Richard Pryor: Live in Concert

This guy is pretty darn funny. He makes a great dog, for instance. And a great John Wayne. And if you've seen Eddie Murphy's Delirious, you have to watch this. This is where Eddie stole must of his jokes, and most of his style, only one slight difference: Richard Pryor came first, and it's still better than anything Eddie has ever done. Go see this one. IT'S A HOOT!

This was the first time a stand-up comedian was filmed doing his act, and most people predicted that it would fail. Bill Sargent had the idea of filming Pryor's act, but since most of the industry thought it would flop, they had trouble getting anyone to distribute it, so a few mavericks in the industry distributed it themselves. It was cheap to make, all the profits would be gravy, and the men who made it believed that people would respond to Richard Pryor's act. Video was just coming out and would soon be a force, and Pryor was at the top of his game, and the gamble paid off. Now we take for granted watching stand-up comedy on TV and everywhere else, but at the time bringing a comedy routine to the big screen, especially one as raunchy as Pryor's, was considered a huge risk.

But Pryor is on fire in front of his audience. He's honest and raw, and doesn't pull any punches. And because of that you'll laugh so hard your gut will bust. But when you watch this film it is of interest to realize that at the time it was filmed there was no "Def Comedy Jam." There was no Bill Cosby "Himself." That all came after this. Richard Pryor and a few daring producers brought this genre to life with this one act, and had it not been so incredibly good, it might not have become the money making and entertaining part of the industry that it is today.

When you watch this you can know you're watching the first and the best.

I am 34 year old and i was 6 years old when this concert was filmed in 1979,i saw it as a little boy and countless times until this day,i am so lucky to have been born in Richards Generation to have had the opportunity to witness this man come on stage with all of his imperfections and personal problems and share it with me and the rest of the world in a way where it makes us laugh.

Thinking about the loss of Richard Pryor makes me want to cry because i feel like he was someone i knew personally,thats the effect Richard Pryor had on everyone that watched him pro-form on stage,he broke the color line,even thought he is clearly a African American man,Richard Pryor made people of other races so comfortable listening to jokes revolving around race and social status.

I know there are other comedians that are great in their own right but the truth be told,Richard Pryor is and will always be regarded as the Best comedian that ever lived and this concert is the performance that proves that very fact.

RIP Richard,thank you for the laughs and joy and now the sadness you brought us all,we will never ever forget you....

I can't express how dazzlingly brilliant this routine is. The jokes, the faces, the mime, the banter, ad-libs - everything amazes. This is the 'Citizen Kane' of routines and many comedians since have taken inspiration from it including Eddie Murphy (esp.) Chris Rock and Eddie Izzard.

Yes it is profane, but if you are stupid enough to watch a Pryor stand- up without being prepared for extreme 'vulgarity' then frankly you deserve to be offended. The language, although extreme isn't that shocking (even the now dreaded 'N' word) because it is all part of Pryor's 'jive' and would be poorer without it.

Watch this and see a master at the top of his game.

A contemporary review of 1979's Richard Pryor: Live In Concert could not have foreseen the staying power of this historic performance. Decades later, our viewing experience is heightened by our awareness of Pryor's later misfortunes, and the disappointing resurrection of old hatreds by demagogues determined to exploit America's racial divide.

Pryor's transformative performance gives a tantalizing glimpse of a more harmonious America, one that could have been but did not come to pass. People on both sides remain unable to overcome their self-identification first by race, and then a long way lower down the list, by shared citizenship. Through a series of spot-on skits that reveal our culture-centric absurdities, Pryor effectively communicated our shared humanity. He showed us what might have been.

Today's viewer of this classic will detect the transformation of the mixed and initially apprehensive audience into a unified body, brought together by laughter not at Pryor's illustrations of the other side's haplessness, but of their own.

By so convincingly showing us what might have been, today's viewers now realize that Pryor was not merely the Black comedian whose career followed Cosby's unctuous panderings and pre-dated Eddy Murphy's wisecracks. He was on a different plane entirely, a visionary who like Lenny Bruce who forced us to acknowledge the self-diminishment of our lives that is the consequence of giving in to our fears.

Now considered by many to be the greatest stand-up performance ever captured on film, the venue, lilly-white Long Beach CA, provided just the right atmosphere for Pryor to drive home his humor to a near-equally mixed audience by race.

At the beginning, the viewer can sense a subtle unease among the audience, perhaps brought on by concern that Pryor's central theme, about how strange it is to be Black in America, could lead to a bad vibe in the room and even animosity.

Pryor picks up on this the moment he walks onstage. Through a spontaneous improvisation of a white man requesting his reserved seat be vacated by the Black man occupying it, Pryor's impersonation of both characters proves to be a metaphor for the chasm that exists between the races, affecting even the most mundane interactions. Disarmed and intrigued, the audience now understands that this night will be about the comedy of being human, about foolish is their behavior when people play into their respective stereotypes, meaning that ultimately the joke is on them.

By expressing the triumph of shared humanity over the damage done through obsessive self-identification with "our people," Pryor's humor illuminates the folly of prejudice through biting insight and some brilliant physical comedy. Viewers of the film were provided moments of audience reaction, and as it turned out, people laughed loudest when Pryor delivered a spot-on depiction of THEIR race's stereotypes. By the end of his never- flagging 70-minute performance, he had brought together those hundreds of people who at the beginning seemed so far apart. Pryor delivered a performance for the ages, one from which we still can learn - and laugh.