Ein Porträt des Künstlers als junger Mann

I'm planning a trip to Ireland - both the Republic and the North - later this year, so I decided to read some of its literature. I started with "A Portrait of the Artist as a Young Man" by James Joyce, and I've now watched Joseph Strick's movie adaptation. A pretty good one, even though it's not the easiest book to adapt. This focus on a man's slow rebellion against his conservative surroundings and evolution as his own person is likely to please literature fans.

I suspect that the protagonist stands in for Joyce himself. Although Joyce was a lapsed Catholic, I don't know what his views on the Catholic Church were; in the movie at least, it comes out looking pretty bad. Maybe that's just a modern interpretation (especially since the once devoutly Catholic Ireland has become rather irreligious).

Either way, I recommend this adaptation of the novel, and obviously the novel itself.

A delicate, brooding adaptation of Joyce's slim novel. The well-chosen cast struggles and mostly succeeds with the dialogue, largely taken directly from Joyce's words. In effect, this movie is the book come to life - as exactly as 90 minutes of film will allow.

Standouts include Stephen's father and a rousing interpretation of the famous description of Hell from John Gielgud.

The sensual novel, however, is made stiff and sometimes rather bland in deference to its philosophy. Bosco Hogan, as Stephen, gives a stone face and precious little energy to the interior monologue. By the end, his subtle gestures are a tad too subtle.

This movie takes perhaps too reverent a tone with the book. Even the sex scene is handled with a delicate, dry touch. What we are left with amounts to a series of images with a spoken word soundtrack. Sometimes this faithfulness to the book is to the detriment of the movie - It can be difficult to follow and drags in many places. Many of the shots are suggested directly from the text as if it were a screenplay in code - I found myself wishing that the director would take control and actually tell a story.