Das Böse

I bought the DVD (an older one, not the one that's been referred to here) of this ages ago, watched it once, got bored and didn't watch it for months. Then I shoved it in my player the other night because I had nothing better to do and I have to say it has improved immeasurably the second time around. This is mainly because I was aware that it had a confusing plot which I'd previously decided made no sense, so I wasn't focussing on that aspect of the film this time around. Instead I noticed the really effective musical score, one of the best I've heard, and the excellent cinematography/lighting which give the film a very tense and quite frightening atmosphere. The acting isn't so good and the dialogue in one mercifully short early scene (where two characters meet before the funeral that sparks the plot off) borders on C-movie-style contrivedness, but overall it's an enjoyable flick with plenty of memorable sequences and a sense of pace and enthusiasm last seen in The Evil Dead.

I've never understood why the film has this reputation as been scary because it really isn't. Take away the that one scene with the orb (along with the two brief topless scenes which are totally unnecessary) and there is no way this would have been X or R rated. That's not to say though that its not entertaining because it most certainly is. The story does gets a little incoherent at times, probably due to how much it was cut down in the editing from nearly 3 hours to 88 mins!. The ending left me totally confused when I first watched this on on VHS as a teen in the late 80's and it was only because a more observant friend was present that I got what had gone down! It also relies a little too much on the hoary old horror trope of characters stupidly splitting up when they should stay together to drive the narrative along in places. But all in I enjoyed it and its a slice of horror history for sure if you've not seen it previously.

Like everyone that has reviewed this film before me, I am going to sing it's praises, however, unlike those before me, I'm not quite sure why. This film did everything it was supposed to do as a horror film. It scared me in a few areas, it was quite gory in others and it was easily one of the ten most quirky and bizarre films I have ever seen. I can't tell you why anything transpires the way it does in here, I can't even tell you why people do the things they do, but I don't really think that is the point of the film. Like David Lynch's Mulholland Drive, this is more of mind altering experience or a dream that just doesn't make any sense. Perhaps this is a film that is esoteric by design and if that is the case then perhaps I should just watch it over and over again until I do have some sort of puerile grasp of it.

Dictionary.com's definition of a phantasm is "in Platonic philosophy, objective reality as observed by the five senses." Another definiton it gives is simply, "a notion". And if you watch this film from beginning to end you will see why this makes all the sense in the world, yet it is still an abstruse concept that is meant to be exactly what it is.

The film begins with a funeral of one of Jody (Bill Thornbury) and Reggie's (Reggie Bannister) best friends. Jody's little brother, Mikey ( A Michael Baldwin) is a precocious kid who can't seem to stay in one place and follows his big brother everywhere he goes. Hence he is at the funeral but is surreptitiously hiding out in the bushes. As the funeral ends, he sees the caretaker lift a casket all by himself and put it into his truck. This is the nascency of the bizaare rituals that encompass the film.

Michael decides to investigate the strange looking mansion where the cemetery rests. Once he breaks into the house, he is chased by some strange Jawa looking creatures and by a sphere that seems to come out of nowhere and drains your head of blood. He does escape and finally gets his big brother to believe him when he says that things aren't quite right up at the Morningside Cemetery. Now, up until this point, the film is quite linear. You have your classic set-up, a spooky looking mansion where the dead are taken and your typical stupid characters that do the traditional scary movie things, like going to investigate a haunted house all by yourself, gratuitous breast shots, some eerie music and dark nights. But that is where the title "typical horror film" ends and it crosses over into Rod Serling territory. From here on out, it just goes weird, but in a goosebump inducing way that keeps you frozen in your seat.

Don Coscarelli can take all of the praise and/or blame for this eccentric film. He wrote, produced, directed, was the DP, the editor and as another reviewer so aptly pointed out, he probably swept the floors at night and fetched coffee for those on the set. This is his incarnation. I also happen to agree with other viewers that say that this film has one of the most haunting yet mellifluous scores which is on par with Carpenter's Halloween theme. Both are intricate pieces to the presence of the film. Words like haunting, eerie, creepy and forbidding all come to mind when you hear the score. It is also uncanny to see some of the similarities to A Nightmare On Elm Street and Phantasm. Nightmare was a little more clear with what it was trying to say but both films have an overtly murky and dream like exploration into realms that many of us have yet to understand.

The underlying theme in this film is the unsolved questions that plague many of us when we wonder what happens when you die. Most of us believe that you go to Heaven or Hell. But those are just theories. And if theories are unproven then what is stop you from believing that this movie could really be the answer to those questions? As the tag line for the film so poignantly points out, "If this one doesn't scare you, you're already dead." What if all of this was true? What if you could be stolen and made into something that you did not ask to become? Who is the Tall Man and what is he doing here in our world? One of the most harrowing yet well done plot pieces is when Mikey goes to the girl's house and finds an old picture of the Tall Man sitting on a horse carriage, looking like it is circa 1776. This leaves the viewer ripe with questions.

Phantasm will leave you with more questions than answers but I will say this about the film. In a day and age where you get prosaic, banal and myopic efforts like ( take your pick of most of the horror that has "graced" our screens since the Scream and Blair Witch craze) and you compare them to films like Halloween, Texas Chainsaw Massacre and Phantasm, you quickly realize that the 70's and early 80's was the genesis of the horror film. I realize horror probably dates back to Nosferatu and it became respected with Psycho, but to look at the films that were born in the 70's and 80's, it's a veritable, indefeasible list of some of the most revered and imitated horror films of all time. Now that I have seen Phantasm I can easily see the mark it has left on other films.

9 out of 10----As I said, I still can't tell you what this film is all about nor can I tell you what it all means or how it all ends, all I can say is that it made me feel something strange with it's disingenuous stroke of the brush. This is a film that absolutely demands a second and third viewing....which is what I am about to do right now. BOY!!!!!!!

...I'd probably hallucinate something of this caliber. This movie is all over the place! There's a weird looking guy having sex with a weird looking gal in a graveyard, and she turns into a weird looking old guy! Then there's four-wheelin' and guitar jammin' and weird looking psychic grandmas and weird looking dwarf zombies and metallic, gardener-splattering spheres and a weird looking severed finger that turns into a weird looking bug and a hero who doubles as an ice cream man!!

The movie is highly entertaining and keeps moving, and there's the classic moment when the older brother is hit in the leg with the hammer by the kid brother ("Maybe it was that retarded kid down the street"). I loved it! But it IS weird looking....

Mike (A. Michael Baldwin) and his older brother Jody (Bill Thornbury) are mourning the death of their parents in a small Oregon town. Together with their friend Reggie (Reggie Bannister), an ice cream man, they must do battle with a nefarious undertaker known only as The Tall Man (Angus Scrimm) and his various minions...not to mention a neat flying sphere that can puncture skulls.

Writer / director / cinematographer / editor Don Coscarelli truly hit paydirt with this enduring fan favorite, a horror / fantasy classic that spawned a franchise spanning over three and a half decades. A great film it is not, but it sure is a fun and entertaining one. Admittedly, the acting is mostly amateurish and our heroes less interesting than our villain. But Coscarelli clearly enjoys himself playing with as much "it's all supposed to take on the tones of a nightmare" shtick as he can. He never does worry about any of this making sense.

Baldwin, Thornbury, and Bannister are at least likable as our heroes, especially Bannister, whose character turned into more of a badass as the series went on. Kathy Lester is alluring as a mysterious "lady in lavender". But "Phantasm" ultimately belongs to the imposing Scrimm, whose appearance is very memorable. "BOOOYYY!!!"

The film also benefits from a music score by Fred Myrow and Malcolm Seagrave that is pretty catchy, in particular its haunting, somewhat "Halloween"-esque main theme.

The main set piece involves the sphere mutilating a caretakers' face; Coscarelli fought the MPAA to keep this sequence in the film and actually succeeded.

Worth watching, at least once, by devotees of the horror genre.

Seven out of 10.