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IMDbPro

The Rose

  • 1979
  • 12
  • 2 Std. 5 Min.
IMDb-BEWERTUNG
7,0/10
9668
IHRE BEWERTUNG
Bette Midler in The Rose (1979)
The tragic life of a self-destructive female rock star who struggles to deal with the constant pressures of her career and the demands of her ruthless business manager.
trailer wiedergeben1:01
1 Video
82 Fotos
Showbiz-DramaTragische RomanzeDramaMusikRomanze

Das tragische Leben einer selbstzerstörerischen Rockstar-Frau, die mit dem ständigen Druck ihrer Karriere und den Anforderungen ihres skrupellosen Geschäftsführers kämpft.Das tragische Leben einer selbstzerstörerischen Rockstar-Frau, die mit dem ständigen Druck ihrer Karriere und den Anforderungen ihres skrupellosen Geschäftsführers kämpft.Das tragische Leben einer selbstzerstörerischen Rockstar-Frau, die mit dem ständigen Druck ihrer Karriere und den Anforderungen ihres skrupellosen Geschäftsführers kämpft.

  • Regie
    • Mark Rydell
  • Drehbuch
    • Bill Kerby
    • Bo Goldman
    • Michael Cimino
  • Hauptbesetzung
    • Bette Midler
    • Alan Bates
    • Frederic Forrest
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,0/10
    9668
    IHRE BEWERTUNG
    • Regie
      • Mark Rydell
    • Drehbuch
      • Bill Kerby
      • Bo Goldman
      • Michael Cimino
    • Hauptbesetzung
      • Bette Midler
      • Alan Bates
      • Frederic Forrest
    • 67Benutzerrezensionen
    • 35Kritische Rezensionen
    • 67Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 4 Oscars nominiert
      • 5 Gewinne & 12 Nominierungen insgesamt

    Videos1

    Official Trailer
    Trailer 1:01
    Official Trailer

    Fotos82

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    Topbesetzung93

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    Bette Midler
    Bette Midler
    • Rose
    Alan Bates
    Alan Bates
    • Rudge
    Frederic Forrest
    Frederic Forrest
    • Dyer
    Harry Dean Stanton
    Harry Dean Stanton
    • Billy Ray
    Barry Primus
    Barry Primus
    • Dennis
    David Keith
    David Keith
    • Mal
    Sandra McCabe
    • Sarah
    Will Hare
    Will Hare
    • Mr. Leonard
    Rudy Bond
    Rudy Bond
    • Monty
    Don Calfa
    Don Calfa
    • Don Frank
    James Keane
    James Keane
    • Dealer
    Doris Roberts
    Doris Roberts
    • Rose's Mother
    Sandy Ward
    Sandy Ward
    • Rose's Father
    Michael Greer
    Michael Greer
    • Emcee
    Kenny Sacha
    • Female Impersonator
    • (as Claude Sacha)
    Michael St. Laurent
    • Female Impersonator
    Sylvester
    Sylvester
    • Female Impersonator
    Pearl Heart
    • Female Impersonator
    • Regie
      • Mark Rydell
    • Drehbuch
      • Bill Kerby
      • Bo Goldman
      • Michael Cimino
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen67

    7,09.6K
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    Empfohlene Bewertungen

    tellafriend

    Do not miss this film! A masterpiece in disguise!

    Bette Midler IS the Rose! There are not too many films out there in which the viewer forgets their watching a movie - this is one of them. Watching The Rose is almost like snooping on someone's personal life... you know you shouldn't but you can't believe what's being revealed to you right before your eyes! Bette Midler is simply "divine" and completely believable as the worn-out, alcohol-abusing rock star who is in dire need of love and a break but continues to please her audience - and her ruthless, money hungry manager. After kicking a bad drug habit we watch her throughout the movie slowly, little by little, sink back down to the bottom. You root for her throughout hoping she just runs away from the rock and roll life that's slowly killing her but she seems to need it as much as it needs her. In the end it devours her and we're left wondering "why". This film changed my life when I was a teenager with a rock 'n' roll dream. Bette Midler pours her heart and soul into this film, and it shows in every frame. Combine that with an awesome sound track, breathtaking full length song performances and an over-the-edge personality and you have one heck of a film here!
    10dm317

    An OSCAR worthy film and performance.

    The Rose is about a woman whose sole purpose in life was to give of herself completely. Protected from adult responsibilities by her manager, "Rose" dug further and further inside herself, alienating all those who loved her. With an adolescent attitude toward life, she indulged in every excess. The poignant scene in the phone booth, where she overdoses on a lethal combination of pain killers, heroin, and booze is certainly worthy of an Academy Award. We feel her pain, and we really believe we are seeing a woman in the last hour of her life. Killing herself before our eyes, yet we are helpless to stop her. We can't stop watching. The final scene, and the final song Rose sings, Stay With Me, is filmmaking at its best. It sums up her life, and the life of so many talented musicians (Kurt Cobane, Jim Morrison, etc). Rose was desperate to have someone, anyone, who was there just for her. Yet she pushed everyone away who truly cared about her. Bette Midler's passionate and inspired performances in concert footage is unforgettable. The Rose is one of the best movies ever made.
    8Lechuguilla

    An Emotionally Moving Story With One Electrifying Performance

    As a pumped-up, neurotic 1960s rock star named Rose, Bette Midler energizes this film with a soulful, emotional performance deserving of Oscar recognition. Midler animates the character so well that, paradoxically, she rather overwhelms the film's plot about a famous singer who nonetheless is insecure and fragile.

    I would estimate that roughly a quarter of the film's runtime consists of Midler on-stage singing and performing in front of an audience of hundreds, and in one case thousands, of extras as part of a real-life concert. The technical logistics of putting together such a believable event is quite impressive, with multiple cameras, special effects, complex lighting, and in only one camera take.

    The non-concert plot has Rose in various states of emotional highs and lows, mostly lows, as she laughs and cries, whines and moans, and argues and fights with those around her. This is a lady who is controlled by emotion, not reason or logic. She laughs one minute, cries the next, then laughs, then cries some more.

    As such, the plot trends emotionally repetitive, though we as viewers sense that all this enormous gushing of raw feeling can't continue indefinitely. And thus with great effect, the film has a dramatic ending, one that combines character resolution with stunning visuals, followed by end credits set against the musical backdrop of Amanda McBroom's moving, hymn-like title song, "The Rose".

    By far the best element of the film is Midler's electrifying performance. Yet, the concert footage and film editing are also impressive. The weak link is a plot that, though acceptable, seems anemic in comparison to Midler and the stunning visuals.

    Inspired by the unnerving musical career of Janis Joplin, "The Rose" presents viewers with an emotionally moving story, character driven, that is set within an overall film production that is technically both competent and credible.
    10pachl

    Bette's masterpiece

    In THE ROSE, Bette Midler plays a character based on the life of Janis Joplin. This one of those rare movies where everything works perfectly. Although she is amazingly talented, I sometimes wonder if Bette herself ever looks back on this movie and wonders how she managed such an amazing portrayal, in the same way that an Olympic skater reviews the footage of a 10.0 performance and is stunned that every blade stroke really is picture perfect.

    While the storyline is memorable, and the acting superb, music outshines everything else. This is a movie from 1979, a time when rock and roll was still considered a lifestyle, and big rock bands were treated with absolute god-like adoration. Music mattered. It was a vital part of peoples' lives, and in THE ROSE it reaches the heights of excellence that normally exist only in memories that have improved with age. In this case, the music sounds as vibrant, exciting, and fresh today as when the movie debuted.

    Bette belts out these songs with soul and fiery passion. The only other contemporary singer I can imagine doing a similarly credible job is Melissa Etheridge.

    Sissy Spacek won the Best Actress Oscar for Coal Miner's Daughter (1980), but in retrospect I'm sure a lot of people regret not having awarded it to Bette Midler. This was not only an amazing, high caliber performance, but one that the passage of time has not diminished. This is a stunning movie. My dream is to rent a movie theatre for an evening, invite 30 friends, and relive this great experience.

    Movie theatres used to be bigger, and were aptly called "movie palaces". THE ROSE deserves to be seen in such a grand venue. In the rich pantheon of movie history, THE ROSE is true royalty.

    Note added October 9, 2007: It has been over a year, and I have no indication if anyone has ever read this review. If you read it, even if you give it a thumbs down, please answer whether the review was useful to you or not. I just am so curious if anyone will EVER read it. Right now, I'm listening to the soundtrack. This movie is timeless.
    BlackJack_B

    Awesome!

    I'm no fan of Bette Midler, but I was mighty impressed by her first starring role in "The Rose". The Divine Miss M plays Rose, a Janis Joplin-type, living her last days in a sea of sex, booze, and drugs. The movie shows painfully and slowly how her life goes completely out of control, while her friends and management are helpless.

    Midler, unlike the unbearably long line of singers/rappers/divas/bubblegum pop stars who have done acting, can do both and dominate. Midler's Oscar-nominated performance is awesome, and her singing voice is superb as she belts out the songs with panache. If you want to see her do something else besides the endless comedies she does, check this one out.

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      The movie was originally titled "Pearl", which was a biographical movie based on Janis Joplin's life. The film's screenplay was revised and fictionalized after her family declined to allow the producers the rights to her story.
    • Patzer
      When Rose's airplane lands for her St. Louis show, the airport is surrounded by mountains.
    • Zitate

      Rose: Ain't it just grand layin' there late at night in your bed, waitin' for your man to show up? And when he finally does, at oh about 4 o'clock in the mornin', with whiskey on his breath, and the smell of another woman on his person... Oh honey, I can smell another woman at 500 paces. That's a easy one to catch.

      [crowd gets really noisy]

      Rose: Oh, the women are getting nasty. So what do you do when he comes home with the smell of another woman on him? Do you say, "Oh honey, let me open up my loving arms and my loving legs. Dive right in, baby, the water is fine"? Is that what you say, girls?

      [the women in the crowd scream "No!"]

      Rose: Or do you say, "Fuck this shit! I've had enough of you, you asshole! Pack your bags. I'm putting on my little waitress cap and my fancy high-heeled shoes, I'm gonna go find me a real man. A good man, a true man."

    • Crazy Credits
      Lyrics of "The Rose" are displayed at the end of the credit crawl, scrolling to the ending of the song.
    • Alternative Versionen
      CBS edited 14 minutes from this film for its 1984 network premiere.
    • Verbindungen
      Edited into Die Linda McCartney Story (2000)
    • Soundtracks
      The Rose
      Music by Amanda McBroom

      Lyrics by Amanda McBroom

      Performed by Bette Midler

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 8. Februar 1980 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • La rosa
    • Drehorte
      • New York City, New York, USA
    • Produktionsfirma
      • Twentieth Century Fox
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    Box Office

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    • Budget
      • 8.500.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 29.174.648 $
    • Eröffnungswochenende in den USA und in Kanada
      • 793.063 $
      • 11. Nov. 1979
    • Weltweiter Bruttoertrag
      • 29.174.648 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 2 Std. 5 Min.(125 min)
    • Farbe
      • Color
    • Seitenverhältnis
      • 1.85 : 1

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