyazaki's die-hard fans who are interested in seeing how their master's unique visual style would develop from this, his first theatrical film, through to the films aforementioned. It is also an important document within the whole world of Manga/Anime, as it represents what some fans consider to be the definitive film adaptation of the long-running and highly celebrated Manga series Lupin III.

Although it is true that the film lacks the flair and the individual charm that Miyazaki would develop throughout his later work for his famed Studio Ghibli, we can certainly see his unique style and his intuitive approach to character developing through the high-risk escapades found here. The Lupin III series focuses on the suave gentleman thief Arsène Lupin (distilled from the character found in Maurice Leblanc's long running series of novels... hence the lineage), who gets himself into all manner of scrapes and adventures whilst trying to readjust the economical balance. The film gets off to a great start with Lupin and his gang making a getaway from a robbery just pulled on the national casino of Monaco. When the gang discover that the haul has left them with a fortune in counterfeit cash, they head for the small European duchy of Cagliostro to lay low and investigate. However, once there, Lupin and his chums inadvertently stumble across a national conspiracy going back hundreds of years, and find themselves having to rescue the beautiful Clarice from the hands of the evil Count de Cagliostro, whilst, in the process, trying to solve the mystery of a hidden treasure dating back to the 15th century!!!

Although the plot outline sounds a little confusing (it might just be my poor description!!), the film itself is a great adventure, with Miyazaki showing early signs of his firm grasp of action (it is often said that a certain Steven Spielberg once called Cagliostro the greatest action movie ever made!!), as well as offering many great moments of piercing high-tension. As always, the director is just as capable of creating great scenes of drama (and even some subtle moments of pathos) as he is at creating the more high-octane moments, whilst always ensuring that the characters are likable and totally believable in what they do.

The Castle of Cagliostro may seem a little out of place when viewed alongside the director's more iconic films, though that isn't to say that the film is without merit. Here Miyazaki shows his depth as a filmmaker, creating a rousing action adventure with great characters, some broad humour and a handful of memorable moments. It's probably not the best place to start for those new to Miyazaki's work (try Spirited Away or My Neighbour Totoro), but at the same time, it shows his development as a filmmaker, as well as offering a great story, and a more than welcome addition to the Lupin III canon.

Early feature directed by the now world famous Japanese animator, Hayao Miyazaki. A roguish thief, Lupin III, attempts to save the Lady Clarisse de Cagliostro from an evil Count, both of them well aware that she holds the secret to a legendary hidden treasure.

The animation is, unsurprisingly, much less sophisticated than in the later Studio Ghibli films, or even those released only a few years after such as "Nausicaa". However, the quality is still very high and Miyazaki's trademark attention to detail, particularly with machines, is noticeable already.

The character animation is much broader and more obviously cartoon-like but this matches the very light tone of the film - this is an all-out action comedy adventure, after all! The details in the film give it a very European feel, from the costumes to the cars (wonderfully animated Fiat 500 and Citroen 2CV), and I was most reminded of Herge's "Tintin" adventure series.

This film is good fun, though I did find the pacing a little uneven, and particularly recommended to those who enjoy their animated films a bit simpler and more conventional than most of Studio Ghibli's output.

"The Castle Of Cagliostro"(TCOC) from 1979 is the grand debut Hayao Miyazaki, one of the world`s finest filmmakers and a master of anime. TCOC is a movie that has it all; action, adventure, romance, comedy. It is a superb movie that appeals to everyone. The main character is Lupin, the master thief, who you may know already if you have read the manga which this is based upon. Lupin travels to a European country called Cagliostro, where he intends to uncover the secret of The Castle Of Cagliostro. This is a must see, and it is also my favorite of all the Miyazaki-films.

10/10

I have two Japanese animated feature films from 1979, this one and one of the sequels to Space Battleship Yamato. Compared to the animation in Yamato (which is flat and often motionless), Lupin is Snow White. There is so much movement (more than some of Miyazaki's later films), and there are some truly incredible "set" pieces (Lupin scaling a sheer castle wall, for instance). One of the things that has always been noted about Japanese animation is that while it's not as fluid as Disney animation (12 frames per second as opposed to 24, not to mention the animation is generally before the voice track), it has incredible style and originality in its design and cinematography. Lupin is a perfect example of this, and it's no wonder the movie is still so well revered in Japan.